Amandine Beyer, Gli Incogniti - Monsieur Couperin: Apothéoses (2014)
Amandine Beyer, Gli Incogniti - Monsieur Couperin: Apothéoses (2014)
EAC | FLAC | Tracks (Cue & Log) ~ 414 Mb | Total time: 57:34 | Scans included
Classical | Label: Harmonia Mundi | # HMC 902193 | Recorded: 2014
EAC | FLAC | Tracks (Cue & Log) ~ 414 Mb | Total time: 57:34 | Scans included
Classical | Label: Harmonia Mundi | # HMC 902193 | Recorded: 2014
Francois Couperin 1668-1733. Gli incogniti, Early Music Ensemble, Amandine Beyer (violin). When he published his two Apotheoses in memory of two great masters of music in 1724-25, Couperin was asserting his desire to promote a meeting of the French and Italian styles, from a very Gallic point of view, naturally. The idea was to convince the French muses that henceforth one could say sonade and cantade in their language, a strategy already persued in the much earlier La Sultane and La Superbe. But, far from blindly imitating his idols, Couperin takes inspiration from their styles and adapts them to his own brio. The results is a delight for all to share with the musicians of Gli incogniti and Amandine Beyer who's debut Harmonia Mundi label recording this is.
Performer:
Gli Incogniti
Amandine Beyer, violin & direction
Tracklist:
François Couperin (1668-1733)
La superbe, Sonade en trio
01. I.
02. II.
03. III. Très lentement
04. IV. Légèrement
05. V. Air tendre
06. VI. Gayement
Apothéose de Lully
07. Gravement. Lulli aux Champs Elisés: Concertant avec les Ombres liriques.
08. Gracieusement. Air pour les mêmes
09. Trés viste. Vol de Mercure aux Champs Elisés, pour avertir qu’Apollon y va descendre.
10. Noblement. Descente d’Apollon qui vient offrir son violon à Lulli, et sa place au Parnas
11. Viste. Rumeur souteraine causée par les auteurs contemporains de Lulli
12. Dolemment. Plaintes des mêmes: pour les Flûtes ou des violons très adoucis.
13. Très légèrement. Enlévement de Lulli au Parnasse
14. Largo. Accüeil entre Doux et Agard, fait à Lulli par Corelli et par les muses italiénes.
15. Gracieusement. Remerciment de Lulli à Apollon
16. Elégamment, sans lenteur
17. Légèrement
18. Air léger / Second air
19. Gravement
20. Vivement. Saillie
21. Rondement
22. Vivement
Le Parnasse, ou L’apothéose de Corelli
23. Gravement. Corelli au piéd du Parnasse prie les muses de le recevoir parmi elles.
24. Gaÿment. Corelli charmé de la bonne réception qu’on lui fait au Parnasse, en marque sa joye.
Il continüe ave ceux qui l’accompagnent.
25. Notes égales et coulées, et modérément. Corelli buvant à la source D’hypocrêne sa troupe continue
26. Vivement. Entouziasme de Corelli causé par les eaux D’hypocrêne
27. Notes égales et coulées. Corelli aprés son Entouziasme s’endort; et sa troupe joüe le sommeil suivãt très doux.
28. Vivement. Les muses reveillent Corelli, et le placent auprés D’Apollon
29. Gaÿment. Remerciment de Corelli
La Sultane, Sonade en quatuor
30. I.
31. II.
32. III. Air. Tendrement
33. IV.
34. V. Légèrement
35. VI.
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 1. November 2022, 21:12
Gli Incogniti - Amandine Beyer / Couperin - Apothéoses Monsieur Couperin
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Amandine Beyer, Gli Incogniti - Monsieur Couperin: Apothéoses (2014)
Thanks to the original releaser