Alan Curtis, Il Complesso Barocco - Handel: Ariodante (2011)
Alan Curtis, Il Complesso Barocco - Handel: Ariodante (2011)
EAC | FLAC | Image (Cue & Log) ~ 0,98 Gb | Total time: 69:54+63:50+59:15 | Scans included
Classical | Label: Virgin Classics | # 5099907084423 | Recorded: 2010
EAC | FLAC | Image (Cue & Log) ~ 0,98 Gb | Total time: 69:54+63:50+59:15 | Scans included
Classical | Label: Virgin Classics | # 5099907084423 | Recorded: 2010
The scope and grandeur of Handel's operatic output – the musical variety and inventiveness, the depth of psychological insight, as well as the sheer volume of works – continue to astonish as new operas are brought to light and more familiar works are given productions and recordings that do justice to the material. Ariodante, written in 1735, is nowhere nearly as frequently performed as the more famous operas like Giulio Cesare, but neither is it entirely obscure, and there have been several very fine modern recordings. This version with Alan Curtis leading Il Complesso Barocco can be recommended without reservation to anyone coming to the opera for the first time or for anyone who's already a fan. It's sonically impeccable, with full, spacious sound that's at the same time intimate and finely detailed. Curtis has a sure grip on the opera's depths of passion and its dramatic trajectory – the libretto, by Antonio Salvi, based on an episode from Ariosto's "Orlando Furioso," is one of the most direct and emotionally potent that the composer set – and he brings the urgency of the story vividly to life. The superb cast is fully invested in the characters and performs with unguarded intensity. In the title role mezzo-soprano Joyce DiDonato sings with sumptuous tone, acrobatic agility, and penetrating dramatic honesty; this is a performance that even further cements her standing as one of the outstanding singing actresses of her time. The rest of the cast is very much in the same league; sopranos Karina Gauvin and Sabina Puértolas, bass Matthew Brook, and tenors Topi Lehtipuu and Anicio Zorzi Giustiniani have gorgeous voice and sure dramatic instincts, and contralto Marie Nicole Lemieux, with a voice and temperament that call Marilyn Horne to mind, practically steals the show as the villainous Duke of Alba. Il Complesso Barocco contributes as much as the singers, not only to the richly textured musical fabric but to the surging dramatic momentum.–Stephen Eddins
Performer:
Aroidante - Joyce DiDonato
Ginevra - Karina Gauvin
Dalinda - Sabina Puértolas
Polinesso - Marie Nicole Lemieux
Lurcanio - Topi Lehtipuu
Il Re di Scozia - Matthew Brook
Odoardo - Anicio Zorzi Guistiniani
Il Complesso Barocco
Conductor - Alan Curtis
Track List:
CD1:
01. Ouverture: I. Adagio - Allegro
02. II. Alla gavotta
03. Atto I. Arioso: Vezzi, lusinghe, e brio (Ginevra)
04. Recitativo: Ami, dunque, oh signora? (Dalinda, Ginevra, Polinesso)
05. Aria: Orrida a gl'occhi miei (Ginevra)
06. Recitativo: Orgogliosa beltade! (Polinesso, Dalinda)
07. Aria: Apri le luci, e mira (Dalinda)
08. Recitativo: Mie speranze, che fate? (Polinesso)
09. Aria: Coperta la frode (Polinesso)
10. Arioso: Qui d'amor ne suo linguaggio (Ariodante)
11. Recitativo: T'amerò dunque sempre, idolo mio (Ariodante, Ginevra)
12. Duetto: Prendi da questa mano (Ginevra, Ariodante)
13. Recitativo: Non vi turbate bell'alme innamorate (Re, Ginevra, Ariodante)
14. Aria: Volate, amori (Ginevra)
15. Recitativo: Vanne pronto, Odoardo (Re, Odoardo)
16. Aria: Voli colla sua tromba (Re)
17. Recitativo: O, felice mio core! (Ariodante)
18. Aria: Con l'ali di costanza (Ariodante)
19. Recitativo: Conosco il merto tuo, cara Dalinda (Polinesso, Dalinda)
20. Aria: Spero per voi, sì, sì (Polinesso)
21. Recitativo: Dalinda, in occidente giа cade il sole (Lurcanio, Dalinda)
22. Aria: Del mio sol vezzosi rai (Lurcanio)
23. Recitativo: Ah, che quest'alma amante (Dalinda)
24. Aria: Il primo ardor (Dalinda)
25. Recitativo: Pare, ovunque m'aggiri (Ariodante, Ginevra)
26. Sinfonia pastorale
27. Duetto: Se rinasce nel mio cor (Ginevra, Ariodante)
28. Ballo di Ninfe, Pastori e Pastorelle
29. Musette I: Lentement
30. Musette II: Andante
31. Allegro
32. Coro: Si, godete al vostro amor (Coro, Ginevra, Ariodante)
CD2:
01. Atto II. Sinfonia
02. Recitativo: Di Dalinda l'amore (Polinesso, Ariodante, Lurcanio)
03. Aria: Tu preparati a morire (Ariodante)
04. Recitativo: Ginevra? O mio Signore! (Polinesso, Dalinda, Lurcanio, Ariodante)
05. Ari: Tu vivi, e punito (Lurcanio)
06. Recitativo: E vivo ancora? (Ariodante)
07. Aria: Scherza infida (Ariodante)
08. Recitativo: Lo stral ferì nel segno (Polinesso, Dalinda)
09. Aria: Se tanto piace al cor (Dalinda)
10. Recitativo: Felice fu il mio inganno (Polinesso)
11. Aria: Se l'inganno sortisce felice (Polinesso)
12. Recitativo: Andiam, fidi, al consiglio (Re, Odoardo)
13. Aria: Invida sorte avara (Re)
14. Aria: Mi palpita il core (Ginevra)
15. Recitativo: Sta' lieta, o principessa (Dalinda, Re, Ginevra, Lurcanio)
16. Aria: Il tuo sangue ed il tuo zelo (Lurcanio)
17. Recitativo: Quante sventure un giorno sol ne porta! (Odoardo, Dalinda, Ginevra)
18. Aria: Il mio crudel martoro (Ginevra)
19. Entrée des songes agréables
20. Entrées des songes funestes
21. Entrées des songes agréables effrayés
22. Combat des songes funestes et agréables
23. Recitativo accompagnato: Che vidi? Oh, Dei! (Ginevra)
CD3:
01. Atto III. Sinfonia ed Arioso: Numi! Lasciarmi vivere (Ariodante)
02. Recitativo: Perfidi! Io son tradita! (Dalinda, Ariodante)
03. Aria: Cieca notte, infidi sguardi (Ariodante)
04. Recitativo: Ingrato Polinesso! (Dalinda)
05. Aria: Neghittosi or voi che fate? (Dalinda)
06. Recitativo: Sire, deh, non negare (Odoardo, Re, Polinesso)
07. Aria: Dover, giustizia, amor (Polinesso)
08. Recitativo: Or venga a me la figlia (Re, Ginevra)
09. Aria: Io ti bacio, o mano augusta (Ginevra)
10. Recitativo: Figlia, da dubbia sorte (Re, Ginevra)
11. Aria: Al sen ti stringo, e parto (Re)
12. Recitativo: Così mi lascia il padre? (Ginevra)
13. Arioso: Sì, morò (Ginevra)
14. Sinfonia
15. Recitativo: Arrida il Cielo alla giustizia (Lurcanio, Polinesso, Odoarto, Re)
16. Aria: Dopo notte, atra e funesta (Ariodante)
17. Recitativo: Dalinda! Ecco risorge (Lurcanio, Dalinda)
18. Duetto: Dite spera, e son contento (Lurcanio, Dalinda)
19. Recitativo: Da dubbia infausta sorte (Ginevra)
20. Arioso: Manca, oh Dei! la mia costanza (Ginevra)
21. Recitativo: Figlia, innocente figlia (Re, Ariodante, Dalinda, Lurcanio, Ginevra)
22. Duetto: Bramo aver mille vite (Ariodante, Ginevra)
23. Coro: Ognuno acclami bella virtute
24. Ballo: Gavotte
25. Rondeau
26. Bourrée
27. Coro: Sa trionfar ognor virtute
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 15. July 2020, 13:04
Alan Curtis, Il Complesso Barocco / Handel - Ariodante CD1
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Copy OK
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==== Log checksum B6B82D77637AB614C0A40A85308A6E49262D616AE9AB2B0E6DABBCE37328576E ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 15. July 2020, 14:21
Alan Curtis, Il Complesso Barocco / Handel - Ariodante CD2
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Peak level 90.0 %
Extraction speed 1.8 X
Range quality 100.0 %
Test CRC 5EA35DC5
Copy CRC 5EA35DC5
Copy OK
No errors occurred
AccurateRip summary
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==== Log checksum 774AB58792C5370E0EA980FC3214F0D7F2CAEC4A76917E6DC4F41FB46A2C7830 ====
Exact Audio Copy V1.5 from 20. February 2020
EAC extraction logfile from 15. July 2020, 15:46
Alan Curtis, Il Complesso Barocco / Handel - Ariodante CD3
Used drive : PIONEER DVD-RW DVR-218L Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 128 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Date=%year%" -T "Genre=%genre%" %source%
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Range status and errors
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Filename C:\ArlegZ\Handel - Ariodante CD3.wav
Peak level 80.4 %
Extraction speed 1.8 X
Range quality 100.0 %
Test CRC 56397455
Copy CRC 56397455
Copy OK
No errors occurred
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Track 26 accurately ripped (confidence 30) [04DCDCE9] (AR v2)
Track 27 accurately ripped (confidence 29) [34C5D90D] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: lI1YFZx1ikkKVB8.Y7IAc666DRA-] found
Submit result: lI1YFZx1ikkKVB8.Y7IAc666DRA- has been confirmed
Track | CTDB Status
1 | (50/50) Accurately ripped
2 | (50/50) Accurately ripped
3 | (50/50) Accurately ripped
4 | (50/50) Accurately ripped
5 | (50/50) Accurately ripped
6 | (50/50) Accurately ripped
7 | (50/50) Accurately ripped
8 | (50/50) Accurately ripped
9 | (50/50) Accurately ripped
10 | (50/50) Accurately ripped
11 | (50/50) Accurately ripped
12 | (50/50) Accurately ripped
13 | (50/50) Accurately ripped
14 | (50/50) Accurately ripped
15 | (50/50) Accurately ripped
16 | (50/50) Accurately ripped
17 | (50/50) Accurately ripped
18 | (50/50) Accurately ripped
19 | (50/50) Accurately ripped
20 | (50/50) Accurately ripped
21 | (50/50) Accurately ripped
22 | (50/50) Accurately ripped
23 | (50/50) Accurately ripped
24 | (50/50) Accurately ripped
25 | (50/50) Accurately ripped
26 | (50/50) Accurately ripped
27 | (50/50) Accurately ripped
==== Log checksum 0D0341C1ECAC7C6DA1426044F95D59927B34DEC8E494CDD5ACCB9B37D89232D5 ====
Alan Curtis, Il Complesso Barocco - Handel: Ariodante (2011)
