Agnieszka Oszanca, Maria Misiarz, Gabriele Palomba, Fabio Bonizzoni - Salvatore Lanzetti: Sonatas for Violoncello Solo and Basso Continuo, Op. 1, Vol. 1 (2019)
EAC | FLAC | Image (Cue & Log) ~ 355 Mb | Total time: 68:55 | Scans included
Classical | Label: Challenge Classics | # CC72794 | Recorded: 2019
EAC | FLAC | Image (Cue & Log) ~ 355 Mb | Total time: 68:55 | Scans included
Classical | Label: Challenge Classics | # CC72794 | Recorded: 2019
Agnieszka Oszanca presents the world premiere recording of the first volume of Salvatore Lanzetti’s Sonatas for Violincello and Basso Continuo, Opus 1. This work was composed in 1736 and displays the composer’s great imagination and full command of his instrument. Polish cellist Agnieszka Oszanca plays on a Baroque cello and is accompanied by a rich continuo, composed of a cello, a theorbo and a harpsichord.
The protagonist of this recording, Salvatore Lanzetti, an Italian cellist and composer, was born in Naples around 1710. He studied cello and composition in his hometown. There is evidence to suggest that between 1730 and 1754, Lanzetti spent a substantial amount of time in London, where, according to Charles Burney, he helped to popularize his instrument and establish its newly acquired solo statusamongst the English music lovers. In 1736 in Amsterdam, our 12 Sonate a Violoncello Solo e Basso Continuo were published as his Opus 1, dedicated to Federico di Brunswick (Frederick, Prince of Wales). His fame as one of the first true cello virtuosi and that of a composer prone to the technical innovations of the instrument was recognized by M. Corrette in his Methode, theorique et pratique pour apprendre en peu de tems le violoncelle dans sa perfection (Paris 1741), where he refers precisely to the Sonatas op. 1.
The beauty of the Opus 1, the subject of this recording, lays in their incredible versatility, not only in terms of technical complexity, but also character and the mixture of the French and Italian style which was popular at the time. The extensive use of double stops, shifting, explorations of the entire fingerboard, thumb position and employment of complex bowing techniques, that were until this time the reserve of violin technique, testify to Lanzetti’s extraordinary command of his instrument and fearless imagination.
Agnieszka Oszanca studied historical cellos with Viola de Hoog at Utrecht Conservatory. She performs regularly with European orchestras and chamber music ensembles, in the most important concert venues and at Early Music festivals. Agnieszka has recorded for Decca, Sony, Glossa, Alpha, Pan Classics and Globe Records.
Performer:
Agnieszka Oszanca, baroque cello
Maria Misiarz, baroque cello
Gabriele Palomba, theorbo
Fabio Bonizzoni, harpsichord
Track List:
Salvatore Lanzetti (1710-1781)
Sonata No. 9 in A minor
01. I. Adagio
02. II. Allegro
03. III. Andante
Sonata No. 1 in G major
04. I. Allegro
05. II. Adagio
06. III. Rondeau. Allegro
Sonata No. 6 in B flat major
07. I. Allegro
08. II. Largo
09. III. Gavotta: Allegro ma non presto
Sonata No. 5 in A minor
10. I. Adagio Cantabile
11. II. Allegro
12. III. Menuet Andante
Sonata No. 2 in A major
13. I. Andante Cantabile
14. II. Allegro
15. III. Menuet Cantabile
Sonata No. 11 in F major
16. I. Allegro
17. II. Adagio. Allegro. Adagio
18. III. Rondeau. Andante
Exact Audio Copy V1.6 from 23. October 2020
EAC extraction logfile from 16. February 2022, 18:15
Agnieszka Oszanca / Sonatas for Violoncello and Basso Continuo Op. 1 - Vol. 1
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Thanks to the original releaser