Tags
Language
Tags
October 2025
Su Mo Tu We Th Fr Sa
28 29 30 1 2 3 4
5 6 7 8 9 10 11
12 13 14 15 16 17 18
19 20 21 22 23 24 25
26 27 28 29 30 31 1
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Shaun Baxter - Jazz Metal (1993)

    Posted By: Mocha
    Shaun Baxter - Jazz Metal (1993)

    Shaun Baxter - Jazz Metal (1993)
    Label: ZOK Music | FLAC (tracks + .cue,log) | MP3/320 kbps | Time: 42:09 | 283 MB(+3%) | 102 MB(+3%)
    Genre: Jazz Rock

    Shaun Baxter - Jazz Metal (1993) is an album that blends two seemingly disparate genres: jazz and metal. Shaun Baxter, a British guitarist, is known for his virtuosity and ability to fuse rock, metal, and jazz influences into a cohesive and innovative sound. This album explores the fusion of jazz improvisation with the aggressive riffs and technicality associated with metal, offering a unique listening experience for fans of both genres.

    Tracklist

    01. Strike Up The Band - 03:00
    02. Throw Down - 05:08
    03. Chicken Soup - 04:14
    04. G-Spot Blues - 02:21
    05. Baxter's Brew - 06:08
    06. Make It Reel - 03:02
    07. Birdman - 03:36
    08. I'm Not Sure Yet - 06:07
    09. 12 Bars From Mars - 03:32
    10. Gregory's Girl - 01:14
    11. Open Invitation - 04:41
    Shaun Baxter - Jazz Metal (1993)

    personnel :

    Shaun Baxter - Guitar
    Paul Elliott - Drums
    Terry Gregory - Bass
    Simon Hale - Keyboards

    The debut recording from British guitarist Shaun Baxter is somewhat of an underground guitar classic. The title along with a limited availability contributed to the recording's lore, but in reality this is a pretty typical Fusion/Shred session. There is more Metal than Jazz here and by the latter's traditional definition, not one note is swung. Baxter is a fine and versatile technician and offers up some impressive pyrotechnics throughout the session, but despite his own claims, there is no real innovation here. His style and sound borrow from the legato approach of both Allan Holdsworth and Scott Henderson with a heavier edge, but it would have been more interesting to hear a strict application of his formal Jazz guitar training. This would have been possible too as bassist Terry Gregory has played alongside Jazz guitar great Martin Taylor. Labeling the music as 'Jazz Metal' creates a set of expectations in both Jazz and Metal camps, but the results here won't satisfy either one of them. This is not imply that this is not a worthwhile session, to the contrary, as there is plenty to enjoy for guitar fans, just leave the labels off.~Robert Taylor