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Hans Zender - Schiff / SWR Sinfonieorchester - Schumann-Phantasie, Bardo (2006, hänsler # CD 93.128)

Posted By: luckburz

Date: 21 Aug 2015 05:22:26

Hans Zender - Schiff / SWR Sinfonieorchester - Schumann-Phantasie, Bardo (2006, hänsler # CD 93.128)

Hans Zender - Schumann-Phantasie for large Orchestra / Bardo for Violoncello and Orchestra
Heinrich Schiff / SWR Sinfonieorchester / Hans Zender & Sylvain Cambreling
EAC+LOG+CUE | FLAC: 272 MB | Full Artwork: 51 MB | 5% Recovery Info
Label/Cat#: hänsler # CD 93.128 | Country/Year: Germany 2006
Genre: Classical | Style: Contemporary

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

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EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 25. September 2013, 14:04

Heinrich Schiff / SWR Sinfonieorchester Baden-Baden und Freiburg / Sylvain Cambreling / Hans Zender / Zender: Schumann-Phantasie - Bardo for Cello and Orchestra

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–– CUETools DB Plugin V2.1.3

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Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-10-02 09:25:37

––––––––––––––––––––––––––––––––––––––––
Analyzed: Hans Zender, Conductor - Heinrich Schiff, Violoncello / Zender: Schumann-Phantasie - Bardo for Cello and Orchestra
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR16 -3.45 dB -23.06 dB 1:59 07-Bardo for Violoncello and Orchestra (1999/2000) - Solo I
DR11 -9.85 dB -25.25 dB 1:42 08– Tutti I
DR13 -2.77 dB -22.53 dB 2:01 09– Solo II
DR14 -0.10 dB -18.24 dB 2:46 10– Tutti II
DR17 -1.46 dB -23.68 dB 2:15 11– Solo III
DR14 -8.68 dB -31.17 dB 2:15 12– Tutti III
DR14 -1.41 dB -19.85 dB 2:35 13– Solo IV
DR13 -0.11 dB -18.94 dB 1:43 14– Tutti IV
DR17 -2.46 dB -24.76 dB 2:32 15– Solo V
DR14 -8.76 dB -28.55 dB 2:48 16– Tutti V
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 10
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 565 kbps
Codec: FLAC
================================================================================

––––––––––––––––––––––––––––––––––––––––
Analyzed: Sylvain Cambreling, Conductor / Zender: Schumann-Phantasie - Bardo for Cello and Orchestra
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -13.08 dB -30.74 dB 3:44 01-Schumann-Phantasie for large Orchestra (1997) - Präludium
DR16 -0.44 dB -22.82 dB 13:15 02– Ruinen
DR14 -17.76 dB -38.60 dB 2:12 03– Interludium I
DR12 -0.19 dB -17.60 dB 8:45 04– Triumphbogen
DR19 -15.59 dB -41.98 dB 3:12 05– Interludium II
DR16 -0.49 dB -23.95 dB 13:47 06– Sternennacht
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR15

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 565 kbps
Codec: FLAC
================================================================================

CD Info:

Hans Zender - Schumann-Phantasie for large Orchestra / Bardo for Violoncello and Orchestra

Heinrich Schiff / SWR Sinfonieorchester / Hans Zender & Sylvain Cambreling

Label: hänsler CLASSIC
Catalog#: CD 93.128
Format: CD, Album
Country: Germany
Released: 2006
Genre: Classical
Style: Contemporary

Tracklist:

1 Sylvain Cambreling, Conductor - Schumann-Phantasie for large Orchestra (1997) - Präludium 3:44
2 Sylvain Cambreling, Conductor - - Ruinen 13:15
3 Sylvain Cambreling, Conductor - - Interludium I 2:12
4 Sylvain Cambreling, Conductor - - Triumphbogen 8:45
5 Sylvain Cambreling, Conductor - - Interludium II 3:12
6 Sylvain Cambreling, Conductor - - Sternennacht 13:47
7 Hans Zender, Conductor - Heinrich Schiff, Violoncello - Bardo for Violoncello and Orchestra (1999/2000) - Solo I 1:59
8 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Tutti I 1:42
9 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Solo II 2:01
10 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Tutti II 2:46
11 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Solo III 2:15
12 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Tutti III 2:15
13 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Solo IV 2:35
14 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Tutti IV 1:43
15 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Solo V 2:32
16 Hans Zender, Conductor - Heinrich Schiff, Violoncello - - Tutti V 2:48

Imagine stumbling across Hans Zender’s Schumann-Phantasie with no idea what you were listening to. You might think someone had spiked your drink with a powerful hallucinogen before sneaking a recording of Schumann’s op. 17 into the CD player. Yes, it’s undoubtedly Schumann’s beloved piano masterpiece, but filtered through what? Some weird orchestral blur of Berlioz’s transcription of Weber’s Invitation to the Dance , an unfamiliar John Adams score, a Balinese gamelan orchestra, the Gurrelieder , and the soundtrack of South Pacific all rolled into one? Or maybe you’ve landed in the audience at a production of Marat/Sade , directed by Richard Foreman, with incidental music by Richard Strauss, later revised by Glenn Branca? Or perhaps it’s just one of those bizarre dreams that careens between harrowing nightmare and transcendent revelation of ethereal realms? Sinister, seductive, translucent, ecstatic, subtly disguised, and brilliantly revelatory—all these things can be said of the Schumann-Phantasie , scored for orchestra in 1997 by the composer-conductor Hans Zender, and brilliantly conducted on this new Hänssler Classics release by Sylvain Cambreling.
In fact, Zender’s infinitely resourceful orchestration doesn’t change a single pitch, harmony, or rhythmic value of Schumann’s C-Major Fantasy. In the interesting notes, Zender aptly refers to his piece not as a transcription, but as a “composed interpretation.” Poetic titles are attached to the Fantasy’s three movements: “Ruins,” “Triumphal Arches,” and “Starry Night,” and each is prefaced by a brief introduction of original material, presaging and preparing the elaborate orchestration that follows. Thus, in contrast to the piano piece—about a half hour’s duration in most performances, give or take—Zender’s Schumann-Phantasie is almost 45 minutes long. All the potential of an immense orchestra (including what sounds like an enormous percussion battery) is explored, achieving a performance that is deeply reverent of Schumann’s original and, at the same time, a thoroughly original and contemporary commentary on it. Some seemingly insurmountable problems of translation are solved with astonishingly artful ingenuity. The famous leaps at the conclusion of the second movement, for instance, are transformed in an orchestral equivalent that strikes as both highly idiomatic and characteristic. And despite the massive forces involved, the dreamy yearning of the poignant final movement speaks with something very close to the intimacy of Schumann’s original.
Bardo (1999/2000) is dedicated to Heinrich Schiff, whose reading of the score, with the composer conducting, is powerfully persuasive. Zender’s notes explain that “bardo” is the Tibetan word for “between,” and that he had imagery from the Tibetan Book of the Dead in mind as he composed. Each of the score’s 10 movements is less than three minutes, alternating between solo and tutti. Drawing on a harmonic palette saturated with quarter tones, this rhythmically vital music is richly evocative, and a tour de force for the soloist. These virtuosic performances by the SWR SO are beautifully captured in all their detail in a superb acoustical ambience. Warmly recommended.

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