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    Witt - Bataillon D'Amour (2000)

    Posted By: luckburz
    Witt - Bataillon D'Amour (2000)

    Witt - Bataillon D'Amour
    EAC+LOG+CUE | FLAC: 138 MB | MP3 CBR 320:59 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: Epic EPC 669086 2 | Country/Year: Germany 2000
    Genre: Electronic, Rock | Style: Industrial, Wave

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    Witt - Bataillon D'Amour (2000)



    Exact Audio Copy V0.99 prebeta 5 from 4. May 2009

    EAC extraction logfile from 5. April 2012, 11:12

    Joachim Witt / Bataillon D'Amour

    Used drive : TSSTcorpDVD+-RW TS-T633A Adapter: 0 ID: 1

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Programme\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%a" -T "Title=%t" -T "Album=%g" -T "Date=%y" -T "Tracknumber=%n" -T "Genre=%m" %s -o %d


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:50.00 | 0 | 17249
    2 | 3:50.00 | 3:35.00 | 17250 | 33374
    3 | 7:25.00 | 4:17.25 | 33375 | 52674
    4 | 11:42.25 | 6:12.05 | 52675 | 80579


    Range status and errors

    Selected range

    Filename C:\Users\Annina\Desktop\Mitnehmen\Joachim Witt - Bataillon D'Amour.wav

    Peak level 99.1 %
    Range quality 100.0 %
    Test CRC 0A2B392E
    Copy CRC 0A2B392E
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 6) [ED867246]
    Track 2 accurately ripped (confidence 7) [8B996874]
    Track 3 accurately ripped (confidence 7) [53D738A7]
    Track 4 accurately ripped (confidence 7) [1D6ADB07]

    All tracks accurately ripped

    End of status report

    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-04-26 20:00:17

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Joachim Witt / Bataillon D'Amour
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR4 -0.76 dB -6.95 dB 3:50 01-Bataillon D'Amour
    DR5 -0.12 dB -8.81 dB 3:35 02-Bataillon D'Amour (Apocalyptica Remix)
    DR5 -0.07 dB -6.61 dB 4:17 03-Bataillon D'Amour (Heiko Maile Remix)
    DR6 -0.08 dB -8.66 dB 6:12 04-Bataillon D'Amour (On Remix)
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 4
    Official DR value: DR5

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 915 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Witt – Bataillon D'Amour

    Label: Epic
    Catalog#: EPC 669086 2
    Format: CD, Maxi-Single
    Country: Germany
    Released: 2000
    Genre: Electronic, Rock
    Style: New Wave, Industrial, Heavy Metal

    Tracklist:

    1 Bataillon D'Amour 3:50
    2 Bataillon D'Amour (Apocalyptica Remix) 3:34
    3 Bataillon D'Amour (Heiko Maile Remix) 4:16
    4 Bataillon D'Amour (On Remix) 6:11

    Notes:

    Track 1 produced at "Zimmer der Sehnsucht" and at MOB-Studio, Hamburg.
    Mixed at Woodhouse-Studio.

    Painting excerpts from "La Primavera" by Sandro Botticelli, 1482, courtesy of Galeria degli Uffizi, Florence.

    "Bataillon D'Amour" originally performed by Silly.

    (C) 2000 Sony Music Entertainment (Germany)/"Epic"
    Made in Austria

    Discogs Url: http://www.discogs.com/Witt-Bataillon-DAmour/release/169427

    Witt - Bataillon D'Amour (2000)


    biography by Christian Genzel
    German musician Joachim Witt counts among the few survivors of the new German wave that dominated the airwaves in the early '80s: after years of struggling to regain the popularity he found with his hit single "Goldener Reiter" (Golden Rider), he managed to launch a serious comeback in the second half of the '90s with his album Bayreuth 1 and a single called "Die Flut" (The Flood), whose Wagnerian pomp-meets-heavy guitars aesthetic fit into the neue Deutsche härte (new German heaviness) trend spearheaded by Rammstein.
    Born in Hamburg on February 22, 1949, Witt started out as an actor in the '70s, studying under Hildburg Freese in Hamburg from 1973 to 1975, and then performing at Hamburg's Thalia Theater from 1975 and 1977. During this time, he released two songs under the pseudonym Julian – "Ich Bin ein Mann" (I'm a Man) and "Ich Weiß, Ich Komm Zurück" (I Know I'll Come Back) – but they remained unsuccessful. He then became a member of the psychedelic rock band Duesenberg, winning an Echo Award in 1980.
    Silberblick
    In 1981, he released his first solo album, Silberblick, which featured the song "Goldener Reiter," a single that became a massive hit none of Witt's follow-up releases could match. His second album, Edelweiß (1982), featured two moderately successful singles ("Kosmetik" and "Tri Tra Trullala [Herbergsvater]"), but after two more albums – Märchenblau (1983) and Moonlight Nights (1985) – and the end of the new German wave, Witt's popularity had diminished. His first album after seven years, 1992's Kapitän der Träume (Captain of Dreams), couldn't change that.
    Then, in the late '90s, when the industrial metal of Rammstein had paved the way for a newfound interest in German music, Witt released his comeback album, Bayreuth 1. Mixing Wagnerian pathos with heavy guitars, the album and its main single, "Die Flut," a duet with Wolfsheim singer Peter Heppner, fit into the controversial (sometimes ironic) appropriation of Germany's history and culture that was a common trait of most of the neue Deutsche härte acts. The album sold over 700,000 units. Criticism was launched at Witt (and Rammstein and other groups) for supposedly expressing a right-wing mentality in their songs – Witt's love of Wagner and Rammstein's provocative image didn't help – but he refused to accept this label, calling himself a "left-wing cosmopolitan."
    Bayreuth Zwei
    A sequel to the album, Bayreuth 2, was released in 2000, featuring less guitars and a quieter overall approach. Eisenherz followed in 2002. Witt then founded his own record label, Ventil, through which he released the album Pop in 2004. In 2005 and 2006, he revived his acting career, appearing in Muxmäuschenstill at Berlin's Maxim Gorki Theater.
    Bayreuth 3
    2006 saw the release of Bayreuth 3. Auf Ewig (Forever), released in 2007, is a compilation of Witt's songs – focusing mostly on the Bayreuth trilogy – albeit in newly recorded versions. allmusic

    Artwork is integrated in both versions.

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