Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    ( • )( • ) ( ͡⚆ ͜ʖ ͡⚆ ) (‿ˠ‿)
    SpicyMags.xyz

    Wayne Horvitz - The Four Plus One Ensemble - From A Window (2001)

    Posted By: Domestos
    Wayne Horvitz - The Four Plus One Ensemble - From A Window (2001)

    Wayne Horvitz - The Four Plus One Ensemble - From A Window (2001)
    EAC Rip | APE (image+.cue, log) ~ 190.60 Mb | 49:57 | Cover
    Free Jazz, NYC Downtown | Label: Avant ‎– AVAN-080

    A sad melancholia that also strangely exudes hopefulness are the juxtaposing emotions expressed by pianist Wayne Horvitz and his Four Plus One Ensemble on this, their second release collectively. The music, composed by Horvitz while spending two months in central Italy, is quite neo-classical and modern chamber in stance and style, but also borrows on film noir, improvised jazz and third stream, electronica and rock musics.

    With violin and viola played by Eyvind Kang, trombonist Julian Priester, sound text artist Tucker Martine and multi-instrumentalist Reggie Watts, Horvitz creates soundscapes that are elegant and elegiac. There is a loose sense of folly and a circus-like atmosphere, but mostly of unrequited romance mixed with a wide-eyed feeling of wonder and impending discovery – or danger. It is music Kurt Weill, Bertolt Brecht, or Nino Rota would likely enjoy and approve of. The opening pieces "Crispin & Lisa's Duet" and "Sweeter Than the Day" establish this concept firmly, as a traipsing minimal framework directs introspective piano, violin, and trombone surrounded by probing electronics. It's a quietly arresting, haunting reference point. The more beat-oriented pieces "Julian's Ballad" and "Willy's Music" (the latter used for a Seattle stage production of Death of a Salesman) are firmly dedicated to 4/4 bass and drum style, but take it out. In the case of the "Julian's Ballad" it's a tape loopy, organ-driven expansiveness quite reminiscent of street-smart mid-period Carla Bley, while "Willy's Music" is an industrial juggernaut with a skittering base from the main instruments. At times more French quadrille than Italian aria on the title track, using a diffused free waltz motif for "People Just Float," and getting into a 6/8 groove underpinning the backwards loops and baritone sax of Skerik upping the ante in dynamics at the second half of "Leave Here Now," you get a general feeling of restrained restlessness, even quiet desperation, especially from the great trombonist Priester, who is wondrous throughout. This style of thoroughly modern music teeters on a nostalgic, rustic, days-gone-by feeling, as reflected by the men's bowery and women's club black-and-white cover photos. The intriguing music world of Horvitz exists as both cultures somehow meet on an imaginary plane, and it's in a universe well worth entering. ~ AllMusic Review by Michael G. Nastos

    The Four Plus One Ensemble
    Wayne Horvitz - piano, prepared piano, hammond B-3, pump organ, synthesizers and toy piano
    Eyvind Kang - violin and viola
    Tucker Martine - live electronic processing and live drum machine
    Julian Priester - trombone
    Reggie Watts - keyboards, vocals, live drum machine and piano

    Skerik - baritone sax

    Track List:
    1. Crispin and Lisa's Duet
    2. Sweeter Than the Day
    3. Julian's Ballad
    4. People Just Float
    5. Leave Here Now
    6. From a Window
    7. Willy's Music

    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 3. November 2008, 20:05

    Wayne Horvitz / From a Window

    Used drive : TSSTcorpCD/DVDW SH-W162C Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo
    Use compression offset : 0

    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 5:17.12 | 0 | 23786
    2 | 5:17.12 | 5:36.70 | 23787 | 49056
    3 | 10:54.07 | 5:28.33 | 49057 | 73689
    4 | 16:22.40 | 6:31.47 | 73690 | 103061
    5 | 22:54.12 | 10:15.40 | 103062 | 149226
    6 | 33:09.52 | 8:38.35 | 149227 | 188111
    7 | 41:48.12 | 8:09.00 | 188112 | 224786

    Range status and errors

    Selected range

    Filename C:\Wayne Horvitz\2001, From A Window\Wayne Horvitz - From a Window.wav

    Peak level 94.3 %
    Range quality 100.0 %
    Copy CRC 4B886D9E
    Copy OK

    No errors occurred

    End of status report

    All thanks go to the sheloshim

    More Music in My Blog
    Follow My RSS Channel