VA - True Stereo - Uncompressed Analog Recordings
EAC+LOG+CUE | FLAC: 298 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Naim Audio # naimpl080m | Country/Year: UK 2004
Genre: Jazz | Style: Free Jazz
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 20. March 2010, 10:07
Various / True Stereo
Used drive : TSSTcorpCD/DVDW SH-S182D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:42.62 | 0 | 25711
2 | 5:42.62 | 4:55.35 | 25712 | 47871
3 | 10:38.22 | 4:46.49 | 47872 | 69370
4 | 15:24.71 | 4:54.50 | 69371 | 91470
5 | 20:19.46 | 7:16.21 | 91471 | 124191
6 | 27:35.67 | 4:21.43 | 124192 | 143809
7 | 31:57.35 | 5:02.60 | 143810 | 166519
8 | 37:00.20 | 3:02.64 | 166520 | 180233
9 | 40:03.09 | 6:07.21 | 180234 | 207779
10 | 46:10.30 | 5:54.14 | 207780 | 234343
11 | 52:04.44 | 6:39.72 | 234344 | 264340
12 | 58:44.41 | 4:12.71 | 264341 | 283311
Range status and errors
Selected range
Filename G:\Ska cda\True Stereo\Various - True Stereo.wav
Peak level 98.4 %
Range quality 100.0 %
Copy CRC 7CA6DB26
Copy OK
No errors occurred
End of status report
EAC extraction logfile from 20. March 2010, 10:07
Various / True Stereo
Used drive : TSSTcorpCD/DVDW SH-S182D Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:42.62 | 0 | 25711
2 | 5:42.62 | 4:55.35 | 25712 | 47871
3 | 10:38.22 | 4:46.49 | 47872 | 69370
4 | 15:24.71 | 4:54.50 | 69371 | 91470
5 | 20:19.46 | 7:16.21 | 91471 | 124191
6 | 27:35.67 | 4:21.43 | 124192 | 143809
7 | 31:57.35 | 5:02.60 | 143810 | 166519
8 | 37:00.20 | 3:02.64 | 166520 | 180233
9 | 40:03.09 | 6:07.21 | 180234 | 207779
10 | 46:10.30 | 5:54.14 | 207780 | 234343
11 | 52:04.44 | 6:39.72 | 234344 | 264340
12 | 58:44.41 | 4:12.71 | 264341 | 283311
Range status and errors
Selected range
Filename G:\Ska cda\True Stereo\Various - True Stereo.wav
Peak level 98.4 %
Range quality 100.0 %
Copy CRC 7CA6DB26
Copy OK
No errors occurred
End of status report
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Various - True Stereo.wav]
Detected average hi-boundary frequency: 2.011562e+004 Hz
Detected average lo-boundary frequency: 1.278273e+004 Hz
Detected average hi-cut frequency: 2.157661e+004 Hz
Detected average lo-cut frequency: 8.000903e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.477170e-001
First order smothness: 3.658105e-001
Second order smothness: 6.386182e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Various - True Stereo.wav]
Detected average hi-boundary frequency: 2.011562e+004 Hz
Detected average lo-boundary frequency: 1.278273e+004 Hz
Detected average hi-cut frequency: 2.157661e+004 Hz
Detected average lo-cut frequency: 8.000903e+003 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 5.477170e-001
First order smothness: 3.658105e-001
Second order smothness: 6.386182e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-03-14 17:55:45
––––––––––––––––––––––––––––––––––––––––
Analyzed: Blue in Green / True Stereo (1)
Blues Danzon / True Stereo (2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -3.16 dB -26.09 dB 5:03 07-Laurence Hobgood
DR13 -2.42 dB -20.37 dB 6:40 11-Tom Gullion
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 2
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 06-Charlie Haden
Number of samples: 11535384
Duration: 4:22
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -5.20 dB –- -5.58 dB
Avg RMS: -20.38 dB –- -23.04 dB
DR channel: 11.13 dB –- 13.09 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 02-Laurence Hobgood
Number of samples: 13030080
Duration: 4:55
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -3.40 dB –- -2.92 dB
Avg RMS: -20.17 dB –- -20.38 dB
DR channel: 12.84 dB –- 12.96 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Jump St(u)art / True Stereo (1)
Keep it to yourself / True Stereo (2)
Nice to Meet you / True Stereo (3)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.59 dB -18.23 dB 5:43 01-Jim Gailloreto's Split Decision
DR12 -1.36 dB -17.01 dB 3:03 08-Bonnie Koloc
DR12 -3.94 dB -21.84 dB 5:54 10-Patrick Noland
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Poetspeak / True Stereo (1)
Saga of Harrison Crabfeathers / True Stereo (2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.89 dB -20.36 dB 4:55 04-Fred Simon
DR11 -2.80 dB -19.31 dB 6:07 09-John Moulder
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 2
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Saudades on 8th Avenue / True Stereo (1)
Spain / True Stereo (2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.23 dB -15.70 dB 4:47 03-Stew Cutler
DR17 -0.13 dB -23.42 dB 4:13 12-John Moulder
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 2
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 05-Ted Sirota's Rebel Souls
Number of samples: 19239948
Duration: 7:16
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.27 dB –- -0.79 dB
Avg RMS: -18.66 dB –- -18.81 dB
DR channel: 14.02 dB –- 13.92 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
log date: 2013-03-14 17:55:45
––––––––––––––––––––––––––––––––––––––––
Analyzed: Blue in Green / True Stereo (1)
Blues Danzon / True Stereo (2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR15 -3.16 dB -26.09 dB 5:03 07-Laurence Hobgood
DR13 -2.42 dB -20.37 dB 6:40 11-Tom Gullion
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 2
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 06-Charlie Haden
Number of samples: 11535384
Duration: 4:22
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -5.20 dB –- -5.58 dB
Avg RMS: -20.38 dB –- -23.04 dB
DR channel: 11.13 dB –- 13.09 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 02-Laurence Hobgood
Number of samples: 13030080
Duration: 4:55
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -3.40 dB –- -2.92 dB
Avg RMS: -20.17 dB –- -20.38 dB
DR channel: 12.84 dB –- 12.96 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Jump St(u)art / True Stereo (1)
Keep it to yourself / True Stereo (2)
Nice to Meet you / True Stereo (3)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.59 dB -18.23 dB 5:43 01-Jim Gailloreto's Split Decision
DR12 -1.36 dB -17.01 dB 3:03 08-Bonnie Koloc
DR12 -3.94 dB -21.84 dB 5:54 10-Patrick Noland
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 3
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Poetspeak / True Stereo (1)
Saga of Harrison Crabfeathers / True Stereo (2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.89 dB -20.36 dB 4:55 04-Fred Simon
DR11 -2.80 dB -19.31 dB 6:07 09-John Moulder
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 2
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Saudades on 8th Avenue / True Stereo (1)
Spain / True Stereo (2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -0.23 dB -15.70 dB 4:47 03-Stew Cutler
DR17 -0.13 dB -23.42 dB 4:13 12-John Moulder
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 2
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Statistics for: 05-Ted Sirota's Rebel Souls
Number of samples: 19239948
Duration: 7:16
––––––––––––––––––––––––––––––––––––––––
Left Right
Peak Value: -0.27 dB –- -0.79 dB
Avg RMS: -18.66 dB –- -18.81 dB
DR channel: 14.02 dB –- 13.92 dB
––––––––––––––––––––––––––––––––––––––––
Official DR Value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: FLAC
================================================================================
CD Info:
VA - True Stereo: Uncompressed Analog Recordings
Label: Naim Audio
Catalog#: naimpl080m
Format: CD, Compilation
Country: UK
Released: 2004
Genre: Jazz
Tracklist:
1 - Jump St(u)art - Jim Gailloreto's Split Decision 5:43
2 - Goin' Back to Joe's - Laurence Hobgood 4:55
3 - Saudades on 8th Avenue - Stew Cutler 4:47
4 - Poetspeak - Fred Simon 4:55
5 - Tubby - Ted Sirota's Rebel Souls 7:16
6 - Chairman Mao - Charlie Haden 4:22
7 - Blue in Green - Laurence Hobgood 5:03
8 - Keep it to yourself - Bonnie Koloc 3:03
9 - Saga of Harrison Crabfeathers - John Moulder 6:07
10 - Nice to Meet you - Patrick Noland 5:54
11 - Blues Danzon - Tom Gullion 6:40
12 - Spain - John Moulder 4:13
All recorded in True Stereo analogue by Ken Christianson, Pro Musica, Chicago
Naim's True Stereo recording technique is derivative of simple stereo pair micking and is one of the most innovative in the book. Despite this though, it is one of the most challenges to get right and a great deal of attention to detail is required. Not only the relationship between bass and treble, but the balance of left and right, the instrumental mix itself and the prominence natural ambience are al factors that once to tape, cannot be tampered with or remixed, so the microphones and musicians must be placed with mathematical precision.
True Stereo is one of the most faithful techniques around and gives an honest, uncoloured interpretation of the music, making it perfect for instrumental or acoustic live studio performances. Frequently, natural ambiences like Churches or Concert Halls provide a richer, as-live, environment to set the instrumentation.
Part of the artistic edge of our True Stereo recordings in the realm of jazz, is that our acclaimed Chicago based engineer, Ken Christianson, sits back and captures the session, giving the artists the freedom to self-produce. In this approach there is liberty to record whatever material the artist feels comfortable with. No interference from the engineer, the label and not even a producer as such: Complete creative freedom.
Produced by Ken Christianson
Thanks to bundle!