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    VA - The Rough Guide to the Roots of Jazz (Reborn And Remastered) (2021)

    Posted By: delpotro
    VA - The Rough Guide to the Roots of Jazz (Reborn And Remastered) (2021)

    VA - The Rough Guide to the Roots of Jazz (Reborn And Remastered) (2021)
    EAC Rip | FLAC (tracks+log+.cue) - 223 Mb | MP3 CBR 320 kbps - 175 Mb | 01:16:23
    Traditional Jazz | Label: World Music Network

    From humble origins in New Orleans to its journey upriver to Chicago, this Rough Guide charts the 1920s “golden age” of jazz with classic tracks by legends such as Louis Armstrong, Duke Ellington & Jelly Roll Morton as well as many other pioneering artists.

    As with most musical forms, the birth of jazz didn’t happen overnight but came into being by a slow process of accumulation – the gradual fusion of many different strains and the impact of many different personalities. But by the turn of the twentieth century, and largely in the city of New Orleans, the music now called “jazz” was starting to take recognisable shape. Central to its development was the red-light district in New Orleans known as Storyville which gave musicians the opportunity to perform in its many saloons, brothels, dance halls and cabarets. Among those were the great cornet virtuosi and bandleaders Freddie Keppard and Joseph “King” Oliver who experimented with music sometimes referred to as “jass”, reportedly after the jasmine perfume worn by prostitutes which was overtime corrupted into what is now known as “jazz”. Pianist Jelly Roll Morton was another who plied his trade in the most prestigious venues of Storyville, and along with his revolutionary style of playing was the first jazzman to write down his tunes, proving that a genre rooted in improvisation could retain its essential characteristics when notated.

    The first recognised jazz pioneer and bandleader was the cornetist Buddy Bolden who created an exciting and novel fusion of ragtime, black sacred music, marching band music and rural blues. From around 1900 to 1907, Bolden and his band achieved unrivalled popularity in New Orleans and are thought to have been the first to use brass instruments for playing the blues. Unfortunately, there are no surviving phonograph cylinder recordings of Buddy Bolden and he remains very much a mythical figure in jazz history. Remarkably, and somewhat ironically, the first band to make what is widely considered the first jazz record, ’Livery Stable Blues’ in 1917, was the all-white Original Dixieland Jazz Band who played a lively, syncopated dance music rooted in the New Orleans tradition. They were also the first recorded band to use the word “jazz” (or “jass”) in their name. Their featured jazz standard ‘Tiger Rag’ was recorded in 1918, complete with cowbells and other dubious “novelty effects” and borrowed wholesale from the trailblazing African-American musicians of New Orleans. Despite this, the band became very influential in their own right and proved how jazz has always remained linked by the common bonds of African-American and European-American musical parentage. Even jazz’s greatest figure Louis Armstrong acknowledged the importance of the Original Dixieland Jazz Band, who were also an inspiration for many future artists including the white cornetist Bix Beiderbecke, undoubtedly one of the greatest soloists of the 1920s.

    When Storyville was closed at midnight on November 12, 1917, this set the scene for a whole new phase of jazz evolution as musicians began to migrate upriver to the northern cities and in particular Chicago, a place full of night spots that needed bands and afforded a better standard of living. Effectively the closing of Storyville meant a dispersal of jazz, and Chicago, more than anywhere, met the requirements as its new home. Importantly, it also enabled the rich music of early New Orleans jazz to be recorded by artists for the first time.

    With the exception of the Original Dixieland Jazz Band’s ‘Tiger Rag’ from 1918, all of these recordings were made between 1920 and 1930, often described as the “golden age”, which marked many crucial events in jazz, not least the prohibition of alcohol law which gave rise to the Windy City becoming the home port for the major bootleggers and thus the centre of a rough, flourishing nightlife. This decade saw the rise of the first wave of jazz stars, including the great Louis Armstrong. The classic opening track ’Dippermouth Blues’ by King Oliver's Creole Jazz Band (featuring Louis Armstrong) is often accredited to Armstrong, partly because "Dippermouth" in the song's title, was a nickname of Armstrong himself. Armstrong had first seen his mentor Joe ‘King’ Oliver when hanging around the dance halls, brothels and saloons of Storyville, and jumped at the chance when invited to join Oliver’s Creole Jazz Band who had moved to Chicago, in what would become the next key chapter in jazz history.
    Tracklist:
    01. King Oliver and His Creole Jazz Band - Dippermouth Blues
    02. Eddie Lang - Eddie’s Twister
    03. Tiny Parham and His Musicians - Sud Buster’s Dream
    04. Louis Armstrong & His Orchestra - Muggles
    05. New Orleans Rhythm Kings - Bugle Call Blues
    06. Bix Beiderbecke and His Gang - Ol’ Man River
    07. Fletcher Henderson and His Orchestra - The Stampede
    08. Earl Hines - I Ain’t Got Nobody and Nobody Cares for Me
    09. Jelly Roll Morton’s Red Hot Peppers - Doctor Jazz
    10. Freddie Keppard’s Jazz Cardinals - Salty Dog
    11. Russell's Hot Six - Sweet Mumtaz
    12. Joe Venuti’s Blue Four - Cheese and Crackers
    13. Duke Ellington & His Orchestra - Black and Tan Fantasy
    14. Eddie Condon Quartet - Indiana
    15. Fats Waller - Muscle Shoals Blues
    16. Frankie Trumbauer and His Orchestra - Way Down Yonder in New Orleans
    17. Original Dixieland Jazz Band - Tiger Rag
    18. Jimmie Noone’s Apex Club Orchestra - It’s Tight Like That
    19. Benny Goodman - Clarinetitis
    20. James P. Johnson - Carolina Shout
    21. Clarence Williams’ Blue Five - Wild Cat Blues
    22. The Chicago Footwarmers - Oriental Man
    23. The Bucktown Five - Chicago Blues
    24. Bennie Moten’s Kansas City Orchestra - South
    25. Bessie Smith - St. Louis Blues
    26. E.C. Cobb and His Corn Eaters - Transatlantic Stomp

    Exact Audio Copy V1.2 from 12. August 2016

    EAC extraction logfile from 24. September 2021, 15:33

    Various Artists / The Rough Guide to the Roots of Jazz

    Used drive : MATSHITABD-MLT UJ240AF Adapter: 1 ID: 1

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    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
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    Gap handling : Appended to previous track

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    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


    TOC of the extracted CD

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    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:31.27 | 0 | 11351
    2 | 2:31.27 | 2:53.49 | 11352 | 24375
    3 | 5:25.01 | 3:01.06 | 24376 | 37956
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    24 | 67:17.01 | 2:45.36 | 302776 | 315186
    25 | 70:02.37 | 3:11.36 | 315187 | 329547
    26 | 73:13.73 | 3:09.36 | 329548 | 343758


    Track 1

    Filename F:\Music\EAC Rips\Various Artists\The Rough Guide to the Roots of Jazz (2021) [flac cd]\01. Dippermouth Blues (King Oliver and His Creole Jazz Band).wav

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    Track 2

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    Track 3

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    Track 4

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    Track 5

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 10

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    Track 11

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    Track 12

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    Track 13

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    Track 14

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    Track 15

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    Track 16

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    Track 17

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    Track 18

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    Track 19

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    Track 20

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    Track 21

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    Track 22

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    Track 23

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    Track 24

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    Track 25

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    Track 26

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    All tracks accurately ripped

    No errors occurred

    End of status report

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    ==== Log checksum 458E41F97D49AECD8CD8F78FDCDD3F41306D3AC1718032CCE0E71D70229DBFF0 ====

    Thanks to the Original ripper !