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    1. Home
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    3. The Engines - The Engines (2007, OkkaDISK9

    The Engines - The Engines (2007, OkkaDISK9

    Posted By: wursthans
    Date: 11 Mar 2009 17:50:14
    The Engines - The Engines (2007, OkkaDISK9

    The Engines - The Engines
    Genre: Avantgarde Jazz | 1CD | EAC-FLAC seperate tracks (CUE+LOG) | Complete Covers | 400 MB
    2006 recording/2007 release | Publisher: OkkaDISK OD12057
    RapidShare



    Performers:

    Jeb Bishop (trombone), Dave Rempis (saxophones), Nate McBride (double bass), Tim Daisy (drums)

    Tracklist:

    1. (00:08:29) Riser
    2. (00:09:19) Jet Lag
    3. (00:06:42) Careful
    4. (00:09:55) Mish Mumkin
    5. (00:09:08) Rewind
    6. (00:12:20) Backend Cover
    7. (00:08:37) Four Broken Plates
    8. (00:08:59) Mash Tun

    Exact Audio Copy V0.99 prebeta 4 from 23. January 2008

    EAC extraction logfile from 9. March 2009, 19:38

    The Engines / The Engines

    Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 3 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 30
    Overread into Lead-In and Lead-Out : Yes
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 128 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : D:\Programme\EAC099\Flac\flac.exe
    Additional command line options : -5 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUM ARTIST=%v" -T "ALBUMARTIST=%v" -T "COMMENT=EAC V0.99 prebeta 4, Secure Mode, Test & Copy, Accurat


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 8:29.16 | 0 | 38190
    2 | 8:29.16 | 9:18.47 | 38191 | 80087
    3 | 17:47.63 | 6:42.16 | 80088 | 110253
    4 | 24:30.04 | 9:55.35 | 110254 | 154913
    5 | 34:25.39 | 9:07.68 | 154914 | 196006
    6 | 43:33.32 | 12:19.58 | 196007 | 251489
    7 | 55:53.15 | 8:36.46 | 251490 | 290235
    8 | 64:29.61 | 8:59.32 | 290236 | 330692


    Track 1

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\01 - Riser.wav

    Pre-gap length 0:00:02.00

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC BF44A5D4
    Copy CRC BF44A5D4
    Accurately ripped (confidence 3) [11E2D9E6]
    Copy OK

    Track 2

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\02 - Jet Lag.wav

    Pre-gap length 0:00:02.33

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC D39D6D61
    Copy CRC D39D6D61
    Accurately ripped (confidence 3) [90353676]
    Copy OK

    Track 3

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\03 - Careful.wav

    Pre-gap length 0:00:02.80

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC 17ACC614
    Copy CRC 17ACC614
    Accurately ripped (confidence 3) [E894769C]
    Copy OK

    Track 4

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\04 - Mish Mumkin.wav

    Pre-gap length 0:00:03.62

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC CA500F4A
    Copy CRC CA500F4A
    Accurately ripped (confidence 3) [43D15B54]
    Copy OK

    Track 5

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\05 - Rewind.wav

    Pre-gap length 0:00:02.73

    Peak level 96.6 %
    Track quality 99.9 %
    Test CRC 5AC0819D
    Copy CRC 5AC0819D
    Accurately ripped (confidence 3) [8FE3BCAF]
    Copy OK

    Track 6

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\06 - Backend Cover.wav

    Pre-gap length 0:00:02.12

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC 3CB089AA
    Copy CRC 3CB089AA
    Accurately ripped (confidence 3) [EBCEB77E]
    Copy OK

    Track 7

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\07 - Four Broken Plates.wav

    Pre-gap length 0:00:03.09

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC A89E10A6
    Copy CRC A89E10A6
    Accurately ripped (confidence 3) [8A22B2FE]
    Copy OK

    Track 8

    Filename E:\The Engines - The Engines (2007) [FLAC] {OkkaDISK OD12057}\08 - Mash Tun.wav

    Pre-gap length 0:00:00.69

    Peak level 96.6 %
    Track quality 100.0 %
    Test CRC 9A496F76
    Copy CRC 9A496F76
    Accurately ripped (confidence 3) [9CDC57FF]
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report


    Recording Information

    recorded July 8 & 9, 2006
    Vivian's Palace, Chicago, IL
    OkkaDISK OD12057

    Review:

    Let's try to get through this CD review without using the "V" word. Instead, let the eponymous debut of The Engines serve as a discussion starter on the idea of a larger Chicago aesthetic. The quartet – Jeb Bishop (trombone), Dave Rempis (alto, tenor and baritone saxes), Nate McBride (basses, both acoustic and electric) and Tim Daisy (drums) – is drawn from the remarkably vibrant Windy City jazz and improvised music scene, as documented most assiduously by Okkadisk, headquartered just up the coast of Lake Michigan in Madison, Wisconsin. The Engines came into New York City in December, 2007, in support of this
    just-released Summer 2006 recording, to Union Hall, a hipster bocce bar where Rempis and Daisy had played back in February.
    The album and performance must be spoken about together, for if there is one thing shared by Chicago bands is that they record as they play live or vice versa. The 73-plus minutes of the album is as open and thorough as their live renditions, though only three tunes from the album made it into the set; this is another facet of Chicagoans – they seem to compose at a remarkable rate. All four members of the band contributed two pieces each to the album, and live Bishop and Rempis had two alongside a pair from McBride and Daisy. Perhaps it is because these four have played together so often and write for each other's strengths that the tunes, varied as they are texturally and dynamically, seem of a piece, a real band playing band music rather than the Bishop/Rempis/McBride/Daisy 4.
    Is there is a Chicago aesthetic? And if so, where would it begin and how
    broadly can one subjugate an entire city to an artificial concept such as collective creativity? If there is something in common, it is an ability to maintain momentum through a liberal mixture of long and short tones, the blues and squeaky European avant-gardisms, through-composition and lots of tightly executed starts and stops, zigs and zags. Daisy and McBride, two of Chicago's expert rhythmateers, are responsible for much of the implementation with Bishop and Rempis, sorely missed as a regular small ensemble frontline, adding bombast and detail, often all at the same time. Bishop has become a well-respected trombonist in the progressive lineage – membership in the Globe Unity Orchestra for example – but special mention must be made of Rempis, Beelzebub-ian in his ability to shoot flames on all three of his saxes.
    The Engines certainly requires the oil that is attentive listening. The songs – and again this is live or recorded – are not blowing vehicles though long solo
    portions are set aside; instead they are well- constructed compositions with subplots and character development. And since a relatively small portion of the concert was given over to album material, the long-term health of this collective seems assured, another exciting wind blowing from out west. (Mark Corroto on allaboutjazz.com)


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