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    Telemann - Balthasar-Neumann Ensemble - Perpetuum mobile. Cantatas & Chamber Music (2004)

    Posted By: luckburz
    Telemann - Balthasar-Neumann Ensemble - Perpetuum mobile. Cantatas & Chamber Music (2004)

    Georg Philipp Telemann - Perpetuum mobile. Cantatas & Chamber Music
    Balthasar-Neumann Ensemble / Dorothee Mields / Benoît Haller / Han Tol
    EAC+LOG+CUE | FLAC: 350 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: Carus # 83.165 | Country/Year: Europe 2004
    Genre: Classical | Style: Baroque

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [] not my rip [X]

    Telemann - Balthasar-Neumann Ensemble - Perpetuum mobile. Cantatas & Chamber Music (2004)

    Telemann - Balthasar-Neumann Ensemble - Perpetuum mobile. Cantatas & Chamber Music (2004)



    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 24. June 2012, 12:00

    Balthasar-Neumann Ensemble / Telemann - Perpetuum Mobile

    Used drive : HL-DT-STDVDRAM GH20NS10 Adapter: 4 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Installed external ASPI interface
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:26.70 | 0 | 20019
    2 | 4:26.70 | 0:29.37 | 20020 | 22231
    3 | 4:56.32 | 2:37.50 | 22232 | 34056
    4 | 7:34.07 | 0:28.28 | 34057 | 36184
    5 | 8:02.35 | 1:17.27 | 36185 | 41986
    6 | 9:19.62 | 0:48.05 | 41987 | 45591
    7 | 10:07.67 | 2:47.38 | 45592 | 58154
    8 | 12:55.30 | 2:09.20 | 58155 | 67849
    9 | 15:04.50 | 1:52.30 | 67850 | 76279
    10 | 16:57.05 | 4:29.55 | 76280 | 96509
    11 | 21:26.60 | 3:36.10 | 96510 | 112719
    12 | 25:02.70 | 0:34.15 | 112720 | 115284
    13 | 25:37.10 | 3:24.52 | 115285 | 130636
    14 | 29:01.62 | 1:12.33 | 130637 | 136069
    15 | 30:14.20 | 4:04.35 | 136070 | 154404
    16 | 34:18.55 | 2:44.22 | 154405 | 166726
    17 | 37:03.02 | 1:30.55 | 166727 | 173531
    18 | 38:33.57 | 1:28.65 | 173532 | 180196
    19 | 40:02.47 | 4:04.00 | 180197 | 198496
    20 | 44:06.47 | 2:54.33 | 198497 | 211579
    21 | 47:01.05 | 1:24.35 | 211580 | 217914
    22 | 48:25.40 | 1:23.30 | 217915 | 224169
    23 | 49:48.70 | 0:34.02 | 224170 | 226721
    24 | 50:22.72 | 4:17.15 | 226722 | 246011
    25 | 54:40.12 | 1:07.10 | 246012 | 251046
    26 | 55:47.22 | 1:10.40 | 251047 | 256336
    27 | 56:57.62 | 6:05.63 | 256337 | 283774
    28 | 63:03.50 | 1:33.07 | 283775 | 290756
    29 | 64:36.57 | 2:05.58 | 290757 | 300189
    30 | 66:42.40 | 1:03.65 | 300190 | 304979
    31 | 67:46.30 | 3:46.05 | 304980 | 321934
    32 | 71:32.35 | 1:33.72 | 321935 | 328981
    33 | 73:06.32 | 1:06.33 | 328982 | 333964


    Track 1

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\01 - Kantate an Epiphanias TVWV 1-795; I. Hier ist mein Herz, geliebter Jesu.wav

    Pre-gap length 0:00:02.00

    Peak level 79.1 %
    Extraction speed 3.5 X
    Track quality 99.9 %
    Test CRC 5AFC2A64
    Copy CRC 5AFC2A64
    Accurately ripped (confidence 2) [D7352BEA] (AR v1)
    Copy OK

    Track 2

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\02 - II. Ich war ein Sklavenkind.wav

    Peak level 68.7 %
    Extraction speed 1.9 X
    Track quality 100.0 %
    Test CRC 077E8F6D
    Copy CRC 077E8F6D
    Accurately ripped (confidence 2) [F5CF633B] (AR v1)
    Copy OK

    Track 3

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\03 - III. Wollten doch die Augen brechen.wav

    Peak level 87.4 %
    Extraction speed 3.3 X
    Track quality 99.9 %
    Test CRC FBC5F1CC
    Copy CRC FBC5F1CC
    Accurately ripped (confidence 2) [EDBB42FF] (AR v1)
    Copy OK

    Track 4

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\04 - IV. Indessen leg ich mich vor deine Fuesse.wav

    Peak level 55.3 %
    Extraction speed 2.1 X
    Track quality 100.0 %
    Test CRC 7B8E4BA9
    Copy CRC 7B8E4BA9
    Accurately ripped (confidence 2) [BA4B9154] (AR v1)
    Copy OK

    Track 5

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\05 - V. Du willst ein Opfer haben.wav

    Peak level 41.4 %
    Extraction speed 2.5 X
    Track quality 99.8 %
    Test CRC 4E91C10C
    Copy CRC 4E91C10C
    Accurately ripped (confidence 2) [A98576A8] (AR v1)
    Copy OK

    Track 6

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\06 - VI. So nimm mein Opfer hin.wav

    Peak level 58.5 %
    Extraction speed 2.7 X
    Track quality 100.0 %
    Test CRC 94EDFF94
    Copy CRC 94EDFF94
    Accurately ripped (confidence 2) [5B29CC94] (AR v1)
    Copy OK

    Track 7

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\07 - VII. Ach mein Gott.wav

    Peak level 48.5 %
    Extraction speed 4.3 X
    Track quality 100.0 %
    Test CRC 5CD19440
    Copy CRC 5CD19440
    Accurately ripped (confidence 2) [861C7C7A] (AR v1)
    Copy OK

    Track 8

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\08 - Quartett g-Moll TWV 43-g4; I. Allegro.wav

    Pre-gap length 0:00:05.45

    Peak level 39.5 %
    Extraction speed 4.3 X
    Track quality 100.0 %
    Test CRC 88DC53C8
    Copy CRC 88DC53C8
    Accurately ripped (confidence 2) [22AC5810] (AR v1)
    Copy OK

    Track 9

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\09 - II. Adagio.wav

    Peak level 34.0 %
    Extraction speed 4.2 X
    Track quality 100.0 %
    Test CRC 946FE23E
    Copy CRC 946FE23E
    Accurately ripped (confidence 2) [DF020145] (AR v1)
    Copy OK

    Track 10

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\10 - III. Allegro.wav

    Peak level 46.4 %
    Extraction speed 5.3 X
    Track quality 100.0 %
    Test CRC FB21D53E
    Copy CRC FB21D53E
    Accurately ripped (confidence 2) [47117E48] (AR v1)
    Copy OK

    Track 11

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\11 - Passionskantate TVWV 1-1536; I. Weiche, Lust und Froehlichkeit.wav

    Pre-gap length 0:00:07.28

    Peak level 69.8 %
    Extraction speed 4.6 X
    Track quality 99.9 %
    Test CRC FCC635B1
    Copy CRC FCC635B1
    Accurately ripped (confidence 2) [022F1BA7] (AR v1)
    Copy OK

    Track 12

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\12 - II. Bedenk, o Mensch!.wav

    Peak level 73.4 %
    Extraction speed 1.9 X
    Track quality 99.6 %
    Test CRC 4A3897CB
    Copy CRC 4A3897CB
    Accurately ripped (confidence 2) [6C54F922] (AR v1)
    Copy OK

    Track 13

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\13 - III. Um uns Verfluchte zu erloesen.wav

    Peak level 89.6 %
    Extraction speed 5.5 X
    Track quality 100.0 %
    Test CRC 8E51B3E3
    Copy CRC 8E51B3E3
    Accurately ripped (confidence 2) [33F95903] (AR v1)
    Copy OK

    Track 14

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\14 - IV. Bedenk hiernaechst sein treues Lieben.wav

    Peak level 98.0 %
    Extraction speed 4.5 X
    Track quality 100.0 %
    Test CRC 1E64304A
    Copy CRC 1E64304A
    Accurately ripped (confidence 2) [17346D78] (AR v1)
    Copy OK

    Track 15

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\15 - V. Herz und Seele sind erfreut.wav

    Peak level 77.6 %
    Extraction speed 6.1 X
    Track quality 100.0 %
    Test CRC DB51D5A9
    Copy CRC DB51D5A9
    Accurately ripped (confidence 2) [FEB03175] (AR v1)
    Copy OK

    Track 16

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\16 - Quartett a-Moll TWV 43-13; I. Adagio.wav

    Pre-gap length 0:00:05.43

    Peak level 40.5 %
    Extraction speed 5.7 X
    Track quality 100.0 %
    Test CRC 67C2A188
    Copy CRC 67C2A188
    Accurately ripped (confidence 2) [863C663E] (AR v1)
    Copy OK

    Track 17

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\17 - II. Allegro.wav

    Peak level 52.5 %
    Extraction speed 5.1 X
    Track quality 100.0 %
    Test CRC 30FA0B7E
    Copy CRC 30FA0B7E
    Accurately ripped (confidence 2) [8C623267] (AR v1)
    Copy OK

    Track 18

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\18 - III. Adagio.wav

    Peak level 33.4 %
    Extraction speed 5.0 X
    Track quality 100.0 %
    Test CRC 201A17B0
    Copy CRC 201A17B0
    Accurately ripped (confidence 2) [51C26923] (AR v1)
    Copy OK

    Track 19

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\19 - IV. Vivace.wav

    Peak level 44.7 %
    Extraction speed 5.7 X
    Track quality 99.9 %
    Test CRC 7354DE4F
    Copy CRC 7354DE4F
    Accurately ripped (confidence 2) [C3E6E582] (AR v1)
    Copy OK

    Track 20

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\20 - Psalm 6 TVWV 7-2; I. Ach Herr, strafe mich nicht.wav

    Pre-gap length 0:00:05.30

    Peak level 49.5 %
    Extraction speed 6.4 X
    Track quality 100.0 %
    Test CRC B660F68F
    Copy CRC B660F68F
    Accurately ripped (confidence 2) [8D552C06] (AR v1)
    Copy OK

    Track 21

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\21 - II. Herr, sei mir gnaedig.wav

    Peak level 61.4 %
    Extraction speed 5.4 X
    Track quality 100.0 %
    Test CRC C949D236
    Copy CRC C949D236
    Accurately ripped (confidence 2) [47DDEB52] (AR v1)
    Copy OK

    Track 22

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\22 - III. Wende dich, Herr.wav

    Peak level 42.0 %
    Extraction speed 5.5 X
    Track quality 100.0 %
    Test CRC 60FC163E
    Copy CRC 60FC163E
    Accurately ripped (confidence 2) [BE7D329A] (AR v1)
    Copy OK

    Track 23

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\23 - IV. Denn im Tode gedenkt man.wav

    Peak level 35.0 %
    Extraction speed 3.3 X
    Track quality 100.0 %
    Test CRC 269AE630
    Copy CRC 269AE630
    Accurately ripped (confidence 2) [C9E83294] (AR v1)
    Copy OK

    Track 24

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\24 - V. Ich bin so muede vom Seufzen.wav

    Peak level 43.6 %
    Extraction speed 7.0 X
    Track quality 100.0 %
    Test CRC 4A47895A
    Copy CRC 4A47895A
    Accurately ripped (confidence 2) [0C62339D] (AR v1)
    Copy OK

    Track 25

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\25 - VI. Weichet von mir, ihr Uebeltaeter.wav

    Peak level 74.0 %
    Extraction speed 5.2 X
    Track quality 100.0 %
    Test CRC 5AE96B1F
    Copy CRC 5AE96B1F
    Accurately ripped (confidence 2) [B8B70C90] (AR v1)
    Copy OK

    Track 26

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\26 - VII. Es muessen alle meine Feinde.wav

    Peak level 51.8 %
    Extraction speed 5.4 X
    Track quality 100.0 %
    Test CRC DBA9B9B3
    Copy CRC DBA9B9B3
    Accurately ripped (confidence 2) [5497F856] (AR v1)
    Copy OK

    Track 27

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\27 - Ouverture D-Dur TWV 55-D12 'Perpetuum mobile' I. Ouverture.wav

    Pre-gap length 0:00:04.69

    Peak level 49.1 %
    Extraction speed 7.0 X
    Track quality 99.9 %
    Test CRC 51D8F12A
    Copy CRC 51D8F12A
    Accurately ripped (confidence 2) [2B395C8A] (AR v1)
    Copy OK

    Track 28

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\28 - II. Perpetuum mobile.wav

    Peak level 25.1 %
    Extraction speed 6.3 X
    Track quality 100.0 %
    Test CRC 441B5B35
    Copy CRC 441B5B35
    Accurately ripped (confidence 2) [3318ED35] (AR v1)
    Copy OK

    Track 29

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\29 - III. Sarabande.wav

    Peak level 27.8 %
    Extraction speed 6.5 X
    Track quality 100.0 %
    Test CRC C82B2B52
    Copy CRC C82B2B52
    Accurately ripped (confidence 2) [233B387B] (AR v1)
    Copy OK

    Track 30

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\30 - IV. Bouree.wav

    Peak level 41.7 %
    Extraction speed 5.5 X
    Track quality 100.0 %
    Test CRC 07554C73
    Copy CRC 07554C73
    Accurately ripped (confidence 2) [CFDBC402] (AR v1)
    Copy OK

    Track 31

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\31 - V. Menuet I und II.wav

    Peak level 28.2 %
    Extraction speed 6.7 X
    Track quality 99.9 %
    Test CRC 5AC86039
    Copy CRC 5AC86039
    Accurately ripped (confidence 2) [F919CE0F] (AR v1)
    Copy OK

    Track 32

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\32 - VI. Tourbilon.wav

    Peak level 38.4 %
    Extraction speed 4.8 X
    Track quality 99.8 %
    Test CRC 3F9F5E70
    Copy CRC 3F9F5E70
    Accurately ripped (confidence 2) [F74458B5] (AR v1)
    Copy OK

    Track 33

    Filename Z:\Telemann - Perpetuum mobile (Balthasar-Neumann Ensemble, Han Tol) (2004) [FLAC] {Carus 83.165}\33 - VII. Gigue.wav

    Peak level 29.4 %
    Extraction speed 4.3 X
    Track quality 99.8 %
    Test CRC E3879286
    Copy CRC E3879286
    Accurately ripped (confidence 2) [6A923563] (AR v1)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    ==== Log checksum 01D6353AFEC1BAC95C74C3DB5A9BBEF5E1BF60EFF52085182515B58D8EE870F0 ====

    auCDtect: CD records authenticity detector, version 0.8.2
    Copyright © 2004 Oleg Berngardt. All rights reserved.
    Copyright © 2004 Alexander Djourik. All rights reserved.

    Detect mode (0..40 with 0 = most accurate): 8 (default)


    ––––––––––––––––––––––––––––––
    [01 - Kantate an Epiphanias TVWV 1-795; I. Hier ist mein Herz, geliebter Jesu.wav]
    Detected average hi-boundary frequency: 2.036718e+004 Hz
    Detected average lo-boundary frequency: 1.510099e+004 Hz
    Detected average hi-cut frequency: 2.143139e+004 Hz
    Detected average lo-cut frequency: 1.633933e+004 Hz
    Maximum probablis boundary frequency: 2.189600e+004 Hz
    Coefficient of nonlinearity of a phase: 8.661669e-001
    First order smothness: 2.131661e-001
    Second order smothness: 8.808777e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [02 - II. Ich war ein Sklavenkind.wav]
    Detected average hi-boundary frequency: 2.044608e+004 Hz
    Detected average lo-boundary frequency: 1.374563e+004 Hz
    Detected average hi-cut frequency: 2.123142e+004 Hz
    Detected average lo-cut frequency: 1.710838e+004 Hz
    Maximum probablis boundary frequency: 2.100300e+004 Hz
    Coefficient of nonlinearity of a phase: 1.453720e+000
    First order smothness: 2.222222e-001
    Second order smothness: 8.888889e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [03 - III. Wollten doch die Augen brechen.wav]
    Detected average hi-boundary frequency: 2.022743e+004 Hz
    Detected average lo-boundary frequency: 1.438368e+004 Hz
    Detected average hi-cut frequency: 2.129944e+004 Hz
    Detected average lo-cut frequency: 1.716201e+004 Hz
    Maximum probablis boundary frequency: 2.190200e+004 Hz
    Coefficient of nonlinearity of a phase: 1.245307e+000
    First order smothness: 2.486772e-001
    Second order smothness: 8.677249e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [04 - IV. Indessen leg ich mich vor deine Fuesse.wav]
    Detected average hi-boundary frequency: 2.055812e+004 Hz
    Detected average lo-boundary frequency: 1.477450e+004 Hz
    Detected average hi-cut frequency: 2.141244e+004 Hz
    Detected average lo-cut frequency: 1.205320e+004 Hz
    Maximum probablis boundary frequency: 2.091100e+004 Hz
    Coefficient of nonlinearity of a phase: 1.771103e+000
    First order smothness: 3.529412e-001
    Second order smothness: 7.352941e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 99%.

    ––––––––––––––––––––––––––––––
    [05 - V. Du willst ein Opfer haben.wav]
    Detected average hi-boundary frequency: 2.051676e+004 Hz
    Detected average lo-boundary frequency: 1.331590e+004 Hz
    Detected average hi-cut frequency: 2.141720e+004 Hz
    Detected average lo-cut frequency: 1.595454e+004 Hz
    Maximum probablis boundary frequency: 2.190700e+004 Hz
    Coefficient of nonlinearity of a phase: 1.174852e+000
    First order smothness: 2.258065e-001
    Second order smothness: 8.817204e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [06 - VI. So nimm mein Opfer hin.wav]
    Detected average hi-boundary frequency: 2.049900e+004 Hz
    Detected average lo-boundary frequency: 1.184778e+004 Hz
    Detected average hi-cut frequency: 2.138071e+004 Hz
    Detected average lo-cut frequency: 1.608046e+004 Hz
    Maximum probablis boundary frequency: 2.175100e+004 Hz
    Coefficient of nonlinearity of a phase: 1.868995e+000
    First order smothness: 3.103448e-001
    Second order smothness: 8.275862e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 99%.

    ––––––––––––––––––––––––––––––
    [07 - VII. Ach mein Gott.wav]
    Detected average hi-boundary frequency: 2.049702e+004 Hz
    Detected average lo-boundary frequency: 1.385720e+004 Hz
    Detected average hi-cut frequency: 2.137695e+004 Hz
    Detected average lo-cut frequency: 1.409136e+004 Hz
    Maximum probablis boundary frequency: 2.189600e+004 Hz
    Coefficient of nonlinearity of a phase: 6.186093e-001
    First order smothness: 2.642487e-001
    Second order smothness: 8.134715e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [08 - Quartett g-Moll TWV 43-g4; I. Allegro.wav]
    Detected average hi-boundary frequency: 2.071908e+004 Hz
    Detected average lo-boundary frequency: 1.415097e+004 Hz
    Detected average hi-cut frequency: 2.143758e+004 Hz
    Detected average lo-cut frequency: 1.750234e+004 Hz
    Maximum probablis boundary frequency: 2.190200e+004 Hz
    Coefficient of nonlinearity of a phase: 1.220613e+000
    First order smothness: 2.207792e-001
    Second order smothness: 9.025974e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [09 - II. Adagio.wav]
    Detected average hi-boundary frequency: 2.048329e+004 Hz
    Detected average lo-boundary frequency: 1.441082e+004 Hz
    Detected average hi-cut frequency: 2.139696e+004 Hz
    Detected average lo-cut frequency: 1.881270e+004 Hz
    Maximum probablis boundary frequency: 2.136900e+004 Hz
    Coefficient of nonlinearity of a phase: 1.199090e+000
    First order smothness: 2.888889e-001
    Second order smothness: 8.962963e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [10 - III. Allegro.wav]
    Detected average hi-boundary frequency: 2.024881e+004 Hz
    Detected average lo-boundary frequency: 1.326585e+004 Hz
    Detected average hi-cut frequency: 2.132028e+004 Hz
    Detected average lo-cut frequency: 1.688572e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 8.041945e-001
    First order smothness: 2.547771e-001
    Second order smothness: 8.853503e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [11 - Passionskantate TVWV 1-1536; I. Weiche, Lust und Froehlichkeit.wav]
    Detected average hi-boundary frequency: 2.050666e+004 Hz
    Detected average lo-boundary frequency: 1.188539e+004 Hz
    Detected average hi-cut frequency: 2.146637e+004 Hz
    Detected average lo-cut frequency: 1.742262e+004 Hz
    Maximum probablis boundary frequency: 2.118600e+004 Hz
    Coefficient of nonlinearity of a phase: 1.169467e+000
    First order smothness: 2.480620e-001
    Second order smothness: 8.914729e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [12 - II. Bedenk, o Mensch!.wav]
    Detected average hi-boundary frequency: 2.062117e+004 Hz
    Detected average lo-boundary frequency: 1.234656e+004 Hz
    Detected average hi-cut frequency: 2.134980e+004 Hz
    Detected average lo-cut frequency: 1.207606e+004 Hz
    Maximum probablis boundary frequency: 2.125600e+004 Hz
    Coefficient of nonlinearity of a phase: 5.420807e-001
    First order smothness: 2.195122e-001
    Second order smothness: 8.292683e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [13 - III. Um uns Verfluchte zu erloesen.wav]
    Detected average hi-boundary frequency: 2.052882e+004 Hz
    Detected average lo-boundary frequency: 1.376895e+004 Hz
    Detected average hi-cut frequency: 2.132183e+004 Hz
    Detected average lo-cut frequency: 1.592802e+004 Hz
    Maximum probablis boundary frequency: 2.189600e+004 Hz
    Coefficient of nonlinearity of a phase: 9.846855e-001
    First order smothness: 2.693878e-001
    Second order smothness: 8.653061e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [14 - IV. Bedenk hiernaechst sein treues Lieben.wav]
    Detected average hi-boundary frequency: 2.070025e+004 Hz
    Detected average lo-boundary frequency: 1.246376e+004 Hz
    Detected average hi-cut frequency: 2.144500e+004 Hz
    Detected average lo-cut frequency: 1.529632e+004 Hz
    Maximum probablis boundary frequency: 2.138500e+004 Hz
    Coefficient of nonlinearity of a phase: 7.850923e-001
    First order smothness: 3.333333e-001
    Second order smothness: 7.586207e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [15 - V. Herz und Seele sind erfreut.wav]
    Detected average hi-boundary frequency: 2.052138e+004 Hz
    Detected average lo-boundary frequency: 1.291626e+004 Hz
    Detected average hi-cut frequency: 2.146979e+004 Hz
    Detected average lo-cut frequency: 1.649410e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 7.328672e-001
    First order smothness: 2.561404e-001
    Second order smothness: 8.842105e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [16 - Quartett a-Moll TWV 43-13; I. Adagio.wav]
    Detected average hi-boundary frequency: 2.085589e+004 Hz
    Detected average lo-boundary frequency: 1.438734e+004 Hz
    Detected average hi-cut frequency: 2.130006e+004 Hz
    Detected average lo-cut frequency: 1.785951e+004 Hz
    Maximum probablis boundary frequency: 2.189600e+004 Hz
    Coefficient of nonlinearity of a phase: 6.309293e-001
    First order smothness: 3.112245e-001
    Second order smothness: 9.030612e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 76%.

    ––––––––––––––––––––––––––––––
    [17 - II. Allegro.wav]
    Detected average hi-boundary frequency: 2.066974e+004 Hz
    Detected average lo-boundary frequency: 1.490854e+004 Hz
    Detected average hi-cut frequency: 2.142239e+004 Hz
    Detected average lo-cut frequency: 1.749390e+004 Hz
    Maximum probablis boundary frequency: 2.190200e+004 Hz
    Coefficient of nonlinearity of a phase: 1.125333e+000
    First order smothness: 2.385321e-001
    Second order smothness: 8.623853e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [18 - III. Adagio.wav]
    Detected average hi-boundary frequency: 2.049286e+004 Hz
    Detected average lo-boundary frequency: 1.255681e+004 Hz
    Detected average hi-cut frequency: 2.110703e+004 Hz
    Detected average lo-cut frequency: 1.724343e+004 Hz
    Maximum probablis boundary frequency: 2.180000e+004 Hz
    Coefficient of nonlinearity of a phase: 5.218803e-001
    First order smothness: 3.457944e-001
    Second order smothness: 8.598131e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [19 - IV. Vivace.wav]
    Detected average hi-boundary frequency: 2.046270e+004 Hz
    Detected average lo-boundary frequency: 1.435233e+004 Hz
    Detected average hi-cut frequency: 2.135663e+004 Hz
    Detected average lo-cut frequency: 1.602537e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 9.059135e-001
    First order smothness: 2.561404e-001
    Second order smothness: 8.491228e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [20 - Psalm 6 TVWV 7-2; I. Ach Herr, strafe mich nicht.wav]
    Detected average hi-boundary frequency: 2.047861e+004 Hz
    Detected average lo-boundary frequency: 1.585907e+004 Hz
    Detected average hi-cut frequency: 2.132878e+004 Hz
    Detected average lo-cut frequency: 1.687512e+004 Hz
    Maximum probablis boundary frequency: 2.175100e+004 Hz
    Coefficient of nonlinearity of a phase: 1.522472e+000
    First order smothness: 2.163462e-001
    Second order smothness: 8.942308e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [21 - II. Herr, sei mir gnaedig.wav]
    Detected average hi-boundary frequency: 2.038146e+004 Hz
    Detected average lo-boundary frequency: 1.459463e+004 Hz
    Detected average hi-cut frequency: 2.120213e+004 Hz
    Detected average lo-cut frequency: 1.574845e+004 Hz
    Maximum probablis boundary frequency: 2.177800e+004 Hz
    Coefficient of nonlinearity of a phase: 8.833289e-001
    First order smothness: 2.352941e-001
    Second order smothness: 8.235294e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [22 - III. Wende dich, Herr.wav]
    Detected average hi-boundary frequency: 2.035726e+004 Hz
    Detected average lo-boundary frequency: 1.377340e+004 Hz
    Detected average hi-cut frequency: 2.122806e+004 Hz
    Detected average lo-cut frequency: 1.580848e+004 Hz
    Maximum probablis boundary frequency: 2.189600e+004 Hz
    Coefficient of nonlinearity of a phase: 1.463652e+000
    First order smothness: 2.500000e-001
    Second order smothness: 8.700000e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [23 - IV. Denn im Tode gedenkt man.wav]
    Detected average hi-boundary frequency: 2.070166e+004 Hz
    Detected average lo-boundary frequency: 1.417471e+004 Hz
    Detected average hi-cut frequency: 2.138302e+004 Hz
    Detected average lo-cut frequency: 1.652879e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 1.525780e+000
    First order smothness: 4.146341e-001
    Second order smothness: 7.073171e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [24 - V. Ich bin so muede vom Seufzen.wav]
    Detected average hi-boundary frequency: 2.038710e+004 Hz
    Detected average lo-boundary frequency: 1.450962e+004 Hz
    Detected average hi-cut frequency: 2.114492e+004 Hz
    Detected average lo-cut frequency: 1.548554e+004 Hz
    Maximum probablis boundary frequency: 2.166500e+004 Hz
    Coefficient of nonlinearity of a phase: 1.061892e+000
    First order smothness: 2.370130e-001
    Second order smothness: 8.279221e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [25 - VI. Weichet von mir, ihr Uebeltaeter.wav]
    Detected average hi-boundary frequency: 2.054630e+004 Hz
    Detected average lo-boundary frequency: 1.494471e+004 Hz
    Detected average hi-cut frequency: 2.147930e+004 Hz
    Detected average lo-cut frequency: 1.547706e+004 Hz
    Maximum probablis boundary frequency: 2.189600e+004 Hz
    Coefficient of nonlinearity of a phase: 1.069036e+000
    First order smothness: 1.728395e-001
    Second order smothness: 8.765432e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [26 - VII. Es muessen alle meine Feinde.wav]
    Detected average hi-boundary frequency: 2.018063e+004 Hz
    Detected average lo-boundary frequency: 1.580933e+004 Hz
    Detected average hi-cut frequency: 2.131463e+004 Hz
    Detected average lo-cut frequency: 1.393102e+004 Hz
    Maximum probablis boundary frequency: 2.180500e+004 Hz
    Coefficient of nonlinearity of a phase: 1.490065e+000
    First order smothness: 2.692308e-001
    Second order smothness: 7.820513e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [27 - Ouverture D-Dur TWV 55-D12 'Perpetuum mobile' I. Ouverture.wav]
    Detected average hi-boundary frequency: 2.039403e+004 Hz
    Detected average lo-boundary frequency: 1.445823e+004 Hz
    Detected average hi-cut frequency: 2.143472e+004 Hz
    Detected average lo-cut frequency: 1.653157e+004 Hz
    Maximum probablis boundary frequency: 2.137400e+004 Hz
    Coefficient of nonlinearity of a phase: 1.097372e+000
    First order smothness: 1.990847e-001
    Second order smothness: 8.810069e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [28 - II. Perpetuum mobile.wav]
    Detected average hi-boundary frequency: 2.054456e+004 Hz
    Detected average lo-boundary frequency: 1.394700e+004 Hz
    Detected average hi-cut frequency: 2.157868e+004 Hz
    Detected average lo-cut frequency: 1.869083e+004 Hz
    Maximum probablis boundary frequency: 2.195600e+004 Hz
    Coefficient of nonlinearity of a phase: 1.177437e+000
    First order smothness: 1.696429e-001
    Second order smothness: 9.196429e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 99%.

    ––––––––––––––––––––––––––––––
    [29 - III. Sarabande.wav]
    Detected average hi-boundary frequency: 2.061968e+004 Hz
    Detected average lo-boundary frequency: 1.610406e+004 Hz
    Detected average hi-cut frequency: 2.138497e+004 Hz
    Detected average lo-cut frequency: 1.895454e+004 Hz
    Maximum probablis boundary frequency: 2.131500e+004 Hz
    Coefficient of nonlinearity of a phase: 1.142152e+000
    First order smothness: 2.251656e-001
    Second order smothness: 8.940397e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [30 - IV. Bouree.wav]
    Detected average hi-boundary frequency: 2.045077e+004 Hz
    Detected average lo-boundary frequency: 1.514211e+004 Hz
    Detected average hi-cut frequency: 2.144588e+004 Hz
    Detected average lo-cut frequency: 1.635497e+004 Hz
    Maximum probablis boundary frequency: 2.166000e+004 Hz
    Coefficient of nonlinearity of a phase: 1.706433e+000
    First order smothness: 1.168831e-001
    Second order smothness: 9.090909e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [31 - V. Menuet I und II.wav]
    Detected average hi-boundary frequency: 2.062821e+004 Hz
    Detected average lo-boundary frequency: 1.330030e+004 Hz
    Detected average hi-cut frequency: 2.125310e+004 Hz
    Detected average lo-cut frequency: 1.592982e+004 Hz
    Maximum probablis boundary frequency: 2.189100e+004 Hz
    Coefficient of nonlinearity of a phase: 1.299138e+000
    First order smothness: 2.952030e-001
    Second order smothness: 8.560886e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [32 - VI. Tourbilon.wav]
    Detected average hi-boundary frequency: 2.053532e+004 Hz
    Detected average lo-boundary frequency: 1.321035e+004 Hz
    Detected average hi-cut frequency: 2.158301e+004 Hz
    Detected average lo-cut frequency: 1.758676e+004 Hz
    Maximum probablis boundary frequency: 2.192900e+004 Hz
    Coefficient of nonlinearity of a phase: 1.442271e+000
    First order smothness: 2.035398e-001
    Second order smothness: 8.230088e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    ––––––––––––––––––––––––––––––
    [33 - VII. Gigue.wav]
    Detected average hi-boundary frequency: 2.051989e+004 Hz
    Detected average lo-boundary frequency: 1.296941e+004 Hz
    Detected average hi-cut frequency: 2.144028e+004 Hz
    Detected average lo-cut frequency: 1.925806e+004 Hz
    Maximum probablis boundary frequency: 2.139600e+004 Hz
    Coefficient of nonlinearity of a phase: 1.451983e+000
    First order smothness: 2.750000e-001
    Second order smothness: 8.625000e-001
    ––––––––––––––––––––––––––––––
    This track looks like CDDA with probability 100%.

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2012-08-28 17:09:53

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Balthasar-Neumann Ensemble / Telemann - Perpetuum Mobile
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR16 -2.03 dB -23.40 dB 4:27 01-Kantate an Epiphanias TVWV 1:795; I. Hier ist mein Herz, geliebter Jesu
    DR12 -3.26 dB -25.47 dB 0:29 02-II. Ich war ein Sklavenkind
    DR14 -1.16 dB -25.36 dB 2:38 03-III. Wollten doch die Augen brechen
    DR10 -5.14 dB -29.70 dB 0:28 04-IV. Indessen leg ich mich vor deine Fuesse
    DR13 -7.65 dB -25.32 dB 1:17 05-V. Du willst ein Opfer haben
    DR13 -4.65 dB -25.54 dB 0:48 06-VI. So nimm mein Opfer hin
    DR14 -6.28 dB -24.97 dB 2:48 07-VII. Ach mein Gott
    DR11 -8.05 dB -22.51 dB 2:09 08-Quartett g-Moll TWV 43:g4; I. Allegro
    DR9 -9.36 dB -21.82 dB 1:52 09-II. Adagio
    DR12 -6.67 dB -23.44 dB 4:30 10-III. Allegro
    DR15 -3.12 dB -22.83 dB 3:36 11-Passionskantate TVWV 1:1536; I. Weiche, Lust und Froehlichkeit
    DR13 -2.68 dB -22.18 dB 0:34 12-II. Bedenk, o Mensch!
    DR15 -0.94 dB -21.31 dB 3:25 13-III. Um uns Verfluchte zu erloesen
    DR14 -0.17 dB -22.56 dB 1:12 14-IV. Bedenk hiernaechst sein treues Lieben
    DR14 -2.20 dB -21.61 dB 4:04 15-V. Herz und Seele sind erfreut
    DR12 -7.84 dB -22.81 dB 2:44 16-Quartett a-Moll TWV 43:13; I. Adagio
    DR11 -5.59 dB -22.14 dB 1:31 17-II. Allegro
    DR10 -9.52 dB -23.69 dB 1:29 18-III. Adagio
    DR13 -6.98 dB -24.71 dB 4:04 19-IV. Vivace
    DR14 -6.10 dB -24.69 dB 2:54 20-Psalm 6 TVWV 7:2; I. Ach Herr, strafe mich nicht
    DR12 -4.22 dB -24.10 dB 1:24 21-II. Herr, sei mir gnaedig
    DR14 -7.52 dB -24.41 dB 1:23 22-III. Wende dich, Herr
    DR11 -9.11 dB -24.77 dB 0:34 23-IV. Denn im Tode gedenkt man
    DR13 -7.20 dB -26.10 dB 4:17 24-V. Ich bin so muede vom Seufzen
    DR16 -2.61 dB -23.91 dB 1:07 25-VI. Weichet von mir, ihr Uebeltaeter
    DR13 -5.70 dB -23.03 dB 1:11 26-VII. Es muessen alle meine Feinde
    DR14 -6.18 dB -25.28 dB 6:06 27-Ouverture D-Dur TWV 55:D12 'Perpetuum mobile' I. Ouverture
    DR13 -11.97 dB -26.71 dB 1:33 28-II. Perpetuum mobile
    DR13 -11.10 dB -27.18 dB 2:06 29-III. Sarabande
    DR13 -7.59 dB -26.78 dB 1:04 30-IV. Bouree
    DR14 -10.99 dB -29.13 dB 3:46 31-V. Menuet I und II
    DR13 -8.31 dB -24.70 dB 1:34 32-VI. Tourbilon
    DR13 -10.63 dB -26.75 dB 1:06 33-VII. Gigue
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 33
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 663 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Georg Philipp Telemann (1681-1767) - Balthasar-Neumann Ensemble / Han Tol - Telemann - Perpetuum mobile. Cantatas & Chamber Music

    Label: Carus
    Catalog#: 83.165
    Format: CD, Album
    Country: Europe
    Released: 2004
    Genre: Classical
    Style: Baroque, Chamber Music, Choral - Sacred, Orchestral

    Tracklist:

    01 Kantate an Epiphanias TVWV 1:795; I. Hier ist mein Herz, geliebter Jesu 4:27
    02 II. Ich war ein Sklavenkind 0:29
    03 III. Wollten doch die Augen brechen 2:38
    04 IV. Indessen leg ich mich vor deine Fuesse 0:28
    05 V. Du willst ein Opfer haben 1:17
    06 VI. So nimm mein Opfer hin 0:48
    07 VII. Ach mein Gott 2:48
    08 Quartett g-Moll TWV 43:g4; I. Allegro 2:09
    09 II. Adagio 1:52
    10 III. Allegro 4:30
    11 Passionskantate TVWV 1:1536; I. Weiche, Lust und Froehlichkeit 3:36
    12 II. Bedenk, o Mensch! 0:34
    13 III. Um uns Verfluchte zu erloesen 3:25
    14 IV. Bedenk hiernaechst sein treues Lieben 1:12
    15 V. Herz und Seele sind erfreut 4:04
    16 Quartett a-Moll TWV 43:13; I. Adagio 2:44
    17 II. Allegro 1:31
    18 III. Adagio 1:29
    19 IV. Vivace 4:04
    20 Psalm 6 TVWV 7:2; I. Ach Herr, strafe mich nicht 2:54
    21 II. Herr, sei mir gnaedig 1:24
    22 III. Wende dich, Herr 1:23
    23 IV. Denn im Tode gedenkt man 0:34
    24 V. Ich bin so muede vom Seufzen 4:17
    25 VI. Weichet von mir, ihr Uebeltaeter 1:07
    26 VII. Es muessen alle meine Feinde 1:11
    27 Ouverture D-Dur TWV 55:D12 'Perpetuum mobile' I. Ouverture 6:06
    28 II. Perpetuum mobile 1:33
    29 III. Sarabande 2:06
    30 IV. Bouree 1:04
    31 V. Menuet I und II 3:46
    32 VI. Tourbilon 1:34
    33 VII. Gigue 1:06

    Telemann - Balthasar-Neumann Ensemble - Perpetuum mobile. Cantatas & Chamber Music (2004)


    Soprano Dorothee Mields sings like an angel, tenor Benoît Haller’s voice is warm and agile and melodious, the instrumental soloists are all world-class, and their ensemble colleagues are equally informed technically and in sync musically. And the sound is a perfect balance of intimate setting and room resonance that allows the uninhibited natural timbres of voices and instruments to be heard. And to all of this, we add the benefit of some terrific Telemann works that few listeners will have heard–and that even experienced Baroque fans will not immediately recognize as coming from this composer.

    Of course, Telemann was an exceptional craftsman, inventive contrapuntalist, and master of instruments, voices, and virtually all the musical forms of his day–but as demonstrated here (and on several other recent recordings of his vocal works), he had gifts for which he rarely gets full credit, certainly not as long as Johann Sebastian and George Frederic hog the attention of performers, listeners, and record companies. One of Telemann’s “problems” perhaps is that he wrote “too much” music, much of which remains in manuscript, and he wasn’t lucky enough to have the esteemed advocates that later championed the work of the other two masters. Indeed, Carus claims four of the six works on this program are world-premieres, and when you hear them–three cantatas and the Overture “Perpetuum mobile”–you can only wonder how much more material of this high quality is waiting to join these.

    Of all the details we could discuss regarding the music, the most striking here is the affirmation of Telemann’s facility for melodic invention and, like Bach, knowing how to give it color and finesse with appropriate instrumental accompaniment. Just listen to the Passion cantata, for soprano, viola concertante, and continuo (an oboe and violin were added later to enhance the tutti sections), and you’ll be impressed not only with the sophistication of the melodic interaction between viola and voice and the interest created by these two unique timbres, but also with the sheer virtuosity of the viola part and how easily it fits with the singer’s lines. The A minor Quartet for recorder, oboe, violin, and continuo is another pleasing mix of timbres–and the short third-movement Adagio is striking for its lovely overlapping lines. The final Vivace features fearsome virtuoso sections for each instrument, each passage totally different in character from the others.

    Yes, there’s enough great–and remarkably varied–music here to keep Baroque listeners interested and involved for many hours. And speaking of variety, the “Perpetuum mobile” Overture, so-named for one of its movements, is a delightful series of dance movements, the most memorable being the Sarabande, with its decorative melodic material and unusual (and very catchy) rhythmic divisions, and the ferocious Tourbilon (whirlwind). Not to be missed! Review by: ~David Vernier[1/12/2005] classicstoday

    Originally uploaded by pr3ss. Thanks a lot!

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