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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

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    Supertramp - Orpheum Theatre, Boston, MA - June 12th 1977 - The Dan Lampinski Tapes Vol. 31(EX AUD)

    Posted By: r_benavides
    Supertramp - Orpheum Theatre, Boston, MA - June 12th 1977 - The Dan Lampinski Tapes Vol. 31(EX AUD)

    Supertramp - Orpheum Theatre, Boston, MA - June 12th 1977 - The Dan Lampinski Tapes Vol. 31(EX AUD)
    Flac 24-bit/96-KHz Separate Files | No Cue No Log | Flac Fingerprints Included | Artwork Included | 2.06 Gb


    Supertramp
    Orpheum Theatre
    Boston, MA
    12 June 1977


    Master audience recording taped by Dan Lampinski

    01 School
    02 Ain't Nobody But Me
    03 Give A Little Bit
    04 Bloody Well Right
    05 Sister Moonshine
    06 From Now On
    07 Hide In Your Shell
    08 Poor Boy (cut)
    09 Babaji
    10 Asylum
    11 Dreamer
    12 Another Man's Woman
    13 Fool's Overture
    14 E: Two Of Us
    15 Crime Of the Century

    Rick Davies - keyboards, vocals
    John Helliwell - saxophone, vocals
    Roger Hodgson - guitar, keyboards, vocals
    Bob Seibenberg - drums
    Dougie Thomson - bass

    Nakamichi 550 Tape Recorder
    Two Nakamichi CM-300 Microphones
    Maxell cassettes


    Mastered and FLAC'ed by Carl Morstadt (dantalion8@yahoo.com)

    Master Cassette ->
    Nakamichi CR-3A cassette deck with azimuth correction ->
    M-Audio Firewire Audiophile 2496 ->
    CDWAV 24-bit/96-KHz wav files ->
    Goldwave (normalizing and crossfades) ->
    CDWAV (track breaks) ->
    FLAC Front End (FLAC 8)
    FLAC files tagged with Foobar2000 Live Show Tagger

    No EQ'ing.

    A 16-bit/44.1-KHz flac16 version of this recording is also available.

    Dan Lampinski recorded over 100 concerts in the Providence/Boston area, mostly between 1974 and 1978. His earliest recordings were made with an internal microphone deck. In late 1974 he bought a Sony TC-152SD tape recorder, a Sony ECM-99 stereo microphone, and began using Maxell cassettes. He also had a friend who provided excellent taping seats for many shows, resulting in high quality recordings. In 1977, he switched over to a Nakamichi 550 tape recorder, two Nakamichi CM-300 microphones, and continued using Maxell cassettes.

    Dan never traded copies of his recordings, although he did give some copies away to friends. These releases are the first time most of these recordings have ever circulated, and are direct from his master cassettes.

    The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

    No EQ'ing has been done. Feel free to EQ, matrix, patch, etc and re-post if you like, just give Dan Credit for the original recording.

    Dan was very meticulous about taking good care of his tapes and is very pleased that these recordings will now circulate among the trading community. Please honour his kindness and generosity by sharing these recordings freely.

    The transfers are available as 16bit/44.1KHz flac files suitable for CD burning, and also as 24bit/96KHz flac files for those who prefer the higher resolution.

    Always remember - the more generous you are with your music, the more it comes back to you.

    Kev & Carl
    December 2009

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