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    3. Schenk / Herwich / Hacquart - The Spirit of Gambo (2006, Stockfisch Rec. SFR 357.4042.2) {Hybrid-SACD // EAC Rip}

    Schenk / Herwich / Hacquart - The Spirit of Gambo (2006, Stockfisch Rec. SFR 357.4042.2) {Hybrid-SACD // EAC Rip}

    Posted By: luckburz
    Date: 13 Sep 2014 05:17:37
    Schenk / Herwich / Hacquart - The Spirit of Gambo (2006, Stockfisch Rec. SFR 357.4042.2) {Hybrid-SACD // EAC Rip}

    Schenk / Herwich / Hacquart - The Spirit of Gambo
    Freek Borstlap / Ivanka Neeleman / Haru Kitamika
    EAC+LOG+CUE | FLAC: 339 MB | Full Artwork: 151 MB | 5% Recovery Info
    Label/Cat#: Stockfisch Rec. # SFR 357.4042.2 | Country/Year: Germany 2006
    Genre: Classical | Style: Chamber Music, Viola da Gamba

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [X] not my rip []

    Schenk / Herwich / Hacquart - The Spirit of Gambo (2006, Stockfisch Rec. SFR 357.4042.2) {Hybrid-SACD // EAC Rip}


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 15. March 2014, 12:56

    Freek Borstlap, Ivanka Neeleman, Haru Kitamika / Schenk, Herwich, Hacquart: The Spirit Of Gambo

    Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : Yes
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 6:18.09 | 0 | 28358
    2 | 6:18.09 | 1:09.03 | 28359 | 33536
    3 | 7:27.12 | 0:49.19 | 33537 | 37230
    4 | 8:16.31 | 1:31.03 | 37231 | 44058
    5 | 9:47.34 | 1:04.48 | 44059 | 48906
    6 | 10:52.07 | 1:42.25 | 48907 | 56581
    7 | 12:34.32 | 2:02.63 | 56582 | 65794
    8 | 14:37.20 | 1:52.46 | 65795 | 74240
    9 | 16:29.66 | 4:11.56 | 74241 | 93121
    10 | 20:41.47 | 4:29.62 | 93122 | 113358
    11 | 25:11.34 | 2:17.23 | 113359 | 123656
    12 | 27:28.57 | 2:32.05 | 123657 | 135061
    13 | 30:00.62 | 1:54.50 | 135062 | 143661
    14 | 31:55.37 | 2:54.01 | 143662 | 156712
    15 | 34:49.38 | 3:00.28 | 156713 | 170240
    16 | 37:49.66 | 3:33.02 | 170241 | 186217
    17 | 41:22.68 | 2:24.36 | 186218 | 197053
    18 | 43:47.29 | 4:03.18 | 197054 | 215296
    19 | 47:50.47 | 2:03.32 | 215297 | 224553
    20 | 49:54.04 | 2:44.40 | 224554 | 236893
    21 | 52:38.44 | 3:07.42 | 236894 | 250960
    22 | 55:46.11 | 2:34.70 | 250961 | 262580
    23 | 58:21.06 | 1:28.37 | 262581 | 269217
    24 | 59:49.43 | 1:43.03 | 269218 | 276945
    25 | 61:32.46 | 1:26.49 | 276946 | 283444


    Range status and errors

    Selected range

    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Schenk, Herwich, Hacquart- The Spirit Of Gambo.wav

    Peak level 89.8 %
    Extraction speed 7.8 X
    Range quality 100.0 %
    Test CRC 7E05AF2C
    Copy CRC 7E05AF2C
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 6) [AE595CBD] (AR v2)
    Track 2 accurately ripped (confidence 6) [26F40050] (AR v2)
    Track 3 accurately ripped (confidence 6) [E9A86E82] (AR v2)
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    Track 18 accurately ripped (confidence 6) [AFD0B48D] (AR v2)
    Track 19 accurately ripped (confidence 6) [B7A786CF] (AR v2)
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    Track 21 accurately ripped (confidence 6) [1D5136A6] (AR v2)
    Track 22 accurately ripped (confidence 6) [6D54EE11] (AR v2)
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    Track 24 accurately ripped (confidence 6) [A5E105FC] (AR v2)
    Track 25 accurately ripped (confidence 6) [B66F714F] (AR v2)

    All tracks accurately ripped

    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: H_AII.K.WVigyWjVth7KVANK1EQ-] found, Submit result: H_AII.K.WVigyWjVth7KVANK1EQ- has been confirmed
    [2fa5cfc8] (3/3) Accurately ripped


    ==== Log checksum 328F229B4C901AD5D99581793B63A7694E8D85834629DC797AC19283D7405B8C ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2014-07-31 10:29:53

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: The Spirit Of Gambo / Dutch Music For Viola Da Gamba From The 17th Century
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR12 -0.53 dB -16.23 dB 6:20 01-Suite G Dur - Ouverture
    DR11 -3.25 dB -18.37 dB 1:09 02-Aria
    DR11 -4.54 dB -18.31 dB 0:49 03-Menuet
    DR12 -2.59 dB -18.05 dB 1:31 04-Tempo Di Gavotte
    DR10 -2.10 dB -17.13 dB 1:05 05-Bourú
    DR12 -0.01 dB -17.18 dB 1:42 06-Aria
    DR11 -0.92 dB -16.55 dB 2:03 07-Capriccio
    DR12 -1.36 dB -17.98 dB 1:53 08-Eerste Stuck Voor De Fiool De Gamba
    DR12 -2.48 dB -19.47 dB 4:12 09-Sonata VI - Adagio-Allegro-Adagio
    DR13 -2.46 dB -20.58 dB 4:30 10-Allemanda (Largo)
    DR12 -3.69 dB -19.46 dB 2:17 11-Corrente
    DR12 -6.35 dB -21.88 dB 2:32 12-Sarabanda (Adagio)
    DR12 -2.43 dB -19.70 dB 1:55 13-Giga
    DR12 -2.87 dB -18.47 dB 2:54 14-Tweede Stuck Voor De Fiool De Gamba
    DR11 -1.83 dB -17.23 dB 3:00 15-Sonata III - Adagio-Allegro-Adagio-Vivace
    DR12 -1.71 dB -18.60 dB 3:33 16-Allemanda
    DR11 -2.06 dB -17.79 dB 2:24 17-Corrente
    DR12 -1.28 dB -17.71 dB 4:03 18-Sarabanda
    DR12 -3.15 dB -17.82 dB 2:03 19-Giga
    DR12 -0.38 dB -17.26 dB 2:45 20-Gavotte 1, 2
    DR12 -0.97 dB -17.28 dB 3:08 21-Derde Stuck Voor De Fiool De Gamba
    DR11 -1.64 dB -18.87 dB 2:35 22-Suite D Dur - Allemande
    DR11 -4.10 dB -19.23 dB 1:28 23-Courante
    DR13 -4.06 dB -22.10 dB 1:43 24-Sarabande
    DR11 -3.29 dB -19.40 dB 1:27 25-Gigue
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 25
    Official DR value: DR12

    Samplerate: 88200 Hz
    Channels: 2
    Bits per sample: 24
    Bitrate: 2342 kbps
    Codec: FLAC
    ================================================================================



    SACD Info:

    Schenk / Herwich / Hacquart - The Spirit of Gambo

    Freek Borstlap / Ivanka Neeleman / Haru Kitamika

    Label: Stockfisch Records
    Catalog#: SFR 357.4042.2
    Format: Hybrid-SACD, Album, Multichannel, Stereo
    Country: Germany
    Released: 2006
    Genre: Classical
    Style: Chamber Music, Viola da Gamba

    Tracklist:

    Johan Schenk: Suite G major (Scherzi Musicali), Sonata VI (Le Nymphe di Rheno), Sonata III (L’Echo du Danube),
    Christiaen Herwich: Eerste Stuck "voor de fiool de Gamba", Tweede Stuck "voor de fiool de Gamba", Derde Stuck "voor de fiool de Gamba",
    Philippus Hacquart: Suite (D major)

    Members of the viol family, with their 6 (or 7) strings and fretted necks were the string instruments of choice during the Renaissance and early Baroque, slowly being replaced by the 5-string and fret-less violin family. The bass viol, the 'viola da gamba' (so named as it was held between the knees), was a particular favourite of royal and aristocratic domestic music making over a long period.

    During the first half of the 17th Century, the increasingly rich merchant class in the Netherlands were anxious to partake of this elite entertainment, but their aristocratic masters resolutely held on to their expert gambists and refused to allow them to give outside lessons. However, in the second half of the century, the English Civil War and Oliver's Cromwell's puritanism resulted in the expulsion of many Catholic musicians, as aristocratic institutions were broken up. The gambists fled to The Netherlands, and were greedily snapped up by the aspiring middle-classes. The refugee musicians passed on their art, which became the 'Spirit of Gambo'.

    This disc contains music published for the viola da gamba in The Netherlands by such musicians as Johan Schenk, Christaen Herwich and Phillipe Hacquart. Schenk's suites of dances, sometimes called Sonatas (there was little distinction at this time) are for 1 or 2 gambas with harpsichord. They are interpolated with shorter pieces for gamba and violin by Herwich, which varies the tone colour in the programme nicely, and the Hacquart Suite in D for solo gamba brings the recital to a conclusion.

    If you want a reference for this music, then the better-known cello suites and gamba sonatas of J.S. Bach will give you a good idea of its style. By nature, the gamba's resiny, deep, sonorous tone is not suited to bright and fast music, so the fashionable dances of the time became slower, more contemplative and were vehicles for intimate musical conversations between the players. The first two works by Schenk are duets for two gambas. Freek Borstlap and Ivanka Neeleman are leading players of beautiful modern copies of gambas, and their playing is simply superb. Their eloquent conversations pirouette around each other in the stately dances: the ultimate in refinement. An accompanying reconstruction of a Flemish harpsichord adds treble sparkle and tang. There are no rustic influences here, but the players do manage sometimes to gambol about in a touchingly elephantine way! The two gambas are clearly distinguished in tonal character, one six-stringed, one seven-stringed, and one feels privileged to eavesdrop on the players' private communing.

    In contrast, the improvisatory duos by Herwich, featuring a violin from 1680 paired with a gamba, are full of running and soaring flights of fantasy, sometimes of great emotional intensity (for the time). Haquart's concluding suite of dances, I venture to say, approaches the quality of some of J.S. Bach's cello suites, often duetting with itself and exploring all the registers of the gamba.

    Stockfish are only just moving into the Classical sphere with their audiophile discs, and they have taken enormous care with this recording. They used the world's only fully isolated concert and recording suite at the Galaxy Studios at Mol in Belgium. The complex is suspended on gigantic steel springs which damp ground-borne frequencies down to 3 Hz, and extraneous external noise is attenuated by more than 100dB. This produces a basic 'black' acoustic environment for the recording, which took place in a warmly resonant studio. A minimum of high-quality microphones were used, together with short silver cables, state-of the-art preamps and DSD convertors - the recording is described as "direct cut super audio cd" whch means it is pure 1-bit conversion to hard-disk. Separate feeds and converters were used for the stereo SACD and redbook CD, giving the highest quality for both. The CD layer itself is one of the best I have heard in chamber music.

    As a result of all this, the stereo SACD track is simply breathtaking in its fidelity; the players are simply present just behind the speakers, with tiny seat movements, breathing and some finger-squeaks on the strings. In MC the perspective becomes three-dimensional, and the rich hall acoustic signature adds an extra layer of sonority to the gambas. The bellies of these instruments can be heard resonating for many seconds after the music stops.

    An exceptional demonstration-quality recording and performance. Buy it and step into another age, courtesy of today's high technology.

    Copyright © 2008 John Miller and SA-CD.net



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    Schenk / Herwich / Hacquart - The Spirit of Gambo (2006, Stockfisch Rec. SFR 357.4042.2) {Hybrid-SACD // EAC Rip}


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