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Jordi Savall & Le Concert des Nations - Haydn - Les sept dernieres paroles de notre Redempteur sur la Croix (1991) {ES 9935}

Posted By: ruskaval

Date: 15 Jan 2018 09:16:03

Jordi Savall & Le Concert des Nations - Haydn - Les sept dernieres paroles de notre Redempteur sur la Croix (1991) {ES 9935}

Jordi Savall & Le Concert des Nations - Haydn - Les sept dernières paroles de notre Rédempteur sur la Croix (1991) {Astrée ES 9935 rel 1999}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 306 Mb | MP3 @320 -> 168 Mb
Full Artwork @ 300 dpi (png) -> 132 Mb | 5% repair rar
© 1991, 1999 Astrée / Naïve | ES 9935
Classical / Viennese School / Sacred

In the semi-darkness within a grotto beneath the church of Santo Rosario in Cadiz, the bishop pronounced one of the seven Last Words of Christ, then, during the ensuing silence, the orchestra played… Commissioned from Haydn in 1786, these seven mystical sonatas, with their sombre melody, take their inspiration from the rhythm of each of the seven Words. Preceded by a noble Prelude and followed by an impressive Terremoto (Earthquake), there have been various versions (piano, string quartet, vocal), but here they are presented in the original version and with all the glowing colours of the Concert des Nations.

Jordi Savall's recording of the instrumental (original) version of Haydn's Seven Last Words of the Savior on the Cross has been the best around since it was first released in 1991. Not that there's been much competition! This fascinating, impressive work, which consists of a slow introduction, seven further slow movements, and a final instrumental "earthquake", shows just how far Haydn took orchestral music in the 18th century. This is, first and foremost, "Romantic" music in the best sense of the term: a work of such richness and melodic abundance that its alternately intimate, painful, even eccentric expressiveness creates its own form. There isn't a dull moment anywhere–not in Haydn's music, and not in this performance. Le Concert des Nations plays its collective heart out for Savall, and the result is achingly beautiful.
Originally each of the seven "sonatas" was preceded by a full-length sermon on the "word" (actually a phrase) that it purports to illustrate. Fortunately, we are spared the sermons, but Savall has included brief Latin recitations of the appropriate Gospel passages containing the relevant "words", and they add greatly to the effect of the whole. This is real music for meditation; it's not wallpaper, and not just because Savall and his orchestra raise the roof with the final "earthquake". Haydn knew his audience would be listening very carefully to see if he wrote up to the level of his subject matter, and he worked very hard to make the whole thing musically interesting, varying the keys, rhythms, tempos (within reason), and orchestration of each movement. One measure of his success can be judged from the many versions of the music (from piano solo to string quartet to full oratorio) that survive. And while the oratorio contains wonderful things (including the incredible solo wind-band introduction to Part Two), if I had to chose just one version of the work, it would be this original setting for orchestra, just as Savall's would be its performance.

Musicians

RAFAEL TAIBO, evangéliste
LE CONCERT DES NATIONS
JORDI SAVALL, direction

Track Listing

01. L'Introduzione. Maestoso ed adagio
02. Evangelium: Pater, dimitte illis; non enim sciunt quid faciunt
03. Sonata I. Largo
04. Evangelium: Hodie mecum eris in Paradiso
05. Sonata II. Grave e Cantabile
06. Evangelium: Mulier ecce filius tuus
07. Sonata III. Grave
08. Evangelium: Deus meus, Deus meus, ut quid dereliquistime?
09. Sonata IV. Largo
10. Evangelium: Sitio
11. Sonata V. Adagio
12. Evangelium: Consummatum est
13. Sonata VI. Lento
14. Evangelium: Pater, in manus tuas comendo spiritum meum
15. Sonata VII. Largo
16. Il Terremoto. Presto con tutta la forza

EAC log

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 22. March 2011, 22:48

Le Concert des Nations, Jordi Savall / Joseph Haydn - Les sept dernieres paroles de notre Redempteur sur la Croix

Used drive : PLEXTOR CD-R PREMIUM2 Adapter: 3 ID: 1

Read mode : Secure
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Read offset correction : 30
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Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track

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Selected bitrate : 1024 kBit/s
Quality : High
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Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "TOTALTRACKS=%x" -T "GENRE=%m" -T "ALBUMARTIST=%v" -T "ALBUM ARTIST=%v" -T "COMMENT=EAC Secure mode, Test & Copy, AccurateRip, FLAC -6" %s

TOC of the extracted CD

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1 | 0:00.33 | 6:28.07 | 33 | 29139
2 | 6:28.40 | 0:46.70 | 29140 | 32659
3 | 7:15.35 | 6:24.10 | 32660 | 61469
4 | 13:39.45 | 1:12.10 | 61470 | 66879
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9 | 32:29.50 | 10:19.23 | 146225 | 192672
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11 | 43:07.03 | 9:32.60 | 194028 | 236987
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14 | 61:43.13 | 0:37.22 | 277738 | 280534
15 | 62:20.35 | 8:15.63 | 280535 | 317722
16 | 70:36.23 | 1:57.57 | 317723 | 326554

Track 1

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==== Log checksum FF42B83DE21AEDC86FBFCE490088A31197F03AAE7EAEB921CC67BA61CEA3F162 ====

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