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    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

    Posted By: ruskaval
    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 262 Mb | MP3 @320 -> 115 Mb
    Full Artwork @ 600 dpi (jpg) -> 208 Mb | 5% repair rar
    © 2013 Alia Vox | AVSA9899
    Classical / Renaissance / Chamber Music / Viola da Gamba

    Published in Rome in 1553 and re-discovered during the 20th-Century, the 'Tratado de Glosas' by Spanish composer Diego Ortiz offers, through many variations called 'recercadas', an unmatched panorama of the instrumental music of its time.

    The reissue of this 1990 album in the Heritage series enables us to listen to one of Jordi Savall’s best accomplishments, alongside Ton Koopman and Rolf Lislevand. On various themes, including 'La Folia' and 'Doulce memoire', Diego Ortiz and Jordi Savall demonstrate their science and their spirit of invention for our greatest entertainment!
    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

    On 10th December, 1553, at one of the highpoints in the Golden Age of Spanish music, there appeared in Rome the TRATTADO DE GLOSAS SOBRE CLAUSULAS Y OTROS GENEROS DE PUNTOS EN LA MUSICA DE VIOLONES NUEVAMENTE PUESTOS EN LUZ by Diego Ortiz, who was also known under the name “el Toledano”. An inevitable reference point for the study of instrumental performance practice in the 16th century, this work is of exceptional interest, both for its purely historical significance and for its artistic value, since it contains the finest examples of the known repertoire for viola da gamba (vihuela de arco or violone) and harpsichord in the Renaissance period.

    We know little today about the life of the Spanish viol player and composer Diego Ortiz. The first signs of his existence occur at the same time as the publication in Rome of the Trattado de Glosas (1553). The extent of knowledge required for the compilation of such a work leads us to think that it was composed when Ortiz was already in his maturity. It was composed – or revised, which seems to be the implication of the indication that the treatise was “nuevamente puestos en luz” (newly published), in the year 1553. By the time that he left his native country, Diego Ortiz had already completed his musical education. This is shown by the clear pioneering nature of his treatise from the strict point of view of musical style. A comparison with Sylvestro Ganassi's Regola rubertina (Venice, 1542-43), a treatise printed ten years before that of Ortiz and specifically dedicated to a study of viol technique, as well as the underniably Hispanic character of the work by Diego Ortiz, supports the hypothesis that Ortiz had already completed his musical education when he left his native country. However, despite recent research in his native town, we still do not know the exact date of his birth or the place where he received his musical education or even what he did before he undertook his journey to Italy.

    Living in Toledo (until about 1530?), Diego Ortiz was at the time one of the most remarkable gamba players of the day and an illustrious master in the art of variation. We know that in 1553 he served as maestro da capilla at the court of the Viceroy of Naples (one of the states in the Italian peninsula which was under Spanish rule), Don Fernando Alvarez of Toledo (1507- 1582), the third Duke of Alba, Captain General of the army of Charles V and Philip II, and later Governor in the Netherlands (1567-1573). It seems that Diego Ortiz spent the following five years (until 1558) serving at the ducal palace in the same capacity as choirmaster. The last traces of the musician are found in the work of Scipioni Cerreto: Della Prattica Musica vocale et stromentale, Napoli 1601, in which Ortiz is mentioned “amongst the excellent composers from the city of Naples who are no longer with us”. He was also an excellent polyphonic composer, as we can see from his Musices liber primus, Hymnos, Magnificas, Salves, Motecta, Psalmos, aliaque diversa cantica complectens (printed in Venice in 1565). This large collection of sacred polyphony contains 69 works for four to seven voices.

    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}


    Providing irrefutable evidence of the excellence achieved in the art of instrumental variation by Spanish composers of the 16th century, the work of Diego Ortiz, like that of Antonio de Cabezón and the vihuelistas of the time, not only reflects the genial musical personality of the composer but also shows a polished technical maturity serving a musical style of the first order; these characteristics are quite remarkable if we remember that these works were written at the very beginning of instrumental music. In the decisive evolution which European musical art underwent during the first half of the sixteenth century, the treatise of Diego Ortiz represents one of the essential contributions in the progress towards establishing an individual instrumental language, already emancipated from the restrictions imposed by purely vocal writing. Besides this it was part of the genesis of new forms and procedures like contrapuntal or ornamental variations, ostinato and basso continuo, which were to be of decisive importance in instrumental and vocal music of the seventeenth and eighteenth centuries.

    The art of Diego Ortiz is supported by an aesthetic conception which falls midway between the austerity and purism expressed by Juan Bermudo in his Declaración de Instrumentos Musicales (Osuna, 1555) and the ornamental profusion combined with free interpretation advocated by Tomás de Santa Maria in his Arte de tañer Fantasia (Valladolid 1565). This point leads us to stress the contrast which exists between the decorative exuberance between the Plateresque style and the noble austerity of the Herrerrian style, which was neatly described in the words of Philip II: “simplicity in form, severity in the whole, nobility without arrogance, majesty without ostentation”. In parallel, these two aesthetic conceptions, which are always implicit in formal simplicity and ornamental richness, are perfectly integrated in the works of the musician from Toledo and in the organic development of each composition, allowing them to achieve a perfect equilibrium: in this we clearly see the essence and spirit of the Spanish Renaissance.

    The Trattado de Glosas consists of two books. As well as an explanation on “how to play divisions”, the first book gives numerous carefully selected examples of “glosas” (ornamental variations) on different “clausulas” (cadences in their melodic form), on “punctos” (melodic intervals ascending and descending, seconds, thirds, fourths and fifths) or on “pasos” (successions of notes in conjunct degrees). All these forms of division were particularly intended for the viol “en concierto”, that is playing in a group, but were perhaps also useful to other instruments of the time. JORDI SAVALL
    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}


    Alia Vox INFO

    Personnel:
    Jordi Savall, basse de viole Pellegrino Zanetti, Venezia 1550.

    Ton Koopman, clavicémbalo & órgano di legno.
    Andrew Lawrence-King, harpe.
    Lorenz Duftschmid, violone.
    Rolf Lislevand, Vihuela & guitarre.
    Paolo Pandolfo, viola la gamba.

    tracklist:
    01 - Recercadas sobre el canto llano ''La Spagna''- I. Recercada segunda
    02 - Recercadas sobre el canto llano ''La Spagna''- II. Recercada tercera
    03 - Recercadas sobre el canto llano ''La Spagna''- III. Recercada primera
    04 - Recercadas sobre el canto llano ''La Spagna''- IV. Recercada quarta
    05 - Recercadas sobre el canto llano ''La Spagna''- V. Recercada quinta
    06 - Recercadas sobre el canto llano ''La Spagna''- VI. Recercada sesta
    07 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- I. Recercada quarta
    08 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- II. Recercada primera
    09 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- III. Recercada segunda
    10 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- IV. Recercada tercera
    11 - Recercadas para viola de gamba sola- I. Recercada tercera
    12 - Recercadas para viola de gamba sola- II. Recercada segunda
    13 - Recercadas para viola de gamba sola- III. Recercada primera
    14 - Recercadas para viola de gamba sola- IV. Recercada quarta
    15 - Recercadas sobre la cancion ''Doulce Memoire''- I. Recercada quarta
    16 - Recercadas sobre la cancion ''Doulce Memoire''- II. Recercada primera
    17 - Recercadas sobre la cancion ''Doulce Memoire''- III. Recercada segunda
    18 - Recercadas sobre la cancion ''Doulce Memoire''- IV. Recercada tercera
    19 - Recercadas sobre tenores- I. Recercada quarta sobre la ''folia''
    20 - Recercadas sobre tenores- II. Recercada primera sobre el ''passamezzo antiguo''
    21 - Recercadas sobre tenores- III. Recercada ottava sobre ''la folia''
    22 - Recercadas sobre tenores- IV. Recercada ''Quinta'' boz
    23 - Recercadas sobre tenores- V. Recercada tercera sobre el ''passamezzo'' moderno
    24 - Recercadas sobre tenores- VI. Recercada sesta sobre la ''Romanesca''
    25 - Recercadas sobre tenores- VII. Recercada settima sobre la ''Romanesca''
    26 - Recercadas sobre tenores- VIII. Recercada quinta sobre el ''passamezzo'' antiguo
    27 - Recercadas sobre tenores- IX. Recercada segunda sobre el ''passamezzo'' moderno

    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 25. March 2016, 7:54

    Diego Ortiz / Recercadas del Tratado de Glosas

    Used drive : ASUS BW-16D1HT Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
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    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\FLAC\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:55.00 | 0 | 8624
    2 | 1:55.00 | 1:48.63 | 8625 | 16787
    3 | 3:43.63 | 1:37.06 | 16788 | 24068
    4 | 5:20.69 | 1:42.72 | 24069 | 31790
    5 | 7:03.66 | 1:48.72 | 31791 | 39962
    6 | 8:52.63 | 1:02.20 | 39963 | 44632
    7 | 9:55.08 | 1:48.27 | 44633 | 52759
    8 | 11:43.35 | 1:50.37 | 52760 | 61046
    9 | 13:33.72 | 1:56.08 | 61047 | 69754
    10 | 15:30.05 | 1:56.20 | 69755 | 78474
    11 | 17:26.25 | 1:30.62 | 78475 | 85286
    12 | 18:57.12 | 1:50.31 | 85287 | 93567
    13 | 20:47.43 | 1:19.55 | 93568 | 99547
    14 | 22:07.23 | 1:32.06 | 99548 | 106453
    15 | 23:39.29 | 2:43.48 | 106454 | 118726
    16 | 26:23.02 | 2:31.51 | 118727 | 130102
    17 | 28:54.53 | 2:59.17 | 130103 | 143544
    18 | 31:53.70 | 2:33.74 | 143545 | 155093
    19 | 34:27.69 | 1:48.08 | 155094 | 163201
    20 | 36:16.02 | 1:25.16 | 163202 | 169592
    21 | 37:41.18 | 1:45.04 | 169593 | 177471
    22 | 39:26.22 | 1:21.40 | 177472 | 183586
    23 | 40:47.62 | 2:01.24 | 183587 | 192685
    24 | 42:49.11 | 1:24.41 | 192686 | 199026
    25 | 44:13.52 | 1:15.36 | 199027 | 204687
    26 | 45:29.13 | 2:43.43 | 204688 | 216955
    27 | 48:12.56 | 1:24.40 | 216956 | 223295


    Track 1

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\01 - Recercadas sobre el canto llano ''La Spagna''- I. Recercada segunda.wav

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    Track quality 100.0 %
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    Copy CRC 9BB312AD
    Accurately ripped (confidence 14) [2B655B6D] (AR v2)
    Copy OK

    Track 2

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\02 - Recercadas sobre el canto llano ''La Spagna''- II. Recercada tercera.wav

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    Accurately ripped (confidence 14) [02541180] (AR v2)
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    Track 3

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\03 - Recercadas sobre el canto llano ''La Spagna''- III. Recercada primera.wav

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    Accurately ripped (confidence 14) [0A44B071] (AR v2)
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    Track 4

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\04 - Recercadas sobre el canto llano ''La Spagna''- IV. Recercada quarta.wav

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    Track 5

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\05 - Recercadas sobre el canto llano ''La Spagna''- V. Recercada quinta.wav

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    Track 6

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\06 - Recercadas sobre el canto llano ''La Spagna''- VI. Recercada sesta.wav

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    Track 7

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\07 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- I. Recercada quarta.wav

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    Track 8

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\08 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- II. Recercada primera.wav

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    Accurately ripped (confidence 14) [1198D6AC] (AR v2)
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    Track 9

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\09 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- III. Recercada segunda.wav

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    Track 10

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\10 - Recercadas sobre el madrigal ''O Felici Occhi Miei''- IV. Recercada tercera.wav

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    Track 11

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\11 - Recercadas para viola de gamba sola- I. Recercada tercera.wav

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    Track 12

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\12 - Recercadas para viola de gamba sola- II. Recercada segunda.wav

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    Track 13

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\13 - Recercadas para viola de gamba sola- III. Recercada primera.wav

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    Accurately ripped (confidence 14) [5BC63305] (AR v2)
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    Track 14

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\14 - Recercadas para viola de gamba sola- IV. Recercada quarta.wav

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    Track 15

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\15 - Recercadas sobre la cancion ''Doulce Memoire''- I. Recercada quarta.wav

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    Track 16

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\16 - Recercadas sobre la cancion ''Doulce Memoire''- II. Recercada primera.wav

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    Track 17

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\17 - Recercadas sobre la cancion ''Doulce Memoire''- III. Recercada segunda.wav

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    Track 18

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\18 - Recercadas sobre la cancion ''Doulce Memoire''- IV. Recercada tercera.wav

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    Track 19

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\19 - Recercadas sobre tenores- I. Recercada quarta sobre la ''folia''.wav

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    Track 20

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\20 - Recercadas sobre tenores- II. Recercada primera sobre el ''passamezzo antiguo''.wav

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    Track 21

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\21 - Recercadas sobre tenores- III. Recercada ottava sobre ''la folia''.wav

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    Track 22

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\22 - Recercadas sobre tenores- IV. Recercada ''Quinta'' boz.wav

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    Track 23

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\23 - Recercadas sobre tenores- V. Recercada tercera sobre el ''passamezzo'' moderno.wav

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    Track 24

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\24 - Recercadas sobre tenores- VI. Recercada sesta sobre la ''Romanesca''.wav

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    Track 25

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\25 - Recercadas sobre tenores- VII. Recercada settima sobre la ''Romanesca''.wav

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    Track 26

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\26 - Recercadas sobre tenores- VIII. Recercada quinta sobre el ''passamezzo'' antiguo.wav

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    Track 27

    Filename G:\Diego Ortiz - Recercadas del Tratado de Glosas (Savall, Koopman) (2013) [FLAC] {Alia Vox AVSA9899}\27 - Recercadas sobre tenores- IX. Recercada segunda sobre el ''passamezzo'' moderno.wav

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    ==== Log checksum 649F3982452EC916BF4F093958C607B8448771387052D1F8580127379E395E08 ====


    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}

    Jordi Savall - Diego Ortiz - Recercadas del Tratado de Glosas Roma 1553 (2013) {Alia Vox AVSA9899}


    All thanks goes to the original releaser!

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