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    Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}

    Posted By: ruskaval
    Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}

    Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 236 Mb | MP3 @320 -> 84 Mb
    Full Artwork @ 600 dpi (png) -> 98 Mb | 5% repair rar | 24bit remaster
    © 1959, 2013 Warner Japan / Atlantic / Rhino | WPCR-27286 | Jazz Best Collection 1000 Series
    Jazz / Bebop / Bop / Saxophone / Drums

    Features 24 bit digital remastering. Comes with a description.

    Artists:
    The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959

    What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.

    This was the The Jazz Makers only recording. They dissolved the following year, each going their separate ways. Canadian Ellefson disappeared into the Johnny Dankworth big band, and then took off overseas. Ganley took the drum hot-seat with the Tubby Hayes Quintet, and later by becoming the resident drummer at Ronnie Scott’s club, followed by leading his own big band, as composer, arranger and one of Britain’s elite studio musicians. Ronnie Ross formed a quartet with pianist Bill le Sage, pursuing a varied musical career in studio work, appearing on the Beatles White Album and as a soloist on the Lou Reed’s “Walk on the Wild Side”. The others I guess disappeared into obscurity from whence they came, such is life.

    Music:
    A blindfold trial would I am sure leave most fans puzzling who they were listening to. A straight-ahead swinging songbook with West Coast Pacific Jazz flavours… from a short-lived British quintet?

    Tenor player Ellefson’s style has been described as ‘ a direct extension of the old masters… Coleman Hawkins and Ben Webster and Lucky Thompson – sing-song lyricism, but with the drive and passion of later, more be-boppy tenor men’.

    Ronnie Ross’s baritone has something of Mulligan light rhythmic undertow or perhaps Lars Gullin with a Scottish accent, or any of the west coast tenor men who occasionally dropped down a few octaves to “converse” with another brass player The baritone is a weighty beast, can sound like a cross between grinding chainsaw and growling Ferrari, but Ross keeps it a purring like a tiger on a firm leash. The interplay of the two brass instruments is harmonically inventive, reminding me of Konitz/Warne Marsh or Bud Shank/Bob Cooper interlacing on more portable brass the next size up.

    Allan Ganley, doyen of the British Jazz drum-stool, was one of the best known of a small elite of British drummers including Tony Kinsey, Phil Seamen and Ginger Baker. Stylistically and operationally close to Shelley Manne, his style is crisp and elegant, unobtrusive and moving things along without entering the limelight. And it earned him a long and successful career, fitting in with whatever were the requirements of those in the limelight.

    In the end, I guess America had enough jazz musicians of its own to choose from, our Musicians Union artist exchange restriction didn’t help foster better opportunities for jazz musicians, and we should be grateful that any jazz at all happened on this little island. At least we got to keep Tubby Hayes a few more years.

    For the other British attempt to storm the walls of the American jazz market, see the The Jazz Couriers , Tubby Hayes and Ronnie Scott’ recording for the Carlton label. -londonjazzcollector.wordpress.com review.
    Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}


    Personnel:
    Ronnie Ross - baritone sax
    Art Ellefson - tenor sax
    Stan Jones - piano
    Stan Wasser - bass
    Allan Ganley - drums

    Originally issued in Stereo as Atlantic SD-1333
    Recorded in New York City, on September 23, 1959

    Original recordings supervised by Nesuhi Ertegun
    Recording engineers: Tom Dowd & Phil Iehle

    TRACKLISTING:

    01 - Lisa
    02 - Dynamic Duo
    03 - First Time Down
    04 - Walsing At Rosa's Place
    05 - Meditation
    06 - Sophisticated Lady

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 30. July 2017, 23:13

    Ronnie Ross & Allan Ganley / The Jazz Makers

    Used drive : TSSTcorpCDDVDW SE-208DB Adapter: 1 ID: 1

    Read mode : Secure
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    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\FLAC Frontend\tools\flac.exe
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 3:55.44 | 0 | 17668
    2 | 3:55.44 | 3:39.69 | 17669 | 34162
    3 | 7:35.38 | 4:02.45 | 34163 | 52357
    4 | 11:38.08 | 6:32.28 | 52358 | 81785
    5 | 18:10.36 | 5:16.59 | 81786 | 105544
    6 | 23:27.20 | 4:52.06 | 105545 | 127450
    7 | 28:19.26 | 3:44.06 | 127451 | 144256
    8 | 32:03.32 | 4:19.03 | 144257 | 163684


    Track 1

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    Track 3

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    Track 4

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    Track 5

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    Track 6

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    Track 7

    Filename E:\EAC_RIP\Ronnie Ross & Allan Ganley - The Jazz Makers (1959) [FLAC] {Atlantic Japan WPCR-27286 rel 2013}\07 - I Won't Fret If I Don't Get The Blues Anymore.wav

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    Track 8

    Filename E:\EAC_RIP\Ronnie Ross & Allan Ganley - The Jazz Makers (1959) [FLAC] {Atlantic Japan WPCR-27286 rel 2013}\08 - How Long Has This Been Going On.wav

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    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

    [CTDB TOCID: LBv_5k4Q1US5HP4Vz0VlG8yMXl4-] found
    Submit result: LBv_5k4Q1US5HP4Vz0VlG8yMXl4- has been confirmed
    Track | CTDB Status
    1 | (3/3) Accurately ripped
    2 | (3/3) Accurately ripped
    3 | (3/3) Accurately ripped
    4 | (3/3) Accurately ripped
    5 | (3/3) Accurately ripped
    6 | (3/3) Accurately ripped
    7 | (3/3) Accurately ripped
    8 | (3/3) Accurately ripped


    ==== Log checksum 3D990DF45FB7B74FA2D45F4CAA5B0DBD025C26FFE0B29D339FAE99587011A418 ====


    Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}

    Ronnie Ross & Allan Ganley - The Jazz Makers (1959) {2013 Japan Jazz Best Collection 1000 Series 24bit WPCR-27286}


    see more Japan Jazz Best Collection 1000 Series…


    ===