R.E.M. - Losing My Religion (Warner 9362-40399-2) (EU 1991)

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R.E.M. - Losing My Religion (Warner 9362-40399-2) (EU 1991)

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R.E.M. - Losing My Religion (Warner 9362-40399-2) (EU 1991)

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"Losing My Religion" is a song by the American alternative rock band R.E.M. The song was released as the first single from the group's 1991 album Out of Time. Based around a mandolin riff, "Losing My Religion" was an unlikely hit for the group, garnering heavy airplay on radio as well as on MTV due to its critically-acclaimed music video. The song became R.E.M.'s highest-charting hit in the United States, reaching number four on the Billboard Hot 100 and expanding the group's popularity beyond its original fanbase. It was nominated for several Grammy Awards, and won two for Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video.

Background

R.E.M. guitarist Peter Buck wrote the main riff and chorus to the song on a mandolin while watching television one day. Buck had just bought the instrument and was attempting to learn how to play it, recording the music as he practiced. Buck said, "[W]hen I listened back to it the next day, there was a bunch of stuff that was really just me learning how to play mandolin, and then there's what became 'Losing My Religion', and then a whole bunch more of me learning to play the mandolin."[1]

Recording of the song started in September 1990 at Bearsville Studio A in Woodstock, New York.[1] The song was arranged in the studio with mandolin, electric bass, and drums.[2] Bassist Mike Mills came up with a bassline inspired by the work of Fleetwood Mac bassist John McVie; by his own admission he couldn't come up with one for the song that wasn't derivative.[1] Buck said the arrangement of the song "had a hollow feel to it. There's absolutely no midrange on it, just low end and high end, because Mike usually stayed pretty low on the bass." The band decided to have touring guitarist Peter Holsapple play acoustic guitar on the recording. Buck reflected, "It was really cool: Peter and I would be in our little booth, sweating away, and Bill and Mike would be out there in the other room going at it. It just had a really magical feel."[2] Singer Michael Stipe's vocal was recorded in a single take.[3] Orchestral strings were added to the song by members of the Atlanta Symphony Orchestra at Soundscape Studios in Atlanta, Georgia in October 1990.[4]
[edit] Composition and lyrics

"Losing My Religion" is based on Peter Buck's mandolin-playing. Buck said, "The verses are the kinds of things R.E.M. uses a lot, going from one minor to another, kind [of] like those 'Driver 8' chords. You can't really say anything bad about E minor, A minor, D, and G – I mean, they're just good chords." Buck noted that "Losing My Religion" was "probably the most typical R.E.M.-sounding song on the record. We are trying to get away from those kind of songs, but like I said before, those are some good chords."[2] Orchestral strings play through parts of the song.

In the song, Michael Stipe sings the lines "That's me in the corner/That's me in the spotlight/Losing my religion". The phrase "losing my religion" is an expression from the southern region of the United States that means losing one's temper or civility, or "being at the end of one's rope." Stipe told The New York Times the song was about romantic expression.[5] He told Q that "Losing My Religion" is about "someone who pines for someone else. It's unrequited love, what have you."[6] Stipe compared the song's theme to "Every Breath You Take" by The Police, saying, "It's just a classic obsession pop song. I've always felt the best kinds of songs are the ones where anybody can listen to it, put themselves in it and say, 'Yeah, that's me.'"[7]
[edit] Release and reception

"Losing My Religion" was released on February 19, 1991 in the United States as the lead single from R.E.M.'s forthcoming album Out of Time.[7] The band's record label, Warner Bros., was wary about the group's choice of the song as the album's first single. Steven Baker, who was vice president of product management at Warner Bros. at the time, said there were "long, drawn-out discussions" about releasing such an "unconventional track" as the single until the label agreed. While R.E.M. declined to tour to promote Out of Time, the band visited radio stations, gave numerous press interviews, and made appearances on MTV to promote the record. Meanwhile Warner Bros. worked to establish the single at campus, modern rock, and album-oriented rock radio stations before promoting it to American Top 40 stations, where it became a success. "The record crosses the boundaries of being just an alternative record", one Top 40 radio station program director said; he admitted that "Losing My Religion" was "a hard record to program; you can't play L.L. Cool J behind it. But it's a real pop record-you can dance to it."[8]

"Losing My Religion" became R.E.M.'s biggest hit in the United States, peaking at number four on the Billboard Hot 100.[9] The single stayed on the chart for 21 weeks.[10] It charted at number 19 on the UK Singles Chart, and peaked at number 16 and number 11 in Canada and Australia, respectively.[9] Mills said years later, "Without 'Losing My Religion', Out of Time would have sold two or three million [copies], instead of the ten [million copies] or so it did. But the phenomenon that is a worldwide hit is an odd thing to behold. Basically that record was a hit in almost every civilised country in the world."[3] The success of "Losing My Religion" and Out of Time broadened R.E.M.'s audience beyond its original college radio-based fanbase. When asked at the time if he was worried that the song's success might alienate older fans, Buck told Rolling Stone, "The people that changed their minds because of 'Losing My Religion' can just kiss my ass."[11]

The song received a number of critical plaudits. The single placed second in the Village Voice Pazz & Jop annual critics' poll, behind Nirvana's "Smells Like Teen Spirit".[12] R.E.M. was nominated for seven awards at the 1992 Grammy Awards. "Losing My Religion" alone earned several nominations, including Record of the Year and Song of the Year.[13] The song won two awards, for Best Pop Performance by a Duo or Group with Vocal and Best Short Form Music Video. In 2004, Rolling Stone listed the song at number 169 on its list of the "500 Greatest Songs of All Time". In 2009, Blender ranked it at number 79 on its list of "The 500 Greatest Songs Since You Were Born".[14]

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