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    Thomas Quasthoff - Betrachte, meine Seel [Deutsche Grammophon 00289 477 6230] {Europe 2006}

    Posted By: luckburz
    Thomas Quasthoff - Betrachte, meine Seel [Deutsche Grammophon 00289 477 6230] {Europe 2006}

    Thomas Quasthoff - Betrachte, meine Seel
    Thomas Quasthoff / Staatskapelle Dresden / Sebastian Weigle
    FLAC, EAC, LOG & CUE | Full Artwork | Size: 451 MB + Recovery Info
    Label/Cat#: Deutsche Grammophon 477 6230 | Country/Year: Europe 2006
    Genre: Classical| Hoster: Filepost/Filefactory

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    Thomas Quasthoff - Betrachte, meine Seel [Deutsche Grammophon 00289 477 6230] {Europe 2006}

    Thomas Quasthoff - Betrachte, meine Seel [Deutsche Grammophon 00289 477 6230] {Europe 2006}



    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 15. February 2012, 20:04

    Thomas Quasthoff / Betrachte, meine Seel

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:45.00 | 0 | 21374
    2 | 4:45.00 | 7:34.00 | 21375 | 55424
    3 | 12:19.00 | 2:31.00 | 55425 | 66749
    4 | 14:50.00 | 4:08.00 | 66750 | 85349
    5 | 18:58.00 | 6:19.00 | 85350 | 113774
    6 | 25:17.00 | 9:17.00 | 113775 | 155549
    7 | 34:34.00 | 4:25.00 | 155550 | 175424
    8 | 38:59.00 | 4:42.00 | 175425 | 196574
    9 | 43:41.00 | 4:50.00 | 196575 | 218324
    10 | 48:31.00 | 3:28.00 | 218325 | 233924
    11 | 51:59.00 | 5:15.00 | 233925 | 257549
    12 | 57:14.00 | 5:51.00 | 257550 | 283874
    13 | 63:05.00 | 3:05.12 | 283875 | 297761


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Thomas Quasthoff - Betrachte, meine Seel.wav

    Peak level 99.9 %
    Extraction speed 7.8 X
    Range quality 100.0 %
    Test CRC 456DD41B
    Copy CRC 456DD41B
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 2) [B65A934B] (AR v2)
    Track 2 accurately ripped (confidence 2) [5F9A0245] (AR v2)
    Track 3 accurately ripped (confidence 2) [2CB8AC1B] (AR v2)
    Track 4 accurately ripped (confidence 2) [02E85A71] (AR v2)
    Track 5 accurately ripped (confidence 2) [EB5DB054] (AR v2)
    Track 6 accurately ripped (confidence 2) [9392597D] (AR v2)
    Track 7 accurately ripped (confidence 2) [A59A8729] (AR v2)
    Track 8 accurately ripped (confidence 2) [42A347B4] (AR v2)
    Track 9 accurately ripped (confidence 2) [F46D9B5F] (AR v2)
    Track 10 accurately ripped (confidence 2) [EA1BABBF] (AR v2)
    Track 11 accurately ripped (confidence 2) [9533C666] (AR v2)
    Track 12 accurately ripped (confidence 2) [4027F16A] (AR v2)
    Track 13 accurately ripped (confidence 2) [D50FFF5A] (AR v2)

    All tracks accurately ripped

    End of status report

    ==== Log checksum 2F3757A39298B8BBBFDCD8C88AA4559E386DE78F3624ED4E485CCA345B257C4F ====


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-02-20 21:02:42

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Thomas Quasthoff / Betrachte, meine Seel
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR13 -1.98 dB -19.24 dB 4:45 01-Johann Sebastian Bach - Grosser Herr, o starker Konig (Weihnachtsoratorium)
    DR14 -2.58 dB -21.54 dB 7:34 02-Johann Sebastian Bach - Duet : Herr, dein Mitleid, dein Erbarmen (Weihnachtso…
    DR13 -9.34 dB -26.95 dB 2:31 03-Johann Sebastian Bach - Betrachte, meine Seel (Johannes Passion)
    DR13 -5.47 dB -21.98 dB 4:08 04-Johann Sebastian Bach - Mein teurer Heiland, lass dich fragen - Jesu, der du …
    DR14 -3.63 dB -21.10 dB 6:19 05-Johann Sebastian Bach - Mache dich, meine Herze, rein (Matthäus Passion)
    DR14 -0.86 dB -18.29 dB 9:17 06-George Friedrich Handel - Behold, I tell you (from: Messiah)
    DR14 -3.53 dB -22.20 dB 4:25 07-Joseph Haydn - Vom Widder strahlet jetzt - Schon eilet froh der Ackersmann (D…
    DR16 -0.14 dB -21.84 dB 4:42 08-Joseph Haydn - Erblicke hier, betörter Mensch - Sie bleibt allein, und leitet…
    DR14 -0.58 dB -21.85 dB 4:50 09-Joseph Haydn - Und Gott sprach - Rollend in schäumenden Wellen (Die Schöpfung)
    DR14 -1.43 dB -22.52 dB 3:28 10-Felix Mendelssohn - Herr Gott Abrahams (Elias)
    DR15 0.00 dB -21.12 dB 5:15 11-Felix Mendelssohn - Aria : Es ist genug! (Elias)
    DR16 -0.70 dB -22.67 dB 5:51 12-Felix Mendelssohn - Gott, sei mir gnädig (Paulus)
    DR12 -2.72 dB -22.15 dB 3:05 13-Bonus Track - Swing Low, Sweet Chariot
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 13
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 587 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Thomas Quasthoff / Staatskapelle Dresden / Sebastian Weigle – Betrachte, Meine Seel

    Label: Deutsche Grammophon
    Catalog#: 00289 477 6230
    Format: CD, Album
    Country: Europe
    Released: 2006
    Genre: Classical
    Style: Baroque, Sacred

    Tracklist:

    Johann Sebastian Bach

    1 Großer Herr, O Starker König
    2 Duet: Herr, Dein Mitleid, Dein Erbarmen (Christmas Oratorio)
    3 Betrachte, Meine Seel
    4 Mein Teurer Heiland, Lasss Dich Fragen - Jesu, Der Du Warest Tot (St. John Passion)
    5 Mache Dich, Mein Herze, Rein (St. Matthew Passion)

    George Frideric Handel

    6 Behold, I Tell You A Mystery - The Trumpet Shall Sound (Messiah)

    Joseph Haydn

    7 Vom Widder Strahlet Jetzt - Schon Eilet Froh Der Ackersmann
    8 Erblicke Hier, Betörter Mensch - Sie Bleibt Allein, Und Leitet Uns (The Seasons)
    9 Und Gott Sprach - Rollend In Schäumenden Wellen (The Creation)

    Felix Mendelssohn

    10 Herr Gott Abrahams
    11 Aria: Es Ist Genug! (Elias)
    12 Gott, Sei Mir Gnädig (Paulus)

    Bonus Track

    13 Swing Low, Sweet Chariot

    Credits:

    Baritone Vocals – Thomas Quasthoff
    Choir – Staatsopernchor Dresden
    Chorus Master – Matthias Brauer
    Conductor – Sebastian Weigle
    Soprano Vocals – Sibylla Rubens (tracks: 2)

    Discogs Url: http://www.discogs.com/release/3421905

    Thomas Quasthoff - Betrachte, meine Seel [Deutsche Grammophon 00289 477 6230] {Europe 2006}


    Biography

    by Joseph Stevenson

    Thomas Quasthoff was a thalidomide baby, growing to only about four feet tall and, in common with many of his fellow victims of the drug, has severely undeveloped arms. However, his voice and breathing apparatus are normal – if a bass-baritone voice that is uncommonly magnificent can be considered normal.

    When Quasthoff reached school age, he was assigned, according to government policy, to school programs designed for children with cerebral palsy. A lively, intelligent, and artistic child, Quasthoff clearly needed the stimulation of normal schooling, which a change in policy soon permitted. He was raised in a highly supportive environment, being treated in exactly the same way as his normal brother. The phrase he remembers being said most often to him when he was young was "Tommy, you can do that. Do it!" As a result he grew up with a sunny and optimistic outlook. Music was special to him. But when he tried to get a musical education, he found that the highly regarded conservatory to which he applied had a strict policy that all students had to learn to play piano, and turned him away on the grounds that this was impossible for him. "That was legally correct. I have to admit that," he says. "Morally – well, that raises a big question."

    His parents procured private voice lessons for him with Charlotte Lehmann, a concert singer of Hannover. She taught him for 17 years, and proved a superb voice teacher. The great baritone Dietrich Fischer-Dieskau said "It's clear to everyone who has heard Thomas Quasthoff that he has a wondrously beautiful voice and that he has had excellent previous training…."

    While studying, Quasthoff found a position as a radio announcer in Hannover, becoming highly popular. In 1988 he won first prize in voice at the prestigious ARD music competition of Munich. This led to his beginning a concert and recital career that rapidly grew, although cautiously, Quasthoff retained his radio job for six more years. He finally adopted music as his full-time profession in 1996, the year he won the Shostakovich Prize in Moscow and the Hamada Trust/Scotsman Festival Prize, and in 1998 he won the Echo Prize. In 1996 he was appointed professor at the Detmold Music Academy, where he was one of the most popular voice teachers. He was also associated with the University of Oregon at Eugene, where he appeared regularly in the Oregon Bach Festival.

    He has performed with many leading orchestras and conductors. His repertory includes the great choral/vocal/orchestral works of Bach, Mozart, Beethoven, Berlioz, Brahms, Mahler, and Britten. He sings opera arias in his programs, and has sung operatic roles in recordings of Beethoven's Fidelio, Haydn's L'Anima del Philosopho, and Schumann's Genoveva. It wasn't until 2003 that he appeared in opera on stage, in Fidelio (as Don Fernando) and in 2004 as Amfortas in Parsifal. Quasthoff is also a great fan of other vocal music and dedicated 2007's Watch What Happens to jazz songs and 2010's Tell It Like It Is to soul and pop songs.

    He has recorded on the Hännsler, MDG, RCA, Teldec, Orfeo, and Philips labels, and since mid-1999 has been an exclusive artist on Deutsche Grammophon. allmusicguide


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