Pixies - Doolittle (MFSL 1-309) (US 2009) (180g Vinyl 24-96) DIFFERENT TRANSFER

Pixies - Doolittle
(MFSL 1-309) (US 2009) (180g Vinyl 24-96)
2009 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 813 MB

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Info:

Pixies - Doolittle

Label: Mobile Fidelity Sound Lab
Catalog#: MFSL 1-309
Format: Vinyl, LP, Limited Edition, Remastered
Country: US
Released: 2009
Genre: Rock
Style: Indie Rock
Notes: Recorded at Downtown Recorders, Boston, M.A.
Mixed at Carriage House Studios, Stamford, C.T.

Original Master Recording™
GAIN 2™ - Ultra Analog
Under License from 4AD (1989)

Half-Speed Production and Mastering by Mobile Fidelity Soundlab
Specially Plated and Pressed on 180 grams of High Definition Vinyl

Mastered from the Original Stereo Master Tapes.

Tracklisting:

A1 Debaser
A2 Tame
A3 Wave Of Mutilation
A4 I Bleed
A5 Here Comes Your Man
A6 Dead
A7 Monkey Gone To Heaven

B1 Mr. Grieves
B2 Crackity Jones
B3 La La Love You
B4 Number 13 Baby
B5 There Goes My Gun
B6 Hey
B7 Silver
B8 Gouge Away


Technical Information:

Factory sealed LP>
AT120E>
Dual CS 505-3>
Kenwood C1>
Gold platted Cable>
Edirol R09HR @ 24/96>
Sandisc Extreme III SDHC Card>
HDD

Wavelab 5
ClickRepair 3/0 (manual mode)


Review by Heather Phares

After 1988's brilliant but abrasive Surfer Rosa, the Pixies' sound couldn't get much more extreme. Their Elektra debut, Doolittle, reins in the noise in favor of pop songcraft and accessibility. Producer Gil Norton's sonic sheen adds some polish, but Black Francis' tighter songwriting focuses the group's attack. Doolittle's most ferocious moments, like "Dead," a visceral retelling of David and Bathsheba's affair – are more stylized than the group's past outbursts. Meanwhile, their poppy side surfaces on the irresistible single "Here Comes Your Man" and the sweetly surreal love song "La La Love You." The Pixies' arty, noisy weirdness mix with just enough hooks to produce gleefully demented singles like "Debaser," – inspired by Bunuel's classic surrealist short Un Chien Andalou – and "Wave of Mutilation," their surfy ode to driving a car into the sea. Though Doolittle's sound is cleaner and smoother than the Pixies' earlier albums, there are still plenty of weird, abrasive vignettes: the blankly psychotic "There Goes My Gun," "Crackity Jones," a song about a crazy roommate Francis had in Puerto Rico, and the nihilistic finale "Gouge Away." Meanwhile, "Tame," and "I Bleed" continue the Pixies' penchant for cryptic kink. But the album doesn't just refine the Pixies' sound; they also expand their range on the brooding, wannabe spaghetti western theme "Silver" and the strangely theatrical "Mr. Grieves." "Hey" and "Monkey Gone to Heaven," on the other hand, stretch Francis' lyrical horizons: "Monkey"'s elliptical environmentalism and "Hey"'s twisted longing are the Pixies' versions of message songs and romantic ballads. Their most accessible album, Doolittle's wide-ranging moods and sounds make it one of their most eclectic and ambitious. A fun, freaky alternative to most other late-'80s college rock, it's easy to see why the album made the Pixies into underground rock stars. allmusicguide

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http://avaxhome.ws/music/rock/pixies_doolittle_mofi180gvinyl.html

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