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    Pawel Szymanski - Dissociative Counterpoint Disorder - Malgorzata Sarbak (2016) {Bôłt‎ DUX 1332}

    Posted By: ruskaval
    Pawel Szymanski - Dissociative Counterpoint Disorder - Malgorzata Sarbak (2016) {Bôłt‎ DUX 1332}

    Paweł Szymański - Dissociative Counterpoint Disorder - Małgorzata Sarbak (2016) {Bôłt‎ DUX 1332}
    XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 303 Mb | MP3 @320 -> 132 Mb
    Full Artwork @ 600 dpi (jpg) -> 81 Mb | 5% repair rar
    © 2016 Bôłt: New Music In Eastern Europe / Dux‎ Recording | DUX 1332
    Classical / Contemporary Classical

    Andrzej Chlopecki, the late critic and animator of the music scene, wrote extensively about Szymanski's music as well as supporting the composer by means of his longtime role with the Warsaw Autumn festival. Chlopecki puts things thus: "the formal structure is beautiful while stylistic expression is calculated: for Szymanski's music is a continual game." He then offers precedents in Johannes Ockeghem and Anton Webern, deducing that Szymanski's "guiding principles would be speculation and constructivism." Rendering the loaded quality in the composer's works, Chlopecki adds that the aim of Szymanski's music is the creation of symbolic entities within abstract art forms."

    Dissociative Counterpoint Disorders was composed for Malgorzata Sarbak. Sarbak premiered the piece in Warsaw in the Palace of Culture and Science. Harpsichordist Malgorzata Sarbak currently serves as a keyboard teacher at F. Chopin College of Music in Warsaw. She has made archival recordings for the Polish Radio, and has won numerous competitions, most notably the International EBU Competition New Talent 2005.

    "W muzyce Pawła najpierw musisz mieć wszystko wyliczone. Dopiero później możesz zacząć pracę nad utworem, starając się zrozumieć, do czego ta kunsztownie zaplanowana forma prowadzi". Małgorzata Sarbak, wszechstronna klawesynistka, której Paweł Szymański dedykował tytułową kompozycję tej płyty, przedstawia twórczość kompozytora z perspektywy trochę dla niego nietypowej. Klawesynowi bowiem towarzyszy cała paleta utrwalonych oczekiwań słuchaczy, diametralnie odległych od ulubionego instrumentarium Szymańskiego, w którym prym wiedzie ludzki głos. Klawesyn zaś to oczywiste skojarzenia z konkretną epoką, czy ograniczoną dynamiką i bardzo koherentną barwą. Warto posłuchać, jak Szymański niejako kontrapunktycznie i z subtelnym humorem składa "słowa" stylistyki brzmieniowej barokowego instrumentu ze współczesnym nam językiem muzycznym, z pozornie tylko nieuporządkowanych tytułowych dysocjacji.

    Paweł Szymański bio…

    Performers

    Paweł Szymański (b. 1954) - composer

    Małgorzata Sarbak - Harpsichord (copy of historical harpsichord (01, 03-10) and five-pedal harpsichord Neupert (02, 11))
    The Janáček Philharmonic Orchestra (11)
    Zsolt Nagy - conductor (11)

    Recorded on 21-24 March 2016 in The Witold Lutosławski Concert Studio of Polish Radio, Warsaw (01-11) and 22 September 2015 in The House of Culture, Ostrava (12)

    Track Listing

    01 Dissociative Counterpoint Disorder [2014]

    02 Through the Looking-Glass… III [1994]

    Les Poiriers en Pologne ou une Suite de Pièces Sentimentales de Clavecin faite par Mr Szymański
    03 La Connaissance des Poiriers ou Prélude
    04 François ou Allemande
    05 Erika ou Courante
    06 Raspail-Ay …01 ou Gavotte
    07 Haut Coustias …98 ou Sarabande
    08 Louise ou Rondeau (Doucement)
    09 Jacques ou Canaries
    10 La Bière de Zwierzyniec ou Menuet polonais
    11 Le Départ des Poiriers ou Chaconne ancienne

    12 Partita III [1986]

    X Lossless Decoder version 20160920 (149.2)

    XLD extraction logfile from 2016-10-10 14:28:45 +0200

    Małgorzata Sarbak / Paweł Szymański - Dissociative Counterpoint Disorder - Małgorzata Sarbak, harpsichord [Dux]

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    Pawel Szymanski - Dissociative Counterpoint Disorder - Malgorzata Sarbak (2016) {Bôłt‎ DUX 1332}

    Pawel Szymanski - Dissociative Counterpoint Disorder - Malgorzata Sarbak (2016) {Bôłt‎ DUX 1332}


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