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OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}

Posted By: luckburz

Date: 14 Jun 2012 08:09:53

OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}

OST - Sin City
FLAC, EAC, LOG & CUE | Full Artwork | Size: 336 MB + Recovery Info
Label/Cat#: Varese Sarabande VSD-6644 | Country/Year: Germany 2005
Genre: Stage & Screen | Style: Soundtrack

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

webfind [] selfrip [X]

EAC

Exact Audio Copy V1.0 beta 2 from 29. April 2011

EAC extraction logfile from 19. April 2012, 9:37

Rodriguez/Debney/Revell / Sin City

Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 1:55.11 | 0 | 8635
2 | 1:55.11 | 2:12.24 | 8636 | 18559
3 | 4:07.35 | 2:15.64 | 18560 | 28748
4 | 6:23.24 | 2:10.15 | 28749 | 38513
5 | 8:33.39 | 2:40.25 | 38514 | 50538
6 | 11:13.64 | 0:44.66 | 50539 | 53904
7 | 11:58.55 | 4:32.34 | 53905 | 74338
8 | 16:31.14 | 2:14.70 | 74339 | 84458
9 | 18:46.09 | 1:00.68 | 84459 | 89026
10 | 19:47.02 | 2:11.10 | 89027 | 98861
11 | 21:58.12 | 3:16.17 | 98862 | 113578
12 | 25:14.29 | 2:58.31 | 113579 | 126959
13 | 28:12.60 | 2:19.33 | 126960 | 137417
14 | 30:32.18 | 2:11.67 | 137418 | 147309
15 | 32:44.10 | 0:36.20 | 147310 | 150029
16 | 33:20.30 | 3:16.58 | 150030 | 164787
17 | 36:37.13 | 1:34.10 | 164788 | 171847
18 | 38:11.23 | 1:48.57 | 171848 | 180004
19 | 40:00.05 | 3:40.46 | 180005 | 196550
20 | 43:40.51 | 1:58.19 | 196551 | 205419
21 | 45:38.70 | 1:36.17 | 205420 | 212636
22 | 47:15.12 | 1:43.49 | 212637 | 220410
23 | 48:58.61 | 5:59.04 | 220411 | 247339
24 | 54:57.65 | 3:16.44 | 247340 | 262083

Range status and errors

Selected range

Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Rodriguez,Debney,Revell - Sin City.wav

Peak level 96.6 %
Extraction speed 6.0 X
Range quality 99.9 %
Test CRC 82521FBB
Copy CRC 9A78C8E1
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 10) [0D80506C] (AR v1)
Track 2 accurately ripped (confidence 10) [50637769] (AR v1)
Track 3 accurately ripped (confidence 10) [EC3D64A3] (AR v1)
Track 4 accurately ripped (confidence 10) [4C6F32BA] (AR v1)
Track 5 accurately ripped (confidence 10) [3707E773] (AR v1)
Track 6 accurately ripped (confidence 10) [C510D14B] (AR v1)
Track 7 accurately ripped (confidence 10) [247E8A2B] (AR v1)
Track 8 accurately ripped (confidence 10) [A5A10801] (AR v1)
Track 9 accurately ripped (confidence 10) [24AF20FA] (AR v1)
Track 10 accurately ripped (confidence 10) [D2EF9E39] (AR v1)
Track 11 accurately ripped (confidence 10) [4FF84AC9] (AR v1)
Track 12 accurately ripped (confidence 10) [E6A25C1B] (AR v1)
Track 13 accurately ripped (confidence 10) [CF68FE23] (AR v1)
Track 14 accurately ripped (confidence 10) [1F468A80] (AR v1)
Track 15 accurately ripped (confidence 10) [B6AEBF72] (AR v1)
Track 16 accurately ripped (confidence 10) [CFB48365] (AR v1)
Track 17 accurately ripped (confidence 10) [DE3925C5] (AR v1)
Track 18 accurately ripped (confidence 10) [9D987597] (AR v1)
Track 19 accurately ripped (confidence 10) [56915D6C] (AR v1)
Track 20 accurately ripped (confidence 10) [8D876429] (AR v1)
Track 21 accurately ripped (confidence 11) [1D66C567] (AR v1)
Track 22 accurately ripped (confidence 11) [E12BC82C] (AR v1)
Track 23 cannot be verified as accurate (confidence 10) [999A2380], AccurateRip returned [27036411] (AR v2)
Track 24 accurately ripped (confidence 11) [D83F4329] (AR v1)

23 track(s) accurately ripped
1 track(s) could not be verified as accurate

Some tracks could not be verified as accurate

End of status report

==== Log checksum 7A65092EE4DD5247CE22BE7A5015450613528D8014ED8F615E13E1ADD96DB22B ====

Dynamic

foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
log date: 2012-04-19 19:14:09

––––––––––––––––––––––––––––––––––––––––
Analyzed: Rodriguez/Debney/Revell / Sin City
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -0.60 dB -15.03 dB 1:55 01-Sin City
DR13 -1.99 dB -20.19 dB 2:12 02-One Hour To Go
DR12 -0.60 dB -16.18 dB 2:16 03-Goldie's Dead
DR11 -0.60 dB -14.50 dB 2:10 04-Marv
DR12 -0.60 dB -17.43 dB 2:40 05-Bury The Hatchet
DR15 -0.60 dB -18.07 dB 0:45 06-Old Town Girls
DR11 -0.60 dB -15.35 dB 4:32 07-The Hard Goodbye
DR10 -0.60 dB -16.16 dB 2:15 08-Cardinal Sin
DR11 -0.60 dB -15.62 dB 1:01 09-Her Name Is Goldie
DR10 -1.05 dB -16.48 dB 2:11 10-Dwight
DR11 -0.60 dB -14.89 dB 3:16 11-Old Town
DR8 -0.60 dB -15.12 dB 2:58 12-Deadly Little Miho
DR11 -0.30 dB -16.31 dB 2:19 13-Warrior Woman
DR13 -3.13 dB -20.54 dB 2:12 14-Tar Pit
DR11 -0.60 dB -15.82 dB 0:36 15-Jackie Boy's Head
DR9 -0.60 dB -12.81 dB 3:17 16-The Big Fat Kill
DR12 -0.55 dB -18.50 dB 1:34 17-Nancy
DR11 -0.30 dB -16.53 dB 1:49 18-Prison Cell
DR7 -2.29 dB -10.95 dB 3:41 19-Absurd
DR12 -0.60 dB -16.67 dB 1:58 20-Kiss Of Death
DR9 -0.60 dB -13.33 dB 1:36 21-Tha Yellow Bastard
DR11 -5.30 dB -19.79 dB 1:44 22-Hartigan
DR10 -0.60 dB -14.31 dB 5:59 23-Sensemaya
DR7 -2.61 dB -11.07 dB 3:17 24-Sin City End Titles
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 24
Official DR value: DR11

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 711 kbps
Codec: FLAC
================================================================================

CD Info:

Robert Rodriguez, John Debney And Graeme Revell – Original Motion Picture Soundtrack: Frank Miller's Sin City

Label: Varèse Sarabande
Catalog#: VSD-6644
Format: CD, Album
Country: Germany
Released: 2005
Genre: Classical, Electronic, Stage & Screen
Style: Soundtrack, Modern Classical, Score

Tracklist:

1 Hollywood Studio Symphony, The – Sin City 1:55
2 Hollywood Studio Symphony, The – One Hour To Go 2:12
3 Hollywood Studio Symphony, The – Goldie's Dead 2:16
4 Hollywood Studio Symphony, The – Marv 2:10
5 Hollywood Studio Symphony, The – Bury The Hatchet 2:40
6 Hollywood Studio Symphony, The – Old Town Girls 0:45
7 Hollywood Studio Symphony, The – The Hard Goodbye 4:32
8 Hollywood Studio Symphony, The – Cardinal Sin 2:15
9 Hollywood Studio Symphony, The – Her Name Is Goldie 1:01
10 Hollywood Studio Symphony, The – Dwight 2:11
11 Hollywood Studio Symphony, The – Old Town 3:16
12 Hollywood Studio Symphony, The – Deadly Little Miho 2:58
13 Hollywood Studio Symphony, The – Warrior Woman 2:19
14 Hollywood Studio Symphony, The – Tar Pit 2:12
15 Hollywood Studio Symphony, The – Jackie Boy's Head 0:36
16 Hollywood Studio Symphony, The – The Big Fat Kill 3:17
17 Hollywood Studio Symphony, The – Nancy 1:34
18 Hollywood Studio Symphony, The – Prison Cell 1:49
19 Fluke – Absurd 3:41
20 Hollywood Studio Symphony, The – Kiss Of Death 1:58
21 Hollywood Studio Symphony, The – That Yellow Bastard 1:36
22 Hollywood Studio Symphony, The – Hartigan 1:44
23 New Philharmonic Orchestra, The – Sensemaya 5:59
24 Hollywood Studio Symphony, The – Sin City End Titles 3:16

Review

by Heather Phares

Robert Rodriguez and Frank Miller's eye-popping adaptation of Miller's noir comic Sin City boasts an equally gritty, stylized score to match its visual flair. As with all of Rodriguez's films, he was actively involved in Sin City's music, writing a fair chunk of the score himself and turning to two of his frequent collaborators, Graeme Revell (who worked with Rodriguez on the From Dusk 'Til Dawn soundtrack) and John Debney (who contributed to the Spy Kids 1 and 2 scores), to work on the rest, with and without him. Rodriguez scored most of Sin City's Hartigan (Bruce Willis) storyline, aka "That Yellow Bastard" to fans of the comic, and his "Sin City" theme sets the tone for the rest of the score: it's down and dirty, like the "Peter Gunn" theme gone to hell, with a beautifully ugly sax sound that adds a glamorously nasty edge to the piece (and everywhere else it pops up). Revell scored the Marv storyline, which comes from the first Sin City comic, and Debney's score revolves around the Dwight/Miho story originally known as "The Big Fat Kill." All three parts of the score blend jazz, spy, and especially film noir soundtrack elements with subtle rock and electronic touches; though they work well as a whole, there's something to be said for each of the composers' individual approaches as well. Revell's tracks are the most percussive and electronic; there's an almost industrial bent to the drums on "Marv" and "Bury the Hatchet." "Her Name Is Goldie" and "Goldie's Dead," meanwhile, concentrate on the haunting flute and vocal motifs that collide with Revell's edgier sounds on "The Hard Goodbye." Despite Sin City's stylishness, it's still fairly restrained; Rodriguez, Revell, and Debney know when to pull back from going too over the top. This is especially true of Debney's pieces, which are the closest to traditional noir film music in the score. Along with reflecting the bleak, harsh aspects of the story, tracks like "Dwight" and "Warrior Woman" also capture Sin City's very real undercurrents of sorrow: the string parts move from eerie to bittersweet, and the horns go from dangerously taut to brooding, particularly on "The Big Fat Kill," which is sad, angry, and violent all at once. Rodriguez's pieces are some of the showiest and most evocative, ranging from "Prison Cell," which sounds like sinking into darkness, to the theatrical evil of "That Yellow Bastard." "Sin City End Titles" is a bigger and badder reprise of the film's theme with a more rock-based arrangement and more than a little bit of a wink in its delivery. The soundtrack also includes two non-score tracks. Fluke's "Absurd" has a more "modern," big beat/rock sound than the rest of the album, but it feels oddly dated and out of place compared to the more timeless-sounding music that surrounds it. However, "Sensemaya," a 1976 piece from Mexican composer Silvestre Revueltas, is right in keeping with the score's elegant menace; it's easy to hear why Rodriguez says in the album's liner notes that this piece was a big influence on him. A wonderful update of film noir music traditions, the soundtrack remains faithful to that basic sound, but not too faithful to inject some fresh ideas into it. Along with The Incredibles, Sin City is one of the most stylish and entertaining – not to mention effective – scores in recent memory.

OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}

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