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    OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}

    Posted By: luckburz
    OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}

    OST - Sin City
    FLAC, EAC, LOG & CUE | Full Artwork | Size: 336 MB + Recovery Info
    Label/Cat#: Varese Sarabande VSD-6644 | Country/Year: Germany 2005
    Genre: Stage & Screen | Style: Soundtrack

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    webfind [] selfrip [X]

    OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}

    OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}



    Exact Audio Copy V1.0 beta 2 from 29. April 2011

    EAC extraction logfile from 19. April 2012, 9:37

    Rodriguez/Debney/Revell / Sin City

    Used drive : PIONEER BD-RW BDR-206 Adapter: 2 ID: 3

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 896 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 1:55.11 | 0 | 8635
    2 | 1:55.11 | 2:12.24 | 8636 | 18559
    3 | 4:07.35 | 2:15.64 | 18560 | 28748
    4 | 6:23.24 | 2:10.15 | 28749 | 38513
    5 | 8:33.39 | 2:40.25 | 38514 | 50538
    6 | 11:13.64 | 0:44.66 | 50539 | 53904
    7 | 11:58.55 | 4:32.34 | 53905 | 74338
    8 | 16:31.14 | 2:14.70 | 74339 | 84458
    9 | 18:46.09 | 1:00.68 | 84459 | 89026
    10 | 19:47.02 | 2:11.10 | 89027 | 98861
    11 | 21:58.12 | 3:16.17 | 98862 | 113578
    12 | 25:14.29 | 2:58.31 | 113579 | 126959
    13 | 28:12.60 | 2:19.33 | 126960 | 137417
    14 | 30:32.18 | 2:11.67 | 137418 | 147309
    15 | 32:44.10 | 0:36.20 | 147310 | 150029
    16 | 33:20.30 | 3:16.58 | 150030 | 164787
    17 | 36:37.13 | 1:34.10 | 164788 | 171847
    18 | 38:11.23 | 1:48.57 | 171848 | 180004
    19 | 40:00.05 | 3:40.46 | 180005 | 196550
    20 | 43:40.51 | 1:58.19 | 196551 | 205419
    21 | 45:38.70 | 1:36.17 | 205420 | 212636
    22 | 47:15.12 | 1:43.49 | 212637 | 220410
    23 | 48:58.61 | 5:59.04 | 220411 | 247339
    24 | 54:57.65 | 3:16.44 | 247340 | 262083


    Range status and errors

    Selected range

    Filename I:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Rodriguez,Debney,Revell - Sin City.wav

    Peak level 96.6 %
    Extraction speed 6.0 X
    Range quality 99.9 %
    Test CRC 82521FBB
    Copy CRC 9A78C8E1
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 10) [0D80506C] (AR v1)
    Track 2 accurately ripped (confidence 10) [50637769] (AR v1)
    Track 3 accurately ripped (confidence 10) [EC3D64A3] (AR v1)
    Track 4 accurately ripped (confidence 10) [4C6F32BA] (AR v1)
    Track 5 accurately ripped (confidence 10) [3707E773] (AR v1)
    Track 6 accurately ripped (confidence 10) [C510D14B] (AR v1)
    Track 7 accurately ripped (confidence 10) [247E8A2B] (AR v1)
    Track 8 accurately ripped (confidence 10) [A5A10801] (AR v1)
    Track 9 accurately ripped (confidence 10) [24AF20FA] (AR v1)
    Track 10 accurately ripped (confidence 10) [D2EF9E39] (AR v1)
    Track 11 accurately ripped (confidence 10) [4FF84AC9] (AR v1)
    Track 12 accurately ripped (confidence 10) [E6A25C1B] (AR v1)
    Track 13 accurately ripped (confidence 10) [CF68FE23] (AR v1)
    Track 14 accurately ripped (confidence 10) [1F468A80] (AR v1)
    Track 15 accurately ripped (confidence 10) [B6AEBF72] (AR v1)
    Track 16 accurately ripped (confidence 10) [CFB48365] (AR v1)
    Track 17 accurately ripped (confidence 10) [DE3925C5] (AR v1)
    Track 18 accurately ripped (confidence 10) [9D987597] (AR v1)
    Track 19 accurately ripped (confidence 10) [56915D6C] (AR v1)
    Track 20 accurately ripped (confidence 10) [8D876429] (AR v1)
    Track 21 accurately ripped (confidence 11) [1D66C567] (AR v1)
    Track 22 accurately ripped (confidence 11) [E12BC82C] (AR v1)
    Track 23 cannot be verified as accurate (confidence 10) [999A2380], AccurateRip returned [27036411] (AR v2)
    Track 24 accurately ripped (confidence 11) [D83F4329] (AR v1)

    23 track(s) accurately ripped
    1 track(s) could not be verified as accurate

    Some tracks could not be verified as accurate

    End of status report

    ==== Log checksum 7A65092EE4DD5247CE22BE7A5015450613528D8014ED8F615E13E1ADD96DB22B ====


    foobar2000 1.1.7 / Dynamic Range Meter 1.1.1
    log date: 2012-04-19 19:14:09

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Rodriguez/Debney/Revell / Sin City
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR11 -0.60 dB -15.03 dB 1:55 01-Sin City
    DR13 -1.99 dB -20.19 dB 2:12 02-One Hour To Go
    DR12 -0.60 dB -16.18 dB 2:16 03-Goldie's Dead
    DR11 -0.60 dB -14.50 dB 2:10 04-Marv
    DR12 -0.60 dB -17.43 dB 2:40 05-Bury The Hatchet
    DR15 -0.60 dB -18.07 dB 0:45 06-Old Town Girls
    DR11 -0.60 dB -15.35 dB 4:32 07-The Hard Goodbye
    DR10 -0.60 dB -16.16 dB 2:15 08-Cardinal Sin
    DR11 -0.60 dB -15.62 dB 1:01 09-Her Name Is Goldie
    DR10 -1.05 dB -16.48 dB 2:11 10-Dwight
    DR11 -0.60 dB -14.89 dB 3:16 11-Old Town
    DR8 -0.60 dB -15.12 dB 2:58 12-Deadly Little Miho
    DR11 -0.30 dB -16.31 dB 2:19 13-Warrior Woman
    DR13 -3.13 dB -20.54 dB 2:12 14-Tar Pit
    DR11 -0.60 dB -15.82 dB 0:36 15-Jackie Boy's Head
    DR9 -0.60 dB -12.81 dB 3:17 16-The Big Fat Kill
    DR12 -0.55 dB -18.50 dB 1:34 17-Nancy
    DR11 -0.30 dB -16.53 dB 1:49 18-Prison Cell
    DR7 -2.29 dB -10.95 dB 3:41 19-Absurd
    DR12 -0.60 dB -16.67 dB 1:58 20-Kiss Of Death
    DR9 -0.60 dB -13.33 dB 1:36 21-Tha Yellow Bastard
    DR11 -5.30 dB -19.79 dB 1:44 22-Hartigan
    DR10 -0.60 dB -14.31 dB 5:59 23-Sensemaya
    DR7 -2.61 dB -11.07 dB 3:17 24-Sin City End Titles
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 24
    Official DR value: DR11

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 711 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Robert Rodriguez, John Debney And Graeme Revell – Original Motion Picture Soundtrack: Frank Miller's Sin City

    Label: Varèse Sarabande
    Catalog#: VSD-6644
    Format: CD, Album
    Country: Germany
    Released: 2005
    Genre: Classical, Electronic, Stage & Screen
    Style: Soundtrack, Modern Classical, Score

    Tracklist:

    1 Hollywood Studio Symphony, The – Sin City 1:55
    2 Hollywood Studio Symphony, The – One Hour To Go 2:12
    3 Hollywood Studio Symphony, The – Goldie's Dead 2:16
    4 Hollywood Studio Symphony, The – Marv 2:10
    5 Hollywood Studio Symphony, The – Bury The Hatchet 2:40
    6 Hollywood Studio Symphony, The – Old Town Girls 0:45
    7 Hollywood Studio Symphony, The – The Hard Goodbye 4:32
    8 Hollywood Studio Symphony, The – Cardinal Sin 2:15
    9 Hollywood Studio Symphony, The – Her Name Is Goldie 1:01
    10 Hollywood Studio Symphony, The – Dwight 2:11
    11 Hollywood Studio Symphony, The – Old Town 3:16
    12 Hollywood Studio Symphony, The – Deadly Little Miho 2:58
    13 Hollywood Studio Symphony, The – Warrior Woman 2:19
    14 Hollywood Studio Symphony, The – Tar Pit 2:12
    15 Hollywood Studio Symphony, The – Jackie Boy's Head 0:36
    16 Hollywood Studio Symphony, The – The Big Fat Kill 3:17
    17 Hollywood Studio Symphony, The – Nancy 1:34
    18 Hollywood Studio Symphony, The – Prison Cell 1:49
    19 Fluke – Absurd 3:41
    20 Hollywood Studio Symphony, The – Kiss Of Death 1:58
    21 Hollywood Studio Symphony, The – That Yellow Bastard 1:36
    22 Hollywood Studio Symphony, The – Hartigan 1:44
    23 New Philharmonic Orchestra, The – Sensemaya 5:59
    24 Hollywood Studio Symphony, The – Sin City End Titles 3:16

    OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}


    Review

    by Heather Phares

    Robert Rodriguez and Frank Miller's eye-popping adaptation of Miller's noir comic Sin City boasts an equally gritty, stylized score to match its visual flair. As with all of Rodriguez's films, he was actively involved in Sin City's music, writing a fair chunk of the score himself and turning to two of his frequent collaborators, Graeme Revell (who worked with Rodriguez on the From Dusk 'Til Dawn soundtrack) and John Debney (who contributed to the Spy Kids 1 and 2 scores), to work on the rest, with and without him. Rodriguez scored most of Sin City's Hartigan (Bruce Willis) storyline, aka "That Yellow Bastard" to fans of the comic, and his "Sin City" theme sets the tone for the rest of the score: it's down and dirty, like the "Peter Gunn" theme gone to hell, with a beautifully ugly sax sound that adds a glamorously nasty edge to the piece (and everywhere else it pops up). Revell scored the Marv storyline, which comes from the first Sin City comic, and Debney's score revolves around the Dwight/Miho story originally known as "The Big Fat Kill." All three parts of the score blend jazz, spy, and especially film noir soundtrack elements with subtle rock and electronic touches; though they work well as a whole, there's something to be said for each of the composers' individual approaches as well. Revell's tracks are the most percussive and electronic; there's an almost industrial bent to the drums on "Marv" and "Bury the Hatchet." "Her Name Is Goldie" and "Goldie's Dead," meanwhile, concentrate on the haunting flute and vocal motifs that collide with Revell's edgier sounds on "The Hard Goodbye." Despite Sin City's stylishness, it's still fairly restrained; Rodriguez, Revell, and Debney know when to pull back from going too over the top. This is especially true of Debney's pieces, which are the closest to traditional noir film music in the score. Along with reflecting the bleak, harsh aspects of the story, tracks like "Dwight" and "Warrior Woman" also capture Sin City's very real undercurrents of sorrow: the string parts move from eerie to bittersweet, and the horns go from dangerously taut to brooding, particularly on "The Big Fat Kill," which is sad, angry, and violent all at once. Rodriguez's pieces are some of the showiest and most evocative, ranging from "Prison Cell," which sounds like sinking into darkness, to the theatrical evil of "That Yellow Bastard." "Sin City End Titles" is a bigger and badder reprise of the film's theme with a more rock-based arrangement and more than a little bit of a wink in its delivery. The soundtrack also includes two non-score tracks. Fluke's "Absurd" has a more "modern," big beat/rock sound than the rest of the album, but it feels oddly dated and out of place compared to the more timeless-sounding music that surrounds it. However, "Sensemaya," a 1976 piece from Mexican composer Silvestre Revueltas, is right in keeping with the score's elegant menace; it's easy to hear why Rodriguez says in the album's liner notes that this piece was a big influence on him. A wonderful update of film noir music traditions, the soundtrack remains faithful to that basic sound, but not too faithful to inject some fresh ideas into it. Along with The Incredibles, Sin City is one of the most stylish and entertaining – not to mention effective – scores in recent memory.
    OST - Sin City [Varese Sarabande VSD-6644] {Germany 2005}
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