Ornette Coleman - The Shape Of Jazz To Come (1959) [Reissue 1990]
EAC | FLAC (log,tracks+cue) -> 245 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 115 Mb (5% Rec.) | Scans included
Jazz, Avant-Garde Jazz, Free Jazz | Label: Atlantic Records, 1317-2 | 0:38:13
EAC | FLAC (log,tracks+cue) -> 245 Mb (5% Rec.)
Mp3 CBR320 Kbps -> 115 Mb (5% Rec.) | Scans included
Jazz, Avant-Garde Jazz, Free Jazz | Label: Atlantic Records, 1317-2 | 0:38:13
Ornette Coleman's Atlantic debut, The Shape of Jazz to Come, was a watershed event in the genesis of avant-garde jazz, profoundly steering its future course and throwing down a gauntlet that some still haven't come to grips with. The record shattered traditional concepts of harmony in jazz, getting rid of not only the piano player but the whole idea of concretely outlined chord changes.
The pieces here follow almost no predetermined harmonic structure, which allows Coleman and partner Don Cherry an unprecedented freedom to take the melodies of their solo lines wherever they felt like going in the moment, regardless of what the piece's tonal center had seemed to be. Plus, this was the first time Coleman recorded with a rhythm section – bassist Charlie Haden and drummer Billy Higgins – that was loose and open-eared enough to follow his already controversial conception. Coleman's ideals of freedom in jazz made him a feared radical in some quarters; there was much carping about his music flying off in all directions, with little direct relation to the original theme statements. If only those critics could have known how far out things would get in just a few short years; in hindsight, it's hard to see just what the fuss was about, since this is an accessible, frequently swinging record. It's true that Coleman's piercing, wailing alto squeals and vocalized effects weren't much beholden to conventional technique, and that his themes often followed unpredictable courses, and that the group's improvisations were very free-associative. But at this point, Coleman's desire for freedom was directly related to his sense of melody – which was free-flowing, yes, but still very melodic. Of the individual pieces, the haunting "Lonely Woman" is a stone-cold classic, and "Congeniality" and "Peace" aren't far behind. Any understanding of jazz's avant-garde should begin here. –Steve Huey, AllMusic
Tracklist:
1. Lonely Woman 04:59
2. Eventually 04:20
3. Peace 09:04
4. Focus On Sanity 06:50
5. Congeniality 06:41
6. Chronology 06:05
Musicians:
Alto Saxophone, Composed By – Ornette Coleman
Bass – Charlie Haden
Cornet – Don Cherry
Drums – Billy Higgins
Recorded on May 22, 1959 at Radio Recorders, Los Angeles, California.
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 2. July 2011, 19:09
Ornette Coleman / The Shape of Jazz to Come
Used drive : Optiarc DVD RW AD-7203A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : E:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 5:02.13 | 32 | 22694
2 | 5:02.45 | 4:22.67 | 22695 | 42411
3 | 9:25.37 | 9:04.63 | 42412 | 83274
4 | 18:30.25 | 6:52.32 | 83275 | 114206
5 | 25:22.57 | 6:48.30 | 114207 | 144836
6 | 32:11.12 | 6:03.35 | 144837 | 172096
Track 1
Filename D:\Fet's Lossless Rips\01 - Lonely Woman.wav
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Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 3DDB5AD4
Copy CRC 3DDB5AD4
Accurately ripped (confidence 7) [22287A80] (AR v1)
Copy OK
Track 2
Filename D:\Fet's Lossless Rips\02 - Eventually.wav
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Peak level 88.3 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC C2C521B3
Copy CRC C2C521B3
Accurately ripped (confidence 9) [523DB326] (AR v1)
Copy OK
Track 3
Filename D:\Fet's Lossless Rips\03 - Peace.wav
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Test CRC DFB61B81
Copy CRC DFB61B81
Accurately ripped (confidence 9) [7A0E49CE] (AR v1)
Copy OK
Track 4
Filename D:\Fet's Lossless Rips\04 - Focus on Sanity.wav
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Test CRC 8A237D92
Copy CRC 8A237D92
Accurately ripped (confidence 8) [C42864CC] (AR v1)
Copy OK
Track 5
Filename D:\Fet's Lossless Rips\05 - Congeniality.wav
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Test CRC A4826948
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Accurately ripped (confidence 8) [F2A0B1A1] (AR v1)
Copy OK
Track 6
Filename D:\Fet's Lossless Rips\06 - Chronology.wav
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Accurately ripped (confidence 8) [6D67A3B3] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 97A2078336098780C6CA71BBB42A380C59BFA611A78F039E0227DF8F37D232A9 ====
EAC extraction logfile from 2. July 2011, 19:09
Ornette Coleman / The Shape of Jazz to Come
Used drive : Optiarc DVD RW AD-7203A Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : E:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 5:02.13 | 32 | 22694
2 | 5:02.45 | 4:22.67 | 22695 | 42411
3 | 9:25.37 | 9:04.63 | 42412 | 83274
4 | 18:30.25 | 6:52.32 | 83275 | 114206
5 | 25:22.57 | 6:48.30 | 114207 | 144836
6 | 32:11.12 | 6:03.35 | 144837 | 172096
Track 1
Filename D:\Fet's Lossless Rips\01 - Lonely Woman.wav
Pre-gap length 0:00:02.32
Peak level 100.0 %
Extraction speed 2.5 X
Track quality 100.0 %
Test CRC 3DDB5AD4
Copy CRC 3DDB5AD4
Accurately ripped (confidence 7) [22287A80] (AR v1)
Copy OK
Track 2
Filename D:\Fet's Lossless Rips\02 - Eventually.wav
Pre-gap length 0:00:04.03
Peak level 88.3 %
Extraction speed 2.8 X
Track quality 100.0 %
Test CRC C2C521B3
Copy CRC C2C521B3
Accurately ripped (confidence 9) [523DB326] (AR v1)
Copy OK
Track 3
Filename D:\Fet's Lossless Rips\03 - Peace.wav
Pre-gap length 0:00:03.37
Peak level 65.2 %
Extraction speed 3.2 X
Track quality 99.9 %
Test CRC DFB61B81
Copy CRC DFB61B81
Accurately ripped (confidence 9) [7A0E49CE] (AR v1)
Copy OK
Track 4
Filename D:\Fet's Lossless Rips\04 - Focus on Sanity.wav
Pre-gap length 0:00:04.35
Peak level 90.9 %
Extraction speed 3.7 X
Track quality 100.0 %
Test CRC 8A237D92
Copy CRC 8A237D92
Accurately ripped (confidence 8) [C42864CC] (AR v1)
Copy OK
Track 5
Filename D:\Fet's Lossless Rips\05 - Congeniality.wav
Pre-gap length 0:00:03.55
Peak level 76.9 %
Extraction speed 4.1 X
Track quality 100.0 %
Test CRC A4826948
Copy CRC A4826948
Accurately ripped (confidence 8) [F2A0B1A1] (AR v1)
Copy OK
Track 6
Filename D:\Fet's Lossless Rips\06 - Chronology.wav
Pre-gap length 0:00:04.02
Peak level 92.4 %
Extraction speed 4.3 X
Track quality 100.0 %
Test CRC 2E43F4D9
Copy CRC 2E43F4D9
Accurately ripped (confidence 8) [6D67A3B3] (AR v1)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 97A2078336098780C6CA71BBB42A380C59BFA611A78F039E0227DF8F37D232A9 ====
foobar2000 1.3.6 / Dynamic Range Meter 1.1.1
log date: 2017-08-10 14:14:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ornette Coleman / The Shape of Jazz to Come
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 0.00 dB -18.66 dB 5:02 01-Lonely Woman
DR14 -1.07 dB -18.13 dB 4:23 02-Eventually
DR14 -3.71 dB -22.68 dB 9:05 03-Peace
DR17 -0.82 dB -22.87 dB 6:52 04-Focus on Sanity
DR14 -2.27 dB -19.93 dB 6:48 05-Congeniality
DR15 -0.68 dB -20.16 dB 6:03 06-Chronology
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 6
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 815 kbps
Codec: FLAC
================================================================================
log date: 2017-08-10 14:14:48
––––––––––––––––––––––––––––––––––––––––
Analyzed: Ornette Coleman / The Shape of Jazz to Come
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 0.00 dB -18.66 dB 5:02 01-Lonely Woman
DR14 -1.07 dB -18.13 dB 4:23 02-Eventually
DR14 -3.71 dB -22.68 dB 9:05 03-Peace
DR17 -0.82 dB -22.87 dB 6:52 04-Focus on Sanity
DR14 -2.27 dB -19.93 dB 6:48 05-Congeniality
DR15 -0.68 dB -20.16 dB 6:03 06-Chronology
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 6
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 815 kbps
Codec: FLAC
================================================================================
Thanks to the original releaser