Carl Orff - Richard Hickox - Carmina Burana (1986)
Carl Orff - Carmina Burana
Penelope Walmsley-Clark, John Graham-Hill - London Symphony Orchestra & Chorus / Richard Hickox
EAC+LOG+CUE | FLAC: 246 MB | Artwork | 5% Recovery Info
Label/Cat#: IMP # PCD 855 | Country/Year: UK 1986
Genre: Classical | Style: Early 20th Century, Medieval, Vocal
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
my rip [] not my rip [X]
Carl Orff - Richard Hickox - Carmina Burana (1986)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 23. August 2010, 20:01
Carl Orff / Carmina Burana
Used drive : TSSTcorpCDDVDW SH-S202J Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 2:49.20 | 32 | 12726
2 | 2:49.52 | 2:49.53 | 12727 | 25454
3 | 5:39.30 | 4:17.32 | 25455 | 44761
4 | 9:56.62 | 2:13.15 | 44762 | 54751
5 | 12:10.02 | 2:53.60 | 54752 | 67786
6 | 15:03.62 | 1:44.05 | 67787 | 75591
7 | 16:47.67 | 3:44.10 | 75592 | 92401
8 | 20:32.02 | 3:23.60 | 92402 | 107686
9 | 23:55.62 | 4:49.10 | 107687 | 129371
10 | 28:44.72 | 0:56.00 | 129372 | 133571
11 | 29:40.72 | 2:16.38 | 133572 | 143809
12 | 31:57.35 | 3:46.55 | 143810 | 160814
13 | 35:44.15 | 1:28.20 | 160815 | 167434
14 | 37:12.35 | 3:10.57 | 167435 | 181741
15 | 40:23.17 | 3:51.73 | 181742 | 199139
16 | 44:15.15 | 2:22.05 | 199140 | 209794
17 | 46:37.20 | 2:10.15 | 209795 | 219559
18 | 48:47.35 | 2:13.30 | 219560 | 229564
19 | 51:00.65 | 1:00.27 | 229565 | 234091
20 | 52:01.17 | 1:01.58 | 234092 | 238724
21 | 53:03.00 | 2:15.72 | 238725 | 248921
22 | 55:18.72 | 2:25.28 | 248922 | 259824
23 | 57:44.25 | 0:36.17 | 259825 | 262541
24 | 58:20.42 | 2:16.28 | 262542 | 272769
25 | 60:36.70 | 2:56.55 | 272770 | 286024
Range status and errors
Selected range
Filename E:\ÐÎÇÄÀ×À\Carl Orff - Carmina Burana.wav
Peak level 100.0 %
Range quality 99.9 %
Test CRC 9930C569
Copy CRC 9930C569
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [2B362C86]
Track 2 accurately ripped (confidence 6) [62F43505]
Track 3 accurately ripped (confidence 6) [17D3C1D6]
Track 4 accurately ripped (confidence 6) [D34251E2]
Track 5 accurately ripped (confidence 6) [A01917C2]
Track 6 accurately ripped (confidence 6) [42D169EB]
Track 7 accurately ripped (confidence 6) [CFEBA827]
Track 8 accurately ripped (confidence 6) [55A43DEF]
Track 9 accurately ripped (confidence 6) [E9FA7337]
Track 10 accurately ripped (confidence 6) [B4C43CAE]
Track 11 accurately ripped (confidence 6) [B94C8E06]
Track 12 accurately ripped (confidence 6) [7E70D772]
Track 13 accurately ripped (confidence 6) [2AD31DF5]
Track 14 accurately ripped (confidence 6) [BC85977E]
Track 15 accurately ripped (confidence 6) [46659C5D]
Track 16 accurately ripped (confidence 6) [61131252]
Track 17 accurately ripped (confidence 5) [7228D7EA]
Track 18 accurately ripped (confidence 6) [EDBA4DFD]
Track 19 accurately ripped (confidence 6) [882DAE20]
Track 20 accurately ripped (confidence 6) [EA4C3ED8]
Track 21 accurately ripped (confidence 6) [F1EE9049]
Track 22 accurately ripped (confidence 6) [5EAEA5A4]
Track 23 accurately ripped (confidence 6) [7E97324B]
Track 24 accurately ripped (confidence 5) [B6C4EFD8]
Track 25 accurately ripped (confidence 3) [C4DBC96A]
All tracks accurately ripped
End of status report
EAC extraction logfile from 23. August 2010, 20:01
Carl Orff / Carmina Burana
Used drive : TSSTcorpCDDVDW SH-S202J Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 2:49.20 | 32 | 12726
2 | 2:49.52 | 2:49.53 | 12727 | 25454
3 | 5:39.30 | 4:17.32 | 25455 | 44761
4 | 9:56.62 | 2:13.15 | 44762 | 54751
5 | 12:10.02 | 2:53.60 | 54752 | 67786
6 | 15:03.62 | 1:44.05 | 67787 | 75591
7 | 16:47.67 | 3:44.10 | 75592 | 92401
8 | 20:32.02 | 3:23.60 | 92402 | 107686
9 | 23:55.62 | 4:49.10 | 107687 | 129371
10 | 28:44.72 | 0:56.00 | 129372 | 133571
11 | 29:40.72 | 2:16.38 | 133572 | 143809
12 | 31:57.35 | 3:46.55 | 143810 | 160814
13 | 35:44.15 | 1:28.20 | 160815 | 167434
14 | 37:12.35 | 3:10.57 | 167435 | 181741
15 | 40:23.17 | 3:51.73 | 181742 | 199139
16 | 44:15.15 | 2:22.05 | 199140 | 209794
17 | 46:37.20 | 2:10.15 | 209795 | 219559
18 | 48:47.35 | 2:13.30 | 219560 | 229564
19 | 51:00.65 | 1:00.27 | 229565 | 234091
20 | 52:01.17 | 1:01.58 | 234092 | 238724
21 | 53:03.00 | 2:15.72 | 238725 | 248921
22 | 55:18.72 | 2:25.28 | 248922 | 259824
23 | 57:44.25 | 0:36.17 | 259825 | 262541
24 | 58:20.42 | 2:16.28 | 262542 | 272769
25 | 60:36.70 | 2:56.55 | 272770 | 286024
Range status and errors
Selected range
Filename E:\ÐÎÇÄÀ×À\Carl Orff - Carmina Burana.wav
Peak level 100.0 %
Range quality 99.9 %
Test CRC 9930C569
Copy CRC 9930C569
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 6) [2B362C86]
Track 2 accurately ripped (confidence 6) [62F43505]
Track 3 accurately ripped (confidence 6) [17D3C1D6]
Track 4 accurately ripped (confidence 6) [D34251E2]
Track 5 accurately ripped (confidence 6) [A01917C2]
Track 6 accurately ripped (confidence 6) [42D169EB]
Track 7 accurately ripped (confidence 6) [CFEBA827]
Track 8 accurately ripped (confidence 6) [55A43DEF]
Track 9 accurately ripped (confidence 6) [E9FA7337]
Track 10 accurately ripped (confidence 6) [B4C43CAE]
Track 11 accurately ripped (confidence 6) [B94C8E06]
Track 12 accurately ripped (confidence 6) [7E70D772]
Track 13 accurately ripped (confidence 6) [2AD31DF5]
Track 14 accurately ripped (confidence 6) [BC85977E]
Track 15 accurately ripped (confidence 6) [46659C5D]
Track 16 accurately ripped (confidence 6) [61131252]
Track 17 accurately ripped (confidence 5) [7228D7EA]
Track 18 accurately ripped (confidence 6) [EDBA4DFD]
Track 19 accurately ripped (confidence 6) [882DAE20]
Track 20 accurately ripped (confidence 6) [EA4C3ED8]
Track 21 accurately ripped (confidence 6) [F1EE9049]
Track 22 accurately ripped (confidence 6) [5EAEA5A4]
Track 23 accurately ripped (confidence 6) [7E97324B]
Track 24 accurately ripped (confidence 5) [B6C4EFD8]
Track 25 accurately ripped (confidence 3) [C4DBC96A]
All tracks accurately ripped
End of status report
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2014-04-21 16:24:22
––––––––––––––––––––––––––––––––––––––––
Analyzed: Carl Orff / Carmina Burana
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 0.00 dB -19.08 dB 2:49 01-Fortuna
DR13 -3.38 dB -24.37 dB 2:50 02-Fortune piango vulnera
DR14 -21.10 dB -40.25 dB 4:17 03-Veris leta facies
DR15 -22.92 dB -44.03 dB 2:13 04-Omnia Sol temperat
DR13 -3.11 dB -22.52 dB 2:54 05-5. Ecce gratum
DR13 -1.14 dB -21.15 dB 1:44 06-6. Tanz
DR15 -7.83 dB -30.04 dB 3:44 07-7. Floret silva nobilis
DR13 -17.73 dB -35.19 dB 3:24 08-8. Chramer, gip die varwe mir
DR15 -2.22 dB -24.65 dB 4:49 09-9. Reie
DR12 -0.17 dB -18.62 dB 0:56 10-10. Were diu werlt alle min
DR12 0.00 dB -24.69 dB 2:17 11-11. Estuans interius
DR17 0.00 dB -27.07 dB 3:47 12-12. Olim lacus colueram
DR15 0.00 dB -23.07 dB 1:28 13-13. Ego sum abbas
DR15 0.00 dB -19.95 dB 3:11 14-14. In taberna quando sumus
DR15 -16.39 dB -38.60 dB 3:52 15-15. Amor volat undique
DR12 -22.09 dB -40.98 dB 2:22 16-16. Dies, nox et omnia
DR13 -11.23 dB -30.63 dB 2:10 17-17. Stetit puella
DR14 -3.38 dB -25.38 dB 2:13 18-18. Circa mea pectora
DR11 -12.13 dB -31.90 dB 1:00 19-19. Sf puer cubi puellula
DR12 -3.35 dB -22.56 dB 1:02 20-20. Veni veni, venias
DR12 -19.78 dB -37.24 dB 2:16 21-21. In trutina
DR14 -4.20 dB -23.55 dB 2:25 22-22. Tempus est iocundum
DR11 -14.61 dB -29.19 dB 0:36 23-23. Dulcissime
DR13 -1.05 dB -16.73 dB 2:16 24-24. Ave, formosissima
DR14 0.00 dB -19.50 dB 2:57 25-25. 0 Fortuna
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 510 kbps
Codec: FLAC
================================================================================
log date: 2014-04-21 16:24:22
––––––––––––––––––––––––––––––––––––––––
Analyzed: Carl Orff / Carmina Burana
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 0.00 dB -19.08 dB 2:49 01-Fortuna
DR13 -3.38 dB -24.37 dB 2:50 02-Fortune piango vulnera
DR14 -21.10 dB -40.25 dB 4:17 03-Veris leta facies
DR15 -22.92 dB -44.03 dB 2:13 04-Omnia Sol temperat
DR13 -3.11 dB -22.52 dB 2:54 05-5. Ecce gratum
DR13 -1.14 dB -21.15 dB 1:44 06-6. Tanz
DR15 -7.83 dB -30.04 dB 3:44 07-7. Floret silva nobilis
DR13 -17.73 dB -35.19 dB 3:24 08-8. Chramer, gip die varwe mir
DR15 -2.22 dB -24.65 dB 4:49 09-9. Reie
DR12 -0.17 dB -18.62 dB 0:56 10-10. Were diu werlt alle min
DR12 0.00 dB -24.69 dB 2:17 11-11. Estuans interius
DR17 0.00 dB -27.07 dB 3:47 12-12. Olim lacus colueram
DR15 0.00 dB -23.07 dB 1:28 13-13. Ego sum abbas
DR15 0.00 dB -19.95 dB 3:11 14-14. In taberna quando sumus
DR15 -16.39 dB -38.60 dB 3:52 15-15. Amor volat undique
DR12 -22.09 dB -40.98 dB 2:22 16-16. Dies, nox et omnia
DR13 -11.23 dB -30.63 dB 2:10 17-17. Stetit puella
DR14 -3.38 dB -25.38 dB 2:13 18-18. Circa mea pectora
DR11 -12.13 dB -31.90 dB 1:00 19-19. Sf puer cubi puellula
DR12 -3.35 dB -22.56 dB 1:02 20-20. Veni veni, venias
DR12 -19.78 dB -37.24 dB 2:16 21-21. In trutina
DR14 -4.20 dB -23.55 dB 2:25 22-22. Tempus est iocundum
DR11 -14.61 dB -29.19 dB 0:36 23-23. Dulcissime
DR13 -1.05 dB -16.73 dB 2:16 24-24. Ave, formosissima
DR14 0.00 dB -19.50 dB 2:57 25-25. 0 Fortuna
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 25
Official DR value: DR13
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 510 kbps
Codec: FLAC
================================================================================
CD Info:
Carl Orff - Carmina Burana
Penelope Walmsley-Clark, John Graham-Hill - London Symphony Orchestra & Chorus / Richard Hickox
Label: IMP
Catalog#: PCD 855
Format: CD, Album
Country: UK
Released: 1986
Genre: Classical
Style: Early 20th Century, Medieval, Vocal
Tracklist:
1. Fortuna
2. Fortune piango vulnera
3. Veris leta facies
4. Omnia Sol temperat
5. Ecce gratum
6. Tanz
7. Floret silva nobilis
8. Chramer, gip die varwe mir
9. Reie
10. Were diu werlt alle min
11. Estuans interius
12. Olim lacus colueram
14. In taberna quando sumus
15. Amor volat undique
16. Dies, nox et omnia
17. Stetit puella
18. Circa mea pectora
19. Sf puer cubi puellula
20. Veni veni, venias
21. In trutina
22. Tempus est iocundum
23. Dulcissime
24. Ave, formosissima
25. 0 Fortuna
soprano -Penelope Walmsley-Clark
tenor - John Graham-Hill
baritone - Donald Maxwell
The Southent Boys` Choir, director - Michael Crabb
The London Symphony Orchestra & Chorus - conducted by Richard Hickox
Penguin: Richard Hickox, on his brilliantly recorded Pickwick CD, like Previn uses the combined LSO forces, but adds the Southwen Boy's Choir who make sure we know they understand all about sexual abandon – their 'Oh, oh, oh I am bursting all over' is a joy. Penelope Walsmley-Clark, too, makes a rapturous contribution: her delicious song of uncertainty (betweed modesty and desire) is most tender (with alluring flutes to point the words) and her acount of the girl in the red dress is equally delectable.
The other soloists are good but less individual. The performance takes a little while to warm up (Hickox's tempi tends to be more relaxed than Doráti's), but the chorus rises marvellously to climaxes and is resplendent in the Ave formosissima, while the sharp articulation on consonants when the singers hiss out the words of O Fortuna in the closing section is also a highlight. The vivid orchestral detail revealed by the very bright digital sounds adds an extra dimentsion, with bass drum and percussive transients very telling, while the LPO brass, trumpets and horns especially, playing superbly are brilliantly projected. The documentation provides a vernacular narrative for each band but no translation.
Thanks to Vasil 61!
