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of Montreal - Freewave Lucifer f<ck f^ck f>ck (2022)

Posted By: delpotro
of Montreal - Freewave Lucifer f<ck f^ck f>ck (2022)

of Montreal – Freewave Lucifer f<ck f^ck f>ck (2022)
EAC Rip | FLAC (tracks+log+.cue) - 207 Mb | MP3 CBR 320 kbps - 79 Mb | 00:33:57
Indie Pop, Neo-psychedelia | Label: Polyvinyl Records

When creators f<ck with how we experience time and space, great fictions emerge: Clive Barker's Imajica, Andrei Tarkovsky's sci-fi classic Solaris, and Godard's Alphaville. But what happens to artists when the flow of time gets f^cked up IRL? When an hour stretches into eternity, and the voices in your head begin to echo through empty rooms?

If you’re Kevin Barnes, the creative visionary behind of Montreal, Freewave Lucifer f<ck f^ck f>ck happens.

Isolation and uncertainty loomed throughout the genesis of the band’s latest studio album. “The experience of just trying to keep my head above water and navigate through the last couple years played a huge role in this record,” says Barnes.

These expansive selections contrast markedly with the focused pop of 2020’s UR FUN, which was crafted for visceral thrills and the concert stage. As it was for countless musicians around the world, the inability to tour eliminated one of the linchpins of Barnes’ creative process. “I didn’t know if we’d ever tour again, so I didn’t consider that side of things.” Denied social interaction and diverse experiences, Barnes delved inward.

Barnes contemplated how time functions in music and experimented accordingly. These new songs, dense with ideas but short on repetition, feel epic in scope despite reasonable running times. Like the staircases of M.C. Escher’s Relativity, the discrete sections of “Marijuana’s A Working Woman” and “Blab Sabbath Lathe of Maiden” crisscross and pivot, confounding the senses yet commanding attention.

The imagery and sentiments that bubble forth from Barnes’ lyrical wordplay prove equally disorienting. “Is it important to say black chrome rodents?,” asks Barnes on “Après The Déclassé.” Phrases borne of free association took on new meaning when introduced into a song. “It’s like collaborating with my subconscious in a way. It feels deeply personal, even though I don’t necessarily understand it at that moment.”

“Marijuana’s A Working Woman'' juxtaposes oddball funk a la Zapp or Rick James with nods to Alice Anne Baily’s 19th century spiritualism. “Modern Art Bewilders” zigzags between baroque psychedelic idyll and synthpop tantrum, equal parts Sgt. Pepper’s and Gary Numan. Other influences woven throughout include realist painter Edward Hopper, fantasy author Ursula K. Le Guin, cinéaste Pedro Almodovar, and erotic illustrator Toshio Saeki.

Barnes likens their compositional process to making collages from seemingly unrelated source materials, combining them in provocative ways to reveal new meanings. “I wasn’t working with specific themes that I wanted to try and stretch over a three-minute pop song. It was sewing together a lot of fragmented thoughts,” which ties in nicely to the ‘freewave’ aspect of the album title’s meaning. As Barnes explains, “Freewave is my term for wild and intractable artistic expression. Lucifer is the angel of enlightenment and elucidation. Fuck is something we say when things are going really well, or really badly.”

As for anything else going on behind the scenes during the genesis of Freewave Lucifer f<ck f^ck f>ck, Barnes opts to preserve the mystery. “Sometimes in the past, I felt it was important for people to know certain things, so they could get into a specific headspace.” Not this time. “The last couple of years laid a heavy trip on everybody’s psyche. There are plenty of universal things here to identify with.”
Tracklist:
1. Marijuana's A Working Woman (05:27)
2. Ofrenda-Flanger-Ego-à Gogo (03:21)
3. Blab Sabbath Lathe of Maiden (05:48)
4. Après Thee Dèclassè (05:19)
5. Modern Art Bewilders (04:04)
6. Nightsift (04:40)
7. Hmmm (05:14)

Exact Audio Copy V1.6 from 23. October 2020

EAC extraction logfile from 30. January 2024, 22:12

of Montreal / Freewave Lucifer f<ck f^ck f>ck

Used drive : HL-DT-STDVDRAM GH24NSB0 Adapter: 1 ID: 0

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%


TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 5:27.00 | 0 | 24524
2 | 5:27.00 | 3:21.63 | 24525 | 39662
3 | 8:48.63 | 5:48.69 | 39663 | 65831
4 | 14:37.57 | 5:19.36 | 65832 | 89792
5 | 19:57.18 | 4:04.55 | 89793 | 108147
6 | 24:01.73 | 4:40.65 | 108148 | 129212
7 | 28:42.63 | 5:14.51 | 129213 | 152813


Track 1

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\01 - Marijuana’s a Working Woman.wav

Pre-gap length 0:00:02.00

Peak level 95.4 %
Extraction speed 1.0 X
Track quality 99.9 %
Test CRC F248FE2C
Copy CRC F248FE2C
Accurately ripped (confidence 2) [802BEF33] (AR v2)
Copy OK

Track 2

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\02 - Ofrenda-Flanger-Ego-à Gogo.wav

Peak level 94.8 %
Extraction speed 1.0 X
Track quality 99.9 %
Test CRC 53BC71CF
Copy CRC 53BC71CF
Accurately ripped (confidence 2) [60DE56D4] (AR v2)
Copy OK

Track 3

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\03 - Blab Sabbath Lathe of Maiden.wav

Peak level 96.4 %
Extraction speed 1.3 X
Track quality 99.9 %
Test CRC C3F81DF0
Copy CRC C3F81DF0
Accurately ripped (confidence 2) [1599C430] (AR v2)
Copy OK

Track 4

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\04 - Après Thee Dèclassè.wav

Peak level 95.5 %
Extraction speed 1.5 X
Track quality 100.0 %
Test CRC 16E75BC0
Copy CRC 16E75BC0
Accurately ripped (confidence 2) [B4EAA3D0] (AR v2)
Copy OK

Track 5

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\05 - Modern Art Bewilders.wav

Peak level 95.7 %
Extraction speed 1.6 X
Track quality 100.0 %
Test CRC FEE2AC6A
Copy CRC FEE2AC6A
Accurately ripped (confidence 2) [8C86F678] (AR v2)
Copy OK

Track 6

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\06 - Nightsift.wav

Peak level 95.9 %
Extraction speed 1.5 X
Track quality 99.9 %
Test CRC A4E63B73
Copy CRC A4E63B73
Accurately ripped (confidence 2) [537683B1] (AR v2)
Copy OK

Track 7

Filename G:\Rips\of Montreal - Freewave Lucifer F_ck F^ck F_ck (2022)[FLAC]{PRC-462}\07 - Hmmm.wav

Peak level 95.4 %
Extraction speed 1.8 X
Track quality 100.0 %
Test CRC 513F86D0
Copy CRC 513F86D0
Accurately ripped (confidence 2) [C797D99C] (AR v2)
Copy OK


All tracks accurately ripped

No errors occurred

End of status report

–– CUETools DB Plugin V2.1.6

[CTDB TOCID: CTHnSYR_vlMC.Fp_Pu2h3nik_C0-] found
Submit result: CTHnSYR_vlMC.Fp_Pu2h3nik_C0- has been confirmed
Track | CTDB Status
1 | (7/7) Accurately ripped
2 | (7/7) Accurately ripped
3 | (7/7) Accurately ripped
4 | (7/7) Accurately ripped
5 | (7/7) Accurately ripped
6 | (7/7) Accurately ripped
7 | (7/7) Accurately ripped


==== Log checksum 59444C40BA12FB98DC9E90DC7F1BA50244703E11611595A29299FD28F850E73C ====

Thanks to the Original ripper!