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Wolfgang Amadeus Mozart - Requiem (ed. R. Levin) / Adagio & Fugue (2003) {Hybrid-SACD // EAC Rip}

Posted By: luckburz

Date: 22 Aug 2015 05:20:36

Wolfgang Amadeus Mozart - Requiem (ed. R. Levin) / Adagio & Fugue (2003) {Hybrid-SACD // EAC Rip}

Wolfgang Amadeus Mozart - Requiem in D minor K626 (ed. R. Levin) / Adagio & Fugue in C minor K546
Scottish Chamber Orchestra and Chorus / Sir Charles Mackerras
EAC+LOG+CUE | FLAC: 230 MB | Full Artwork: 88 MB | 5% Recovery Info
Label/Cat#: Linn Records # CKD 211 | Country/Year: UK 2003
Genre: Classical | Style: Viennese School

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip [ ]

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 3. March 2014, 16:46

Scottish Chamber Orchestra and Chorus, Sir Charles Mackerras, Susan Gritton, Catherine Wyn-Rogers, Timothy Robinson, Peter Rose / Mozart: Requiem, Adagio & Fugue

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:27.18 | 0 | 20042
2 | 4:27.18 | 2:21.45 | 20043 | 30662
3 | 6:48.63 | 1:43.35 | 30663 | 38422
4 | 8:32.23 | 3:11.31 | 38423 | 52778
5 | 11:43.54 | 1:55.54 | 52779 | 61457
6 | 13:39.33 | 4:48.64 | 61458 | 83121
7 | 18:28.22 | 2:32.34 | 83122 | 94555
8 | 21:00.56 | 2:33.27 | 94556 | 106057
9 | 23:34.08 | 1:26.00 | 106058 | 112507
10 | 25:00.08 | 3:17.36 | 112508 | 127318
11 | 28:17.44 | 3:33.13 | 127319 | 143306
12 | 31:50.57 | 1:59.18 | 143307 | 152249
13 | 33:50.00 | 4:59.51 | 152250 | 174725
14 | 38:49.51 | 2:45.62 | 174726 | 187162
15 | 41:35.38 | 2:41.07 | 187163 | 199244
16 | 44:16.45 | 2:36.65 | 199245 | 211009
17 | 46:53.35 | 3:30.72 | 211010 | 226831
18 | 50:24.32 | 4:25.39 | 226832 | 246745

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- SCO and Chorus, Mackerras - Requiem, Adagio & Fugue.wav

Peak level 85.4 %
Extraction speed 7.6 X
Range quality 100.0 %
Copy CRC 241D0D64
Copy OK

No errors occurred

AccurateRip summary

Track 1 accurately ripped (confidence 9) [46483823] (AR v2)
Track 2 accurately ripped (confidence 9) [709A3A9B] (AR v2)
Track 3 accurately ripped (confidence 9) [2E31C11C] (AR v2)
Track 4 accurately ripped (confidence 9) [533CE2F7] (AR v2)
Track 5 accurately ripped (confidence 9) [98445010] (AR v2)
Track 6 accurately ripped (confidence 9) [923B6D3C] (AR v2)
Track 7 accurately ripped (confidence 9) [5BC2B02F] (AR v2)
Track 8 accurately ripped (confidence 9) [F53A4E23] (AR v2)
Track 9 accurately ripped (confidence 9) [777061EA] (AR v2)
Track 10 accurately ripped (confidence 9) [C6575A0F] (AR v2)
Track 11 accurately ripped (confidence 9) [0313B527] (AR v2)
Track 12 accurately ripped (confidence 9) [CF2470EA] (AR v2)
Track 13 accurately ripped (confidence 9) [397FEBC2] (AR v2)
Track 14 accurately ripped (confidence 9) [E816D7BB] (AR v2)
Track 15 accurately ripped (confidence 9) [556E7076] (AR v2)
Track 16 accurately ripped (confidence 9) [CFDC2D9B] (AR v2)
Track 17 accurately ripped (confidence 9) [D6191647] (AR v2)
Track 18 accurately ripped (confidence 9) [59636A6A] (AR v2)

All tracks accurately ripped

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: M0FpFiG3K73s0jKftAIZZzHlcaM-] found, Submit result: M0FpFiG3K73s0jKftAIZZzHlcaM- has been confirmed
[923ab929] (11/12) Accurately ripped
[527fb194] (01/12) No match

==== Log checksum B7F28DD3088753AF839946C4446C693EFDBE7C212C9856066F04305EE620C36E ====

Dynamic

foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-07-26 20:13:16

––––––––––––––––––––––––––––––––––––––––
Analyzed: Sir Charles Mackerras / Scottish Chamber Orchestra And Chorus / Mozart Requiem In D Minor; Adagio And Fugue
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -3.43 dB -21.92 dB 4:28 01-Requiem In D Minor: Introitus - Requiem
DR12 -2.61 dB -18.91 dB 2:21 02-Requiem: Kyrie
DR13 -0.99 dB -18.44 dB 1:44 03-Requiem: Dies Irae
DR14 -7.11 dB -30.07 dB 3:11 04-Requiem: Tuba Mirum
DR13 -1.19 dB -21.02 dB 1:56 05-Requiem: Rex Tremendae
DR16 -6.79 dB -28.54 dB 4:49 06-Requiem: Recordare
DR12 -7.12 dB -27.84 dB 2:33 07-Requiem: Confutatis
DR12 -2.92 dB -23.22 dB 2:34 08-Requiem: Lacrimosa
DR12 -4.42 dB -20.01 dB 1:26 09-Requiem: Amen
DR13 -4.79 dB -23.07 dB 3:17 10-Requiem: Domine Jesu
DR13 -4.50 dB -22.51 dB 3:33 11-Requiem: Hostias
DR12 -2.26 dB -17.19 dB 1:59 12-Requiem: Sanctus
DR15 -1.53 dB -23.88 dB 5:00 13-Requiem: Benedictus
DR12 -4.56 dB -24.40 dB 2:46 14-Requiem: Agnus Dei
DR12 -2.43 dB -21.75 dB 2:41 15-Requiem: Lux Aeterna
DR12 -2.24 dB -19.79 dB 2:37 16-Requiem: Cum Sanctis Tuis
DR14 -7.34 dB -28.53 dB 3:31 17-Adagio And Fugue: Adagio
DR14 -6.34 dB -25.20 dB 4:23 18-Adagio And Fugue: Fugue
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 18
Official DR value: DR13

Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 2384 kbps
Codec: FLAC
================================================================================

CD Info:

Wolfgang Amadeus Mozart - Requiem in D minor K626 (ed. R. Levin) / Adagio & Fugue in C minor K546

Scottish Chamber Orchestra and Chorus / Sir Charles Mackerras

Label: Linn Records
Catalog#: CKD 211
Format: Hybrid-SACD, Album, Stereo, Multichannel
Country: UK
Released: 2003
Genre: Classical
Style: Viennese School

Tracklist:

1 Mozart - Requiem d-Moll, KV626 (ed. R.Levin) - I.Introitus - Requiem 4:27
2 I.Introitus - Kyrie 2:22
3 II.Sequetia - Dies irae 1:43
4 II.Tuba mirum 3:11
5 II.Rex tremendae 1:56
6 II.Recordare 4:49
7 II.Confutatis 2:32
8 II.Lacrimosa 2:33
9 II.Amen 1:26
10 III.Offertorium - Domine Jesu 3:17
11 III.Hostias 3:33
12 IV.Sanctus 1:59
13 IV.Benedictus 5:00
14 V.Agnus Dei 2:46
15 VI.Communio - Lux aeterna 2:41
16 VI.Cum sanctis tuis 2:37
17 Mozart - Adagio & Fuge c-Moll, KV546 - I.Adagio 3:31
18 II.Fuge 4:26

Scottish Chamber Orchestra and Chorus
Sir Charles Mackerras, conductor

Susan Gritton, soprano
Catherine Wyn-Rogers, contralto
Timothy Robinson, tenor
Peter Rose, bass

This is Sir Charles Mackerras' first recording of the Mozart Requiem. His history in conducting Mozart is considerable - during his lifetime he was acclaimed as one of the world's greatest living Mozarteans.

This recording uses the score prepared by Harvard professor Robert Levin. Levin aims to improve on Franz Sussmayr's familiar edition by making the music closer to what Mozart might have written.

05 May 2003, Audiophile Audition, ~John Sunier

There are many versions of this work - one of the superb liturgical works in the repertory - including some in SACD. But this refined and musicologically accurate performance quickly takes a top rating. It uses the completed edition prepared by Harvard Professor Robert Levin seeking to make the music closer to what Mozart might have written himself rather than what his student Sussmayr as well as others penned after the composer's death. It is not known exactly which portions of the score are actually Mozart's music and which are primarily his students. Levin strove to preserve as much of Sussmayr's music as possible while improving on it. Among the more subtle changes, the Osanna has been re-written in a more elaborate and interesting style, and the Lacrimosa has an Amen fugue added on which is based on a recently rediscovered fragment of Mozart's own writing.

Mackerras and the chamber orchestra achieve clear textures and a lean sound with winds and brass more prominent than most interpretations of the Requiem. More details of the music are thus revealed. Any of the great requiems are perfect material for multichannel; it adds immensely to the experience. The recent standard CD version on Dorian that we reviewed also uses the Robert Levin edition, but I find Mackerras' version to have a fuller, less spare sound - and not just due to the higher resolution and multichannel delivery. With an addition such as this to the growing classical hi-res discography, Linn matches their reputation for superb recording standards with a genuinely superb performance.

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