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W.A. Mozart - Chamber Orchestra of Europe / Perahia - Piano Concertos 21 & 27 (1991)

Posted By: luckburz

Date: 29 Aug 2014 16:19:05

W.A. Mozart - Chamber Orchestra of Europe / Perahia - Piano Concertos 21 & 27 (1991)

Wolfgang Amadeus Mozart - Concerto for Piano and Orchestra No 21 in C major, K. 467
The Chamber Orchestra of Europe / Murray Perahia
EAC+LOG+CUE | FLAC: 226 MB | Full Artwork: 73 MB | 5% Recovery Info
Label/Cat#: Sony Classical # SK 46 485 | Country/Year: Europe 1991
Genre: Classical | Style: Viennese School, Piano

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EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 28. August 2013, 9:59

Chamber Orchestra of Europe - Murray Perahia / Mozart: Piano Concertos 21 & 27

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

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Read offset correction : 667
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Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
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TOC of the extracted CD

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2 | 14:41.20 | 6:38.55 | 66095 | 95999
3 | 21:20.00 | 6:47.00 | 96000 | 126524
4 | 28:07.00 | 13:29.07 | 126525 | 187206
5 | 41:36.07 | 7:15.10 | 187207 | 219841
6 | 48:51.17 | 8:29.60 | 219842 | 258076

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Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Chamber Orchestra of Europe, Perahia - Piano Concertos 21 & 27.wav

Peak level 100.0 %
Extraction speed 7.3 X
Range quality 100.0 %
Test CRC B7A5AAC4
Copy CRC B7A5AAC4
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Track 1 accurately ripped (confidence 12) [65D5F520] (AR v2)
Track 2 accurately ripped (confidence 12) [BCB692F9] (AR v2)
Track 3 accurately ripped (confidence 12) [4D40C544] (AR v2)
Track 4 accurately ripped (confidence 12) [1504322E] (AR v2)
Track 5 accurately ripped (confidence 12) [0AE472FF] (AR v2)
Track 6 accurately ripped (confidence 12) [B009E383] (AR v2)

All tracks accurately ripped

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Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-08-28 16:53:22

––––––––––––––––––––––––––––––––––––––––
Analyzed: Chamber Orchestra of Europe - Murray Perahia / Mozart: Piano Concertos 21 & 27
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -4.75 dB -24.25 dB 14:41 01-Concerto for piano no 21 in C-flat, K. 467 Allegro maestoso
DR13 -10.71 dB -27.98 dB 6:39 02-Concerto for piano no 21 in C-flat, K. 467 Andante
DR16 0.00 dB -21.62 dB 6:47 03-Concerto for piano no 21 in C-flat, K. 467 Allegro vivace assai
DR14 -1.66 dB -21.96 dB 13:29 04-Concerto for piano no 27 in B-flat, K. 595 Allegro
DR13 -5.64 dB -25.41 dB 7:15 05-Concerto for piano no 27 in B-flat, K. 595 Larghetto
DR13 -0.80 dB -20.56 dB 8:30 06-Concerto for piano no 27 in B-flat, K. 595 Allegro
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 6
Official DR value: DR14

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 526 kbps
Codec: FLAC
================================================================================

CD Info:

Wolfgang Amadeus Mozart - Concerto for Piano and Orchestra No 21 in C major, K. 467

The Chamber Orchestra of Europe / Murray Perahia

Label: Sony Classical
Catalog#: SK 46 485
Format: CD, Album
Country: Europe
Released: 1991
Genre: Classical
Style: Viennese School

Tracklist:

1 Concerto for piano no 21 in C-flat, K. 467 Allegro maestoso 14:41
2 Concerto for piano no 21 in C-flat, K. 467 Andante 6:39
3 Concerto for piano no 21 in C-flat, K. 467 Allegro vivace assai 6:47
4 Concerto for piano no 27 in B-flat, K. 595 Allegro 13:29
5 Concerto for piano no 27 in B-flat, K. 595 Larghetto 7:15
6 Concerto for piano no 27 in B-flat, K. 595 Allegro 8:30

Recorded in Berlin (Siemens-Villa), March 14-17, 1990

Manufactured in Austria

Description by Brian Robins

In keeping with the Piano Concerto in D Minor, K. 466, the C Major Concerto was composed for the series of Lenten subscription concerts given by Mozart in 1765. This was an extraordinarily busy and successful period of Mozart's life, as we can gauge from a series of letters sent by his father Leopold to Mozart's sister Nannerl, now married and living with her husband in St. Gilgen. "Every day there are concerts; and the whole time is given up to teaching, music, composing and so forth…It is impossible for me to describe the rush and the bustle." Leopold had arrived on February 11, the day of the first of the concerts and the occasion of the premiere of the D Minor Concerto. Mozart first played the newly completed K. 467 not at one of his subscription concerts (although he must surely have included it in one of the last of those as well), but at his benefit concert at the National Court Theater on March 10, the day after it was entered into his thematic catalog. A handbill for the concert announced that it would include "a new, just finished Forte piano Concerto," in addition to Mozart playing improvisations (for which he was particularly famed) employing "an especially large Forte piano pedal."

The C Major Concerto gives absolutely no sign of being composed in an atmosphere of "rush and bustle"; neither could the contrast with the stormy drama of its immediate predecessor be greater. The first movement, an expansive Allegro of Olympian grandeur and design is followed by an Andante of sublime beauty made famous in more recent times by its use in the film Elvira Madigan. This movement, with its few notes and bare outline, is incidentally a classic example of the manner in which Mozart frequently left himself room to improvise within the context of his own concertos, a technique lately reintroduced by performers such as Malcolm Bilson and Robert Levin. The final movement is an Allegro vivace assai, its evocation of the world of opera buffo typical of many of Mozart's finales, both in concerto and symphony. Like the D Minor Concerto, K. 467 is scored for a large orchestra: flute, pairs of oboes, bassoons, horns and trumpets, timpani and strings. allmusicguide

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