![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f7/ac/0026acf7_medium.jpeg)
Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f7/ac/0026acf7.jpeg)
Wolfgang Amadeus Mozart - Die Zauberflöte / The Magic Flute
RIAS Kammerchor / Akademie für alte Musik Berlin / René Jacobs
EAC+LOG+CUE | 3x FLAC: 715 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMC 902068.70 | Country/Year: France 2010
Genre: Classical | Style: Vienesse School, Opera
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [X] not my rip []
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f5/ac/0026acf5_medium.jpeg)
Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f5/ac/0026acf5.jpeg)
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 20:23
Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#1v3
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:01.28 | 0 | 27102
2 | 6:01.28 | 6:49.29 | 27103 | 57806
3 | 12:50.57 | 2:03.20 | 57807 | 67051
4 | 14:54.02 | 6:52.74 | 67052 | 98025
5 | 21:47.01 | 3:55.23 | 98026 | 115673
6 | 25:42.24 | 2:38.16 | 115674 | 127539
7 | 28:20.40 | 4:49.26 | 127540 | 149240
8 | 33:09.66 | 5:46.51 | 149241 | 175241
9 | 38:56.42 | 2:07.16 | 175242 | 184782
10 | 41:03.58 | 1:55.29 | 184783 | 193436
11 | 42:59.12 | 5:58.06 | 193437 | 220292
12 | 48:57.18 | 2:33.24 | 220293 | 231791
13 | 51:30.42 | 1:14.62 | 231792 | 237403
14 | 52:45.29 | 7:16.34 | 237404 | 270137
15 | 60:01.63 | 2:39.56 | 270138 | 282118
16 | 62:41.44 | 1:03.31 | 282119 | 286874
17 | 63:45.00 | 2:24.30 | 286875 | 297704
18 | 66:09.30 | 3:42.03 | 297705 | 314357
19 | 69:51.33 | 3:10.64 | 314358 | 328671
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 - CD#1v3.wav
Peak level 99.4 %
Extraction speed 7.9 X
Range quality 100.0 %
Test CRC B6D932C2
Copy CRC B6D932C2
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 21) [2B451137] (AR v2)
Track 2 accurately ripped (confidence 21) [F1EDD921] (AR v2)
Track 3 accurately ripped (confidence 21) [B00B78EB] (AR v2)
Track 4 accurately ripped (confidence 21) [9AF41572] (AR v2)
Track 5 accurately ripped (confidence 21) [FC436F5D] (AR v2)
Track 6 accurately ripped (confidence 21) [513D9AC4] (AR v2)
Track 7 accurately ripped (confidence 21) [09DBB31E] (AR v2)
Track 8 accurately ripped (confidence 21) [89D692EC] (AR v2)
Track 9 accurately ripped (confidence 21) [52106694] (AR v2)
Track 10 accurately ripped (confidence 21) [481B152C] (AR v2)
Track 11 accurately ripped (confidence 21) [FF833B4E] (AR v2)
Track 12 accurately ripped (confidence 21) [54DF128E] (AR v2)
Track 13 accurately ripped (confidence 21) [ED32DFB2] (AR v2)
Track 14 accurately ripped (confidence 21) [EF65178B] (AR v2)
Track 15 accurately ripped (confidence 21) [D9FEBC6F] (AR v2)
Track 16 accurately ripped (confidence 21) [23A5F9F3] (AR v2)
Track 17 accurately ripped (confidence 21) [2E72E624] (AR v2)
Track 18 accurately ripped (confidence 20) [A46BF932] (AR v2)
Track 19 accurately ripped (confidence 19) [63C0AC49] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: sKtn1EaO_VY7IBJLt1OcOBes3MI-] found, Submit result: sKtn1EaO_VY7IBJLt1OcOBes3MI- has been confirmed
[569a9cc6] (12/14) Accurately ripped
[0836d29d] (01/14) No match
[0895cdc0] (01/14) No match
==== Log checksum 96DC8AEE46013FEC30EA4BD065365E04CA5E015AC14628343DFF4478590730E6 ====
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 20:40
Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#2v3
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:36.06 | 0 | 11705
2 | 2:36.06 | 3:44.53 | 11706 | 28558
3 | 6:20.59 | 2:10.56 | 28559 | 38364
4 | 8:31.40 | 4:09.44 | 38365 | 57083
5 | 12:41.09 | 1:11.17 | 57084 | 62425
6 | 13:52.26 | 3:32.02 | 62426 | 78327
7 | 17:24.28 | 1:25.50 | 78328 | 84752
8 | 18:50.03 | 1:49.63 | 84753 | 92990
9 | 20:39.66 | 1:28.61 | 92991 | 99651
10 | 22:08.52 | 3:03.22 | 99652 | 113398
11 | 25:11.74 | 2:55.04 | 113399 | 126527
12 | 28:07.03 | 3:05.37 | 126528 | 140439
13 | 31:12.40 | 3:15.17 | 140440 | 155081
14 | 34:27.57 | 3:35.11 | 155082 | 171217
15 | 38:02.68 | 1:28.03 | 171218 | 177820
16 | 39:30.71 | 2:33.28 | 177821 | 189323
17 | 42:04.24 | 3:06.72 | 189324 | 203345
18 | 45:11.21 | 2:49.73 | 203346 | 216093
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 - CD#2v3.wav
Peak level 99.5 %
Extraction speed 7.0 X
Range quality 100.0 %
Test CRC F9B2EB2E
Copy CRC F9B2EB2E
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 20) [664152E4] (AR v2)
Track 2 accurately ripped (confidence 19) [897AE2D2] (AR v2)
Track 3 accurately ripped (confidence 20) [31595C58] (AR v2)
Track 4 accurately ripped (confidence 19) [CAC3FAFE] (AR v2)
Track 5 accurately ripped (confidence 19) [A5C2C94D] (AR v2)
Track 6 accurately ripped (confidence 20) [FC1FA9AE] (AR v2)
Track 7 accurately ripped (confidence 20) [71CF25FC] (AR v2)
Track 8 accurately ripped (confidence 20) [B03CDD9B] (AR v2)
Track 9 accurately ripped (confidence 20) [F928D900] (AR v2)
Track 10 accurately ripped (confidence 19) [795DAC25] (AR v2)
Track 11 accurately ripped (confidence 20) [48C556E3] (AR v2)
Track 12 accurately ripped (confidence 19) [7F191BE6] (AR v2)
Track 13 accurately ripped (confidence 18) [E9671C20] (AR v2)
Track 14 accurately ripped (confidence 18) [31E7036B] (AR v2)
Track 15 accurately ripped (confidence 19) [D40ACEDC] (AR v2)
Track 16 accurately ripped (confidence 19) [62346D59] (AR v2)
Track 17 accurately ripped (confidence 19) [15F2A62E] (AR v2)
Track 18 accurately ripped (confidence 19) [9E590093] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: sechcmHPE4_l_SDMKAlzHAu8dQg-] found, Submit result: sechcmHPE4_l_SDMKAlzHAu8dQg- has been confirmed
[43401cd9] (12/12) Accurately ripped
==== Log checksum 20E0B2B49D7EF7B9553F597D10F3CB19C03186AAC57B0B312639B581C5D8E277 ====
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 21:07
Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#3v3
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:13.37 | 0 | 10011
2 | 2:13.37 | 1:11.25 | 10012 | 15361
3 | 3:24.62 | 2:39.37 | 15362 | 27323
4 | 6:04.24 | 2:56.59 | 27324 | 40582
5 | 9:01.08 | 3:50.06 | 40583 | 57838
6 | 12:51.14 | 2:38.08 | 57839 | 69696
7 | 15:29.22 | 5:22.47 | 69697 | 93893
8 | 20:51.69 | 4:16.20 | 93894 | 113113
9 | 25:08.14 | 4:32.71 | 113114 | 133584
10 | 29:41.10 | 3:27.18 | 133585 | 149127
11 | 33:08.28 | 3:46.10 | 149128 | 166087
12 | 36:54.38 | 1:30.51 | 166088 | 172888
13 | 38:25.14 | 2:57.11 | 172889 | 186174
14 | 41:22.25 | 2:06.08 | 186175 | 195632
15 | 43:28.33 | 2:39.13 | 195633 | 207570
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 - CD#3v3.wav
Peak level 99.5 %
Extraction speed 6.9 X
Range quality 100.0 %
Test CRC DE25DD23
Copy CRC DE25DD23
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 18) [3CD3B29A] (AR v2)
Track 2 accurately ripped (confidence 18) [5FBFDD03] (AR v2)
Track 3 accurately ripped (confidence 18) [A665372B] (AR v2)
Track 4 accurately ripped (confidence 18) [0C3FE0D9] (AR v2)
Track 5 accurately ripped (confidence 18) [ADF6EBC9] (AR v2)
Track 6 accurately ripped (confidence 18) [7369F0F4] (AR v2)
Track 7 accurately ripped (confidence 18) [1AC3C53B] (AR v2)
Track 8 accurately ripped (confidence 18) [A7BA2987] (AR v2)
Track 9 accurately ripped (confidence 18) [49A98B3D] (AR v2)
Track 10 accurately ripped (confidence 18) [968EA9D1] (AR v2)
Track 11 accurately ripped (confidence 18) [0D309B1B] (AR v2)
Track 12 accurately ripped (confidence 19) [F398AE89] (AR v2)
Track 13 accurately ripped (confidence 19) [684C2C0B] (AR v2)
Track 14 accurately ripped (confidence 19) [724FBC8A] (AR v2)
Track 15 accurately ripped (confidence 19) [D01D543A] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: uKCGL6ZulolARUxFq6y1dAy8g.g-] found, Submit result: uKCGL6ZulolARUxFq6y1dAy8g.g- has been confirmed
[6bdfced3] (14/14) Accurately ripped
==== Log checksum 2EF4AAC3288AFF566902C3A1AC7BA749D450F228397A0F2898AE470896D01415 ====
EAC extraction logfile from 6. November 2012, 20:23
Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#1v3
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 6:01.28 | 0 | 27102
2 | 6:01.28 | 6:49.29 | 27103 | 57806
3 | 12:50.57 | 2:03.20 | 57807 | 67051
4 | 14:54.02 | 6:52.74 | 67052 | 98025
5 | 21:47.01 | 3:55.23 | 98026 | 115673
6 | 25:42.24 | 2:38.16 | 115674 | 127539
7 | 28:20.40 | 4:49.26 | 127540 | 149240
8 | 33:09.66 | 5:46.51 | 149241 | 175241
9 | 38:56.42 | 2:07.16 | 175242 | 184782
10 | 41:03.58 | 1:55.29 | 184783 | 193436
11 | 42:59.12 | 5:58.06 | 193437 | 220292
12 | 48:57.18 | 2:33.24 | 220293 | 231791
13 | 51:30.42 | 1:14.62 | 231792 | 237403
14 | 52:45.29 | 7:16.34 | 237404 | 270137
15 | 60:01.63 | 2:39.56 | 270138 | 282118
16 | 62:41.44 | 1:03.31 | 282119 | 286874
17 | 63:45.00 | 2:24.30 | 286875 | 297704
18 | 66:09.30 | 3:42.03 | 297705 | 314357
19 | 69:51.33 | 3:10.64 | 314358 | 328671
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 - CD#1v3.wav
Peak level 99.4 %
Extraction speed 7.9 X
Range quality 100.0 %
Test CRC B6D932C2
Copy CRC B6D932C2
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 21) [2B451137] (AR v2)
Track 2 accurately ripped (confidence 21) [F1EDD921] (AR v2)
Track 3 accurately ripped (confidence 21) [B00B78EB] (AR v2)
Track 4 accurately ripped (confidence 21) [9AF41572] (AR v2)
Track 5 accurately ripped (confidence 21) [FC436F5D] (AR v2)
Track 6 accurately ripped (confidence 21) [513D9AC4] (AR v2)
Track 7 accurately ripped (confidence 21) [09DBB31E] (AR v2)
Track 8 accurately ripped (confidence 21) [89D692EC] (AR v2)
Track 9 accurately ripped (confidence 21) [52106694] (AR v2)
Track 10 accurately ripped (confidence 21) [481B152C] (AR v2)
Track 11 accurately ripped (confidence 21) [FF833B4E] (AR v2)
Track 12 accurately ripped (confidence 21) [54DF128E] (AR v2)
Track 13 accurately ripped (confidence 21) [ED32DFB2] (AR v2)
Track 14 accurately ripped (confidence 21) [EF65178B] (AR v2)
Track 15 accurately ripped (confidence 21) [D9FEBC6F] (AR v2)
Track 16 accurately ripped (confidence 21) [23A5F9F3] (AR v2)
Track 17 accurately ripped (confidence 21) [2E72E624] (AR v2)
Track 18 accurately ripped (confidence 20) [A46BF932] (AR v2)
Track 19 accurately ripped (confidence 19) [63C0AC49] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: sKtn1EaO_VY7IBJLt1OcOBes3MI-] found, Submit result: sKtn1EaO_VY7IBJLt1OcOBes3MI- has been confirmed
[569a9cc6] (12/14) Accurately ripped
[0836d29d] (01/14) No match
[0895cdc0] (01/14) No match
==== Log checksum 96DC8AEE46013FEC30EA4BD065365E04CA5E015AC14628343DFF4478590730E6 ====
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 20:40
Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#2v3
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:36.06 | 0 | 11705
2 | 2:36.06 | 3:44.53 | 11706 | 28558
3 | 6:20.59 | 2:10.56 | 28559 | 38364
4 | 8:31.40 | 4:09.44 | 38365 | 57083
5 | 12:41.09 | 1:11.17 | 57084 | 62425
6 | 13:52.26 | 3:32.02 | 62426 | 78327
7 | 17:24.28 | 1:25.50 | 78328 | 84752
8 | 18:50.03 | 1:49.63 | 84753 | 92990
9 | 20:39.66 | 1:28.61 | 92991 | 99651
10 | 22:08.52 | 3:03.22 | 99652 | 113398
11 | 25:11.74 | 2:55.04 | 113399 | 126527
12 | 28:07.03 | 3:05.37 | 126528 | 140439
13 | 31:12.40 | 3:15.17 | 140440 | 155081
14 | 34:27.57 | 3:35.11 | 155082 | 171217
15 | 38:02.68 | 1:28.03 | 171218 | 177820
16 | 39:30.71 | 2:33.28 | 177821 | 189323
17 | 42:04.24 | 3:06.72 | 189324 | 203345
18 | 45:11.21 | 2:49.73 | 203346 | 216093
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 - CD#2v3.wav
Peak level 99.5 %
Extraction speed 7.0 X
Range quality 100.0 %
Test CRC F9B2EB2E
Copy CRC F9B2EB2E
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 20) [664152E4] (AR v2)
Track 2 accurately ripped (confidence 19) [897AE2D2] (AR v2)
Track 3 accurately ripped (confidence 20) [31595C58] (AR v2)
Track 4 accurately ripped (confidence 19) [CAC3FAFE] (AR v2)
Track 5 accurately ripped (confidence 19) [A5C2C94D] (AR v2)
Track 6 accurately ripped (confidence 20) [FC1FA9AE] (AR v2)
Track 7 accurately ripped (confidence 20) [71CF25FC] (AR v2)
Track 8 accurately ripped (confidence 20) [B03CDD9B] (AR v2)
Track 9 accurately ripped (confidence 20) [F928D900] (AR v2)
Track 10 accurately ripped (confidence 19) [795DAC25] (AR v2)
Track 11 accurately ripped (confidence 20) [48C556E3] (AR v2)
Track 12 accurately ripped (confidence 19) [7F191BE6] (AR v2)
Track 13 accurately ripped (confidence 18) [E9671C20] (AR v2)
Track 14 accurately ripped (confidence 18) [31E7036B] (AR v2)
Track 15 accurately ripped (confidence 19) [D40ACEDC] (AR v2)
Track 16 accurately ripped (confidence 19) [62346D59] (AR v2)
Track 17 accurately ripped (confidence 19) [15F2A62E] (AR v2)
Track 18 accurately ripped (confidence 19) [9E590093] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: sechcmHPE4_l_SDMKAlzHAu8dQg-] found, Submit result: sechcmHPE4_l_SDMKAlzHAu8dQg- has been confirmed
[43401cd9] (12/12) Accurately ripped
==== Log checksum 20E0B2B49D7EF7B9553F597D10F3CB19C03186AAC57B0B312639B581C5D8E277 ====
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 6. November 2012, 21:07
Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#3v3
Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:13.37 | 0 | 10011
2 | 2:13.37 | 1:11.25 | 10012 | 15361
3 | 3:24.62 | 2:39.37 | 15362 | 27323
4 | 6:04.24 | 2:56.59 | 27324 | 40582
5 | 9:01.08 | 3:50.06 | 40583 | 57838
6 | 12:51.14 | 2:38.08 | 57839 | 69696
7 | 15:29.22 | 5:22.47 | 69697 | 93893
8 | 20:51.69 | 4:16.20 | 93894 | 113113
9 | 25:08.14 | 4:32.71 | 113114 | 133584
10 | 29:41.10 | 3:27.18 | 133585 | 149127
11 | 33:08.28 | 3:46.10 | 149128 | 166087
12 | 36:54.38 | 1:30.51 | 166088 | 172888
13 | 38:25.14 | 2:57.11 | 172889 | 186174
14 | 41:22.25 | 2:06.08 | 186175 | 195632
15 | 43:28.33 | 2:39.13 | 195633 | 207570
Range status and errors
Selected range
Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 - CD#3v3.wav
Peak level 99.5 %
Extraction speed 6.9 X
Range quality 100.0 %
Test CRC DE25DD23
Copy CRC DE25DD23
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 18) [3CD3B29A] (AR v2)
Track 2 accurately ripped (confidence 18) [5FBFDD03] (AR v2)
Track 3 accurately ripped (confidence 18) [A665372B] (AR v2)
Track 4 accurately ripped (confidence 18) [0C3FE0D9] (AR v2)
Track 5 accurately ripped (confidence 18) [ADF6EBC9] (AR v2)
Track 6 accurately ripped (confidence 18) [7369F0F4] (AR v2)
Track 7 accurately ripped (confidence 18) [1AC3C53B] (AR v2)
Track 8 accurately ripped (confidence 18) [A7BA2987] (AR v2)
Track 9 accurately ripped (confidence 18) [49A98B3D] (AR v2)
Track 10 accurately ripped (confidence 18) [968EA9D1] (AR v2)
Track 11 accurately ripped (confidence 18) [0D309B1B] (AR v2)
Track 12 accurately ripped (confidence 19) [F398AE89] (AR v2)
Track 13 accurately ripped (confidence 19) [684C2C0B] (AR v2)
Track 14 accurately ripped (confidence 19) [724FBC8A] (AR v2)
Track 15 accurately ripped (confidence 19) [D01D543A] (AR v2)
All tracks accurately ripped
End of status report
–– CUETools DB Plugin V2.1.3
[CTDB TOCID: uKCGL6ZulolARUxFq6y1dAy8g.g-] found, Submit result: uKCGL6ZulolARUxFq6y1dAy8g.g- has been confirmed
[6bdfced3] (14/14) Accurately ripped
==== Log checksum 2EF4AAC3288AFF566902C3A1AC7BA749D450F228397A0F2898AE470896D01415 ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2012-11-06 21:37:32
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#1v3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.05 dB -17.90 dB 6:01 01-Ouvertüre
DR14 -0.05 dB -19.49 dB 6:49 02-1. Akt - 1. Auftritt, Nr. 1: Introduktion: Zu Hilfe! Zu Hilfe!
DR13 -3.50 dB -23.39 dB 2:03 03-1. Akt - 2. Auftritt, Nr. 2, Arie: Der Vogelfänger bin ich ja
DR21 -0.05 dB -26.69 dB 6:53 04-1. Akt - 2. Auftritt, Nr. 2, Rezitativ: He da! - 3. Auftritt
DR14 -5.12 dB -24.93 dB 3:55 05-1. Akt - 4. Auftritt, Nr. 3 Arie: Dies Bildnis ist bezaubernd schön
DR14 -0.05 dB -21.27 dB 2:38 06-1. Akt - 5. Auftritt, Nr. 3: Rüste dich mit Mut und Standhaftigkeit
DR12 -1.26 dB -20.63 dB 4:49 07-1. Akt - 6. Auftritt, Nr. 4 Rezitativ und Arie: O zittre nicht … - 7. Auftr…
DR15 -1.40 dB -22.09 dB 5:47 08-1. Akt - 7. Auftritt, Nr. 5 Quintett: Hm! Hm! Hm! … - 8. Auftritt: Die Köni…
DR21 -0.44 dB -28.35 dB 2:07 09-1. Akt - 9. Auftritt: Ha, ha, ha! - 10. Auftritt: He Sklaven!
DR14 -0.11 dB -21.75 dB 1:55 10-1. Akt - 11. Auftritt, Nr. 6 Terzett: Du feines Täubchen, nur herein - 12. Au…
DR21 -3.91 dB -33.93 dB 5:58 11-1. Akt - 13. Auftritt : Mutter - Mutter - Mutter! - 14. Auftritt : Bin ich ni…
DR13 -1.21 dB -21.99 dB 2:33 12-1. Akt - 14. Auftritt, Nr. 7 Duett: Bei Männern, welche Liebe fühlen
DR13 -5.16 dB -23.06 dB 1:15 13-1. Akt - 15. Auftritt: Zum Ziele führt dich diese Bahn
DR16 -3.57 dB -24.51 dB 7:16 14-1. Akt - 15. Auftritt: Die Weisheitslehre dieser Knaben
DR14 -5.01 dB -24.19 dB 2:40 15-1. Akt - 15. Auftritt: Wie stark ist nicht dein Zauberton
DR11 -1.12 dB -20.07 dB 1:03 16-1. Akt - 16. Auftritt: Schnelle Füße, rascher Mut
DR14 -0.06 dB -22.29 dB 2:24 17-1. Akt - 17. Auftritt: Ha, hab ich euch noch erwischt
DR15 -0.08 dB -20.65 dB 3:42 18-1. Akt - 17. Auftritt, Chor: Es lebe Sarastro - 18. Auftritt, Chor: Es lebe S…
DR11 -0.05 dB -16.10 dB 3:11 19-1. Akt - 19. Auftritt:: Nun stolzer Jüngling, nur hieher!
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 614 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#2v3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -13.01 dB -28.69 dB 2:36 01-2. Akt - 1. Auftritt, Nr. 9 Marsch der Priester
DR15 -3.33 dB -25.16 dB 3:45 02-2. Akt - 1. Auftritt, Nr. 9 Marsch der Priester: Ihr, in dem Weisheitstempel …
DR13 -10.78 dB -27.38 dB 2:11 03-2. Akt - 1. Auftritt, Nr. 10 Arie mit Chor: O Isis und Osiris
DR18 -0.05 dB -26.09 dB 4:10 04-2. Akt - 2. Auftritt, Nr. 10 Arie: Eine schreckliche Nacht! … - 3. Auftritt…
DR12 -0.04 dB -18.99 dB 1:11 05-2. Akt - 2. Auftritt, Nr. 11 Duett: Bewahret euch vor Weibertücken … - 4. A…
DR15 -0.05 dB -20.56 dB 3:32 06-2. Akt - 5. Auftritt, Nr.12 Quintett: Wie? Wie? Wie?
DR18 -4.99 dB -30.44 dB 1:26 07-2. Akt - 6. Auftritt, Rezitativ: Heil dir, Jüngling!
DR19 -2.14 dB -31.97 dB 1:50 08-2. Akt - 7. Auftritt, Arie: Ha, da find' ich ja die spröde Schöne!
DR15 -5.17 dB -25.98 dB 1:29 09-2. Akt - 7. Auftritt, Nr.13 Arie: Alles fühlt der Liebe Freuden
DR20 -0.10 dB -26.67 dB 3:03 10-2. Akt - 8. Auftritt, Rezitativ: Zurücke!
DR12 -0.05 dB -15.48 dB 2:55 11-2. Akt - 8. Auftritt, Nr.14 Arie: Der Hölle Rache kocht in meinem Herzen
DR17 -0.04 dB -23.61 dB 3:05 12-2. Akt - 9. Auftritt, Morden soll ich? … - 10. Auftritt: Sarastros Sonnenkr…
DR13 -8.94 dB -26.83 dB 3:15 13-2. Akt - 12. Auftritt, Nr.15 Arie: In diesen heil'gen Hallen
DR18 -0.05 dB -25.13 dB 3:35 14-2. Akt - 13. Auftritt Rezitativ: Hier seid ihr euch beide allein überlassen -…
DR13 -6.83 dB -25.41 dB 1:28 15-2. Akt - 16. Auftritt, Nr.16 Terzett: Seid uns zum zweiten Mal willkommen
DR18 -1.21 dB -31.15 dB 2:33 16-2. Akt - 17. Auftritt : Tamino, wollen wir nicht speisen? - 18. Auftritt
DR13 -1.77 dB -22.77 dB 3:07 17-2. Akt - 18. Auftritt, Nr.17 Arie: Ach ich fühl's
DR14 -0.69 dB -21.32 dB 2:50 18-2. Akt - 19. Auftritt : Nicht wahr Tamino, ich kann auch schweigen
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 557 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#3v3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.85 dB -19.36 dB 2:13 01-2. Akt - 20. Auftritt, Nr.18: O Isis und Osiris
DR15 -11.91 dB -35.34 dB 1:11 02-2. Akt - 21. Auftritt: Prinz, dein Betragen
DR14 -1.19 dB -21.07 dB 2:39 03-2. Akt - 21. Auftritt, Nr.19 Terzett: Soll ich dich, Teurer! nicht mehr seh'n?
DR15 -0.04 dB -22.74 dB 2:57 04-2. Akt - 22. Auftritt: Tamino! Tamino! - 23. Auftritt, Rezitativ: Mensch, du …
DR14 -5.56 dB -25.05 dB 3:50 05-2. Akt - 23. Auftritt, Nr.20 Arie: Ein Mädchen oder Weibchen
DR16 -0.04 dB -23.60 dB 2:38 06-2. Akt - 24. Auftritt: Da bin ich schon mein Engel - 25. Auftritt: Fort mit d…
DR14 -0.24 dB -20.01 dB 5:23 07-2. Akt - 27. Auftritt, Nr. 21 Finale, Rezitativ: Du also bist mein Bräutigam?
DR14 -4.87 dB -24.47 dB 4:16 08-2. Akt - 28. Auftritt, Nr. 21 Finale:Der, welcher wandert diese Straße'
DR15 -0.04 dB -21.35 dB 4:33 09-2. Akt - 28. Auftritt, Nr. 21 Finale: Tamino, halt
DR14 -0.05 dB -20.55 dB 3:27 10-2. Akt - 28. Auftritt, Nr. 21 Finale: Wir wandelten durch Feuergluten
DR15 -2.72 dB -24.57 dB 3:46 11-2. Akt - 29. Auftritt, Nr. 21 Finale: Papagena! Papagena!
DR13 -4.51 dB -22.53 dB 1:31 12-2. Akt - 29. Auftritt, Nr. 21 Finale Halt ein, o Papageno!
DR13 -1.40 dB -20.70 dB 2:57 13-2. Akt - 29. Auftritt, Nr. 21 Finale, Duett: Pa - Pa - Pa
DR12 -0.05 dB -18.33 dB 2:06 14-2. Akt - 30. Auftritt, Nr. 21 Finale: Nur stille!
DR11 -0.05 dB -15.50 dB 2:39 15-2. Akt - 30. Auftritt, Nr. 21 Finale: Die Strahlen der Sonne vertreiben die N…
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 616 kbps
Codec: FLAC
================================================================================
log date: 2012-11-06 21:37:32
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#1v3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.05 dB -17.90 dB 6:01 01-Ouvertüre
DR14 -0.05 dB -19.49 dB 6:49 02-1. Akt - 1. Auftritt, Nr. 1: Introduktion: Zu Hilfe! Zu Hilfe!
DR13 -3.50 dB -23.39 dB 2:03 03-1. Akt - 2. Auftritt, Nr. 2, Arie: Der Vogelfänger bin ich ja
DR21 -0.05 dB -26.69 dB 6:53 04-1. Akt - 2. Auftritt, Nr. 2, Rezitativ: He da! - 3. Auftritt
DR14 -5.12 dB -24.93 dB 3:55 05-1. Akt - 4. Auftritt, Nr. 3 Arie: Dies Bildnis ist bezaubernd schön
DR14 -0.05 dB -21.27 dB 2:38 06-1. Akt - 5. Auftritt, Nr. 3: Rüste dich mit Mut und Standhaftigkeit
DR12 -1.26 dB -20.63 dB 4:49 07-1. Akt - 6. Auftritt, Nr. 4 Rezitativ und Arie: O zittre nicht … - 7. Auftr…
DR15 -1.40 dB -22.09 dB 5:47 08-1. Akt - 7. Auftritt, Nr. 5 Quintett: Hm! Hm! Hm! … - 8. Auftritt: Die Köni…
DR21 -0.44 dB -28.35 dB 2:07 09-1. Akt - 9. Auftritt: Ha, ha, ha! - 10. Auftritt: He Sklaven!
DR14 -0.11 dB -21.75 dB 1:55 10-1. Akt - 11. Auftritt, Nr. 6 Terzett: Du feines Täubchen, nur herein - 12. Au…
DR21 -3.91 dB -33.93 dB 5:58 11-1. Akt - 13. Auftritt : Mutter - Mutter - Mutter! - 14. Auftritt : Bin ich ni…
DR13 -1.21 dB -21.99 dB 2:33 12-1. Akt - 14. Auftritt, Nr. 7 Duett: Bei Männern, welche Liebe fühlen
DR13 -5.16 dB -23.06 dB 1:15 13-1. Akt - 15. Auftritt: Zum Ziele führt dich diese Bahn
DR16 -3.57 dB -24.51 dB 7:16 14-1. Akt - 15. Auftritt: Die Weisheitslehre dieser Knaben
DR14 -5.01 dB -24.19 dB 2:40 15-1. Akt - 15. Auftritt: Wie stark ist nicht dein Zauberton
DR11 -1.12 dB -20.07 dB 1:03 16-1. Akt - 16. Auftritt: Schnelle Füße, rascher Mut
DR14 -0.06 dB -22.29 dB 2:24 17-1. Akt - 17. Auftritt: Ha, hab ich euch noch erwischt
DR15 -0.08 dB -20.65 dB 3:42 18-1. Akt - 17. Auftritt, Chor: Es lebe Sarastro - 18. Auftritt, Chor: Es lebe S…
DR11 -0.05 dB -16.10 dB 3:11 19-1. Akt - 19. Auftritt:: Nun stolzer Jüngling, nur hieher!
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 19
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 614 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#2v3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR11 -13.01 dB -28.69 dB 2:36 01-2. Akt - 1. Auftritt, Nr. 9 Marsch der Priester
DR15 -3.33 dB -25.16 dB 3:45 02-2. Akt - 1. Auftritt, Nr. 9 Marsch der Priester: Ihr, in dem Weisheitstempel …
DR13 -10.78 dB -27.38 dB 2:11 03-2. Akt - 1. Auftritt, Nr. 10 Arie mit Chor: O Isis und Osiris
DR18 -0.05 dB -26.09 dB 4:10 04-2. Akt - 2. Auftritt, Nr. 10 Arie: Eine schreckliche Nacht! … - 3. Auftritt…
DR12 -0.04 dB -18.99 dB 1:11 05-2. Akt - 2. Auftritt, Nr. 11 Duett: Bewahret euch vor Weibertücken … - 4. A…
DR15 -0.05 dB -20.56 dB 3:32 06-2. Akt - 5. Auftritt, Nr.12 Quintett: Wie? Wie? Wie?
DR18 -4.99 dB -30.44 dB 1:26 07-2. Akt - 6. Auftritt, Rezitativ: Heil dir, Jüngling!
DR19 -2.14 dB -31.97 dB 1:50 08-2. Akt - 7. Auftritt, Arie: Ha, da find' ich ja die spröde Schöne!
DR15 -5.17 dB -25.98 dB 1:29 09-2. Akt - 7. Auftritt, Nr.13 Arie: Alles fühlt der Liebe Freuden
DR20 -0.10 dB -26.67 dB 3:03 10-2. Akt - 8. Auftritt, Rezitativ: Zurücke!
DR12 -0.05 dB -15.48 dB 2:55 11-2. Akt - 8. Auftritt, Nr.14 Arie: Der Hölle Rache kocht in meinem Herzen
DR17 -0.04 dB -23.61 dB 3:05 12-2. Akt - 9. Auftritt, Morden soll ich? … - 10. Auftritt: Sarastros Sonnenkr…
DR13 -8.94 dB -26.83 dB 3:15 13-2. Akt - 12. Auftritt, Nr.15 Arie: In diesen heil'gen Hallen
DR18 -0.05 dB -25.13 dB 3:35 14-2. Akt - 13. Auftritt Rezitativ: Hier seid ihr euch beide allein überlassen -…
DR13 -6.83 dB -25.41 dB 1:28 15-2. Akt - 16. Auftritt, Nr.16 Terzett: Seid uns zum zweiten Mal willkommen
DR18 -1.21 dB -31.15 dB 2:33 16-2. Akt - 17. Auftritt : Tamino, wollen wir nicht speisen? - 18. Auftritt
DR13 -1.77 dB -22.77 dB 3:07 17-2. Akt - 18. Auftritt, Nr.17 Arie: Ach ich fühl's
DR14 -0.69 dB -21.32 dB 2:50 18-2. Akt - 19. Auftritt : Nicht wahr Tamino, ich kann auch schweigen
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 18
Official DR value: DR15
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 557 kbps
Codec: FLAC
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Akademie für Alte Musik, Berlin & RIAS Kammerchor, René Jacobs / Mozart: Die Zauberflöte, KV 620 - CD#3v3
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.85 dB -19.36 dB 2:13 01-2. Akt - 20. Auftritt, Nr.18: O Isis und Osiris
DR15 -11.91 dB -35.34 dB 1:11 02-2. Akt - 21. Auftritt: Prinz, dein Betragen
DR14 -1.19 dB -21.07 dB 2:39 03-2. Akt - 21. Auftritt, Nr.19 Terzett: Soll ich dich, Teurer! nicht mehr seh'n?
DR15 -0.04 dB -22.74 dB 2:57 04-2. Akt - 22. Auftritt: Tamino! Tamino! - 23. Auftritt, Rezitativ: Mensch, du …
DR14 -5.56 dB -25.05 dB 3:50 05-2. Akt - 23. Auftritt, Nr.20 Arie: Ein Mädchen oder Weibchen
DR16 -0.04 dB -23.60 dB 2:38 06-2. Akt - 24. Auftritt: Da bin ich schon mein Engel - 25. Auftritt: Fort mit d…
DR14 -0.24 dB -20.01 dB 5:23 07-2. Akt - 27. Auftritt, Nr. 21 Finale, Rezitativ: Du also bist mein Bräutigam?
DR14 -4.87 dB -24.47 dB 4:16 08-2. Akt - 28. Auftritt, Nr. 21 Finale:Der, welcher wandert diese Straße'
DR15 -0.04 dB -21.35 dB 4:33 09-2. Akt - 28. Auftritt, Nr. 21 Finale: Tamino, halt
DR14 -0.05 dB -20.55 dB 3:27 10-2. Akt - 28. Auftritt, Nr. 21 Finale: Wir wandelten durch Feuergluten
DR15 -2.72 dB -24.57 dB 3:46 11-2. Akt - 29. Auftritt, Nr. 21 Finale: Papagena! Papagena!
DR13 -4.51 dB -22.53 dB 1:31 12-2. Akt - 29. Auftritt, Nr. 21 Finale Halt ein, o Papageno!
DR13 -1.40 dB -20.70 dB 2:57 13-2. Akt - 29. Auftritt, Nr. 21 Finale, Duett: Pa - Pa - Pa
DR12 -0.05 dB -18.33 dB 2:06 14-2. Akt - 30. Auftritt, Nr. 21 Finale: Nur stille!
DR11 -0.05 dB -15.50 dB 2:39 15-2. Akt - 30. Auftritt, Nr. 21 Finale: Die Strahlen der Sonne vertreiben die N…
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 15
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 616 kbps
Codec: FLAC
================================================================================
CD Info:
Wolfgang Amadeus Mozart - Die Zauberflöte
RIAS Kammerchor / Akademie für alte Musik Berlin / René Jacobs
Label: Harmonia Mundi S.A.
Catalog#: HMC 902068.70
Format: 3xHybrid-SACD, Album, Stereo, Multichannel
Country: France
Released: 2010
Genre: Classical
Style: First Vienesse School
Tracklist:
1 Ouvertüre 6:01
2 1. Akt - 1. Auftritt, Nr. 1: Introduktion: Zu Hilfe! Zu Hilfe! 6:49
3 1. Akt - 2. Auftritt, Nr. 2, Arie: Der Vogelfänger bin ich ja 2:03
4 1. Akt - 2. Auftritt, Nr. 2, Rezitativ: He da! - 3. Auftritt 6:53
5 1. Akt - 4. Auftritt, Nr. 3 Arie: Dies Bildnis ist bezaubernd schön 3:55
6 1. Akt - 5. Auftritt, Nr. 3: Rüste dich mit Mut und Standhaftigkeit 2:38
7 1. Akt - 6. Auftritt, Nr. 4 Rezitativ und Arie: O zittre nicht … - 7. Auftr… 4:49
8 1. Akt - 7. Auftritt, Nr. 5 Quintett: Hm! Hm! Hm! … - 8. Auftritt: Die Köni… 5:47
9 1. Akt - 9. Auftritt: Ha, ha, ha! - 10. Auftritt: He Sklaven! 2:07
10 1. Akt - 11. Auftritt, Nr. 6 Terzett: Du feines Täubchen, nur herein - 12. Au… 1:55
11 1. Akt - 13. Auftritt : Mutter - Mutter - Mutter! - 14. Auftritt : Bin ich ni… 5:58
12 1. Akt - 14. Auftritt, Nr. 7 Duett: Bei Männern, welche Liebe fühlen 2:33
13 1. Akt - 15. Auftritt: Zum Ziele führt dich diese Bahn 1:15
14 1. Akt - 15. Auftritt: Die Weisheitslehre dieser Knaben 7:16
15 1. Akt - 15. Auftritt: Wie stark ist nicht dein Zauberton 2:40
16 1. Akt - 16. Auftritt: Schnelle Füße, rascher Mut 1:03
17 1. Akt - 17. Auftritt: Ha, hab ich euch noch erwischt 2:24
18 1. Akt - 17. Auftritt, Chor: Es lebe Sarastro - 18. Auftritt, Chor: Es lebe S… 3:42
19 1. Akt - 19. Auftritt:: Nun stolzer Jüngling, nur hieher! 3:11
1 2. Akt - 1. Auftritt, Nr. 9 Marsch der Priester 2:36
2 2. Akt - 1. Auftritt, Nr. 9 Marsch der Priester: Ihr, in dem Weisheitstempel … 3:45
3 2. Akt - 1. Auftritt, Nr. 10 Arie mit Chor: O Isis und Osiris 2:11
4 2. Akt - 2. Auftritt, Nr. 10 Arie: Eine schreckliche Nacht! … - 3. Auftritt… 4:10
5 2. Akt - 2. Auftritt, Nr. 11 Duett: Bewahret euch vor Weibertücken … - 4. A… 1:11
6 2. Akt - 5. Auftritt, Nr.12 Quintett: Wie? Wie? Wie? 3:32
7 2. Akt - 6. Auftritt, Rezitativ: Heil dir, Jüngling! 1:26
8 2. Akt - 7. Auftritt, Arie: Ha, da find' ich ja die spröde Schöne! 1:50
9 2. Akt - 7. Auftritt, Nr.13 Arie: Alles fühlt der Liebe Freuden 1:29
10 2. Akt - 8. Auftritt, Rezitativ: Zurücke! 3:03
11 2. Akt - 8. Auftritt, Nr.14 Arie: Der Hölle Rache kocht in meinem Herzen 2:55
12 2. Akt - 9. Auftritt, Morden soll ich? … - 10. Auftritt: Sarastros Sonnenkr… 3:05
13 2. Akt - 12. Auftritt, Nr.15 Arie: In diesen heil'gen Hallen 3:15
14 2. Akt - 13. Auftritt Rezitativ: Hier seid ihr euch beide allein überlassen -… 3:35
15 2. Akt - 16. Auftritt, Nr.16 Terzett: Seid uns zum zweiten Mal willkommen 1:28
16 2. Akt - 17. Auftritt : Tamino, wollen wir nicht speisen? - 18. Auftritt 2:33
17 2. Akt - 18. Auftritt, Nr.17 Arie: Ach ich fühl's 3:07
18 2. Akt - 19. Auftritt : Nicht wahr Tamino, ich kann auch schweigen 2:50
1 2. Akt - 20. Auftritt, Nr.18: O Isis und Osiris 2:13
2 2. Akt - 21. Auftritt: Prinz, dein Betragen 1:11
3 2. Akt - 21. Auftritt, Nr.19 Terzett: Soll ich dich, Teurer! nicht mehr seh'n? 2:39
4 2. Akt - 22. Auftritt: Tamino! Tamino! - 23. Auftritt, Rezitativ: Mensch, du … 2:57
5 2. Akt - 23. Auftritt, Nr.20 Arie: Ein Mädchen oder Weibchen 3:50
6 2. Akt - 24. Auftritt: Da bin ich schon mein Engel - 25. Auftritt: Fort mit d… 2:38
7 2. Akt - 27. Auftritt, Nr. 21 Finale, Rezitativ: Du also bist mein Bräutigam? 5:23
8 2. Akt - 28. Auftritt, Nr. 21 Finale:Der, welcher wandert diese Straße' 4:16
9 2. Akt - 28. Auftritt, Nr. 21 Finale: Tamino, halt 4:33
10 2. Akt - 28. Auftritt, Nr. 21 Finale: Wir wandelten durch Feuergluten 3:27
11 2. Akt - 29. Auftritt, Nr. 21 Finale: Papagena! Papagena! 3:46
12 2. Akt - 29. Auftritt, Nr. 21 Finale Halt ein, o Papageno! 1:31
13 2. Akt - 29. Auftritt, Nr. 21 Finale, Duett: Pa - Pa - Pa 2:57
14 2. Akt - 30. Auftritt, Nr. 21 Finale: Nur stille! 2:06
15 2. Akt - 30. Auftritt, Nr. 21 Finale: Die Strahlen der Sonne vertreiben die N… 2:39
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f4/ac/0026acf4_medium.jpeg)
Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f4/ac/0026acf4.jpeg)
With the belief that “No opera loses so much as Die Zauberflöte if one strips it of its drama and that means, above all, the spoken dialogue,” René Jacobs’ agenda in Die Zauberflöte is to rehabilitate the reputation of Schikaneder’s libretto. At the heart of his reassesment is the idea that Schikaneder and Mozart’s Masonic message is deeper and more carefully presented than we have thought. He suggests that seemingly silly or inconsistent aspects of the story are put there as intentional false paths as the audience, not only the prince and the bird catcher, undergoes its own trials of initiation. The opera’s symbolism and structure are explained in convincing detail in an essay in the booklet by the Egyptologist and Mozart researcher Jan Assman,
Reminding us that the opera is a Singspiel, a play with added music, Jacobs calls his Zauberflöte recording a “Hörspiel,” the German term for “radio play,” and he uses techniques associated with that medium to hold our interest through the sometimes lengthy portions of dialogue, challenging us not to fast forward to the next musical track. There are sound effects, speeches delivered simultaneously, and overlaps between dialogue and music. Even though there’s no continuo in Die Zauberflöte , Jacobs argues that the original Kapellmeister would have made use of a keyboard, so at times a fortepianist accompanies the speaking with improvisation and reminiscences of arias already delivered, Tamino’s “Dein Bildnis” in particular. (The fortepiano is also incorporated into the orchestral accompaniment of many musical numbers.) With almost all of the original dialogue included, the opera occupies three CDs instead of the usual two. Ironically, and maybe by design, this new recording uses the same cover art as Otto Klemperer’s celebrated EMI version, a performance that omits the dialogue altogether.
Does it succeed? For a first hearing by a patient listener, yes. Jacobs’s imaginative if somewhat gimmicky approach to presenting Schikaneder’s play as it would have been experienced in the Theater auf der Wieden in 1791 secures this performance a unique place in the discography. At the same time, this is a postmodern Zauberflöte for the 21st century that acknowledges itself as an audio recording. However, I must confess that my second and third hearings took place with the welcome aid of a fast-forward button. Jacobs’ claim that it is a “mistaken belief that Mozart’s music in Die Zauberflöte is on a superior plane to Schikaneder’s play” is overstated. It’s the musical performance that makes this recording indispensible.
As in all of Jacobs’ Mozart performances, some traditional tempos are taken, but as we have come to expect, others are faster, bouncier, and more dance-like. His tempo choices, explained in an accompanying essay, represent a re-evaluation of performance traditions and they make sense not only because of the musicological research or instincts behind them, but because they are text-based and illuminate some aspect of the drama. When a character has a change of heart, it is often reflected in a change of the music’s speed. A familiar phrase will be set off by a pause, or taken suddenly slower, setting some of the score’s most beautiful moments in striking relief.
I find some of Jacobs’ more audacious musical additions to be very enjoyable and true to the spirit of Mozart and Schikaneder. Among them are a gorgeous, extended cadenza for the Three Ladies at the end of the opening quartet, lavish vocal ornamentation in Papageno’s act II aria, and a vocally staggered version of the chorus of slaves repelled by Papageno’s glockenspiel in act I that’s a truly funny travesty.
Youthful, sweet-voiced Taminos, Papagenos and Paminas are not in short supply, but Daniel Behle, Daniel Schmutzhard, and Marlis Petersen are among the best that I’ve heard. Petersen is a soprano of particularly pure tone. Behle has a slightly dark sound, like Ernst Haefliger (one of the best Taminos, for Fricsay), lovely, fluent, and conversational in his approach. (How far removed his singing is from Helge Rosvaenge’s overwrought account of the role on Beecham’s famous 1937–38 recording, a version that would undoubtedly hold up better if the Jewish singers, Tauber and Kipnis, had been able to participate as planned.) Schmutzhard offers an unexaggerated Papageno, gracefully sung and comfortable with Schikaneder’s Viennese idiom.
As the Queen of the Night, Anna-Kristiina Kaappola sings expressively with almost exciting technique, but her characterization is lightweight and insufficiently fearsome. Aside from some regrettable yodeling sounds, Cristina Deutekom actually gives one of the strongest performances of the role on Solti’s 1969 Decca version, the best-cast and -conducted of the older recordings. (In spite of much beautiful singing, I consider both Böhm’s and Klemperer’s to be overrated. They lack the deftness and contrasts in mood that give the work so much of its joy.)
The Sarastro, Marcos Fink, delivers his lines particularly eloquently, without pomposity. One of Jacobs’ innovations is to have him sing his arias intimately, like a Lieder singer, at flowing tempos that dispel any doubts about the character’s humanity. Fink, a bass-baritone, doesn’t have the rich low notes of Kurt Moll or Gottlob Frick, but he’s a creditable Sarastro.
The casting of the secondary roles—there are so many of such importance in this opera—is wonderfully strong. The Three Ladies—Inga Kalna, Anna Grevelius, and Isabelle Druet—are notably in tune and in sync with each other in their difficult ensembles. Kurt Azesberger has the perfect Monostatos voice. His act II aria is an unusual instance of Jacobs taking a slower tempo than the norm. Kostantin Wolff is a melifluous Speaker. The three Sankt-Florianer Sängerknaben members are chirpier than the usual three boys.
The greatest pleasure of this sonically vivid recording is the splendid orchestral playing, from the taut brilliance of the overture to the delicate tracery of the strings in the final chorus. Jacobs is more than a musicologist/provacateur, he’s a conductor whose charisma comes across in recordings—just listen to the overtures to any of his Mozart operas or his “Jupiter’ Symphony. Like some of Toscanini’s, I believe Harmonia Mundi’s important series of Mozart operas will endure in spite of some of the casting (such as the bland portrayals of the title roles in Idomeneo and Don Giovanni ) because of the fire, conviction, and subtlety of the conducting.
FANFARE: Paul Orgel
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f2/ac/0026acf2_medium.jpeg)
Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}
![Mozart- Akademie für Alte Musik, Jacobs - Die Zauberflöte, KV 620 (2010) [3x Hybrid-SACD // EAC Rip] {Repost}](https://pixhost.icu/avaxhome/f2/ac/0026acf2.jpeg)
all of my uploads in my blog