Tags
Language
Tags
July 2025
Su Mo Tu We Th Fr Sa
29 30 1 2 3 4 5
6 7 8 9 10 11 12
13 14 15 16 17 18 19
20 21 22 23 24 25 26
27 28 29 30 31 1 2
    Attention❗ To save your time, in order to download anything on this site, you must be registered 👉 HERE. If you do not have a registration yet, it is better to do it right away. ✌

    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
    Whether for living or investment, this is a rare opportunity in a strategic and desirable location.

    Ali-Akbar Morâdi, Samâe Mastâneh (Persian Classical Music)

    Posted By: shajarian
    Ali-Akbar Morâdi, Samâe Mastâneh (Persian Classical Music)

    Ali-Akbar Morâdi: Samâe Mastâneh (The Ecstatic Samâ)
    Mahoor Institute, Iran | 2005 | APE + mp3 320k + booklet 300 dpi | ~230 + 100 MB
    Persian Classical Music


    About the Present Work

    The present album is a live record of the concert performed in San Francisco, the United States, 2000. All the pieces of such fusion of Sahari maqâm of tanbur with dastgâh-e Chârgâh are my compositions accompanied by the delicate performance of my dear friend, Pezhmân Haddâdi. There were shortcomings relative to the live recording of the concert done by the American sound engineer which we did our best to increase the sound quality in Iran with the aid of Mr. Orod Anzâbi-Pur. We hope you would enjoy it. - Ali-Akbar Morâdi, Tehran, 2004

    Tanbur is the ancient, religious and ritual musical instrument of Ahl-e Haq (Yârasân) Sect and the elder name for Dotâr. The name of this instrument, tanbur, has frequently been mentioned in Shâhnâmeh by Ferdowsi. Today, tanbur is vastly played in the west (Kordestân) and the east (Khorâsân) of Iran.

    Kurdish tanbur which is called Tisfuni has been highly respected as a ritual, sacred instrument among Yârasân Sect for more than a thousand years.

    The sort of music played by tanbur is somehow peculiar since its fretting system and maqâms are totally different from the Persian classical music and also from Kurdish music. The most homogeneous contemporary musical system to such music is Siâ-Chamâne and Howre prevalent in Howrâmân and Gurân.

    The maqâms played by this instrument can historically be divided into three main categories: Kalâm, Majlesi and Majâzi.

    Tanbur’s pear-like soundbox is made of mulberry wood and its neck of walnut wood. It normally has thirteen or fourteen frets and two or three strings. The sound range of this instrument is a scale plus a whole-tone and is characterised by two main tunings of the fourth and the fifth. Moreover, tanbur is a plucked chordophone instrument which is played with all fingers of the right hand.

    Ali-Akbar Morâdi, Samâe Mastâneh (Persian Classical Music)