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    https://sophisticatedspectra.com/article/drosia-serenity-a-modern-oasis-in-the-heart-of-larnaca.2521391.html

    DROSIA SERENITY
    A Premium Residential Project in the Heart of Drosia, Larnaca

    ONLY TWO FLATS REMAIN!

    Modern and impressive architectural design with high-quality finishes Spacious 2-bedroom apartments with two verandas and smart layouts Penthouse units with private rooftop gardens of up to 63 m² Private covered parking for each apartment Exceptionally quiet location just 5–8 minutes from the marina, Finikoudes Beach, Metropolis Mall, and city center Quick access to all major routes and the highway Boutique-style building with only 8 apartments High-spec technical features including A/C provisions, solar water heater, and photovoltaic system setup.
    Drosia Serenity is not only an architectural gem but also a highly attractive investment opportunity. Located in the desirable residential area of Drosia, Larnaca, this modern development offers 5–7% annual rental yield, making it an ideal choice for investors seeking stable and lucrative returns in Cyprus' dynamic real estate market. Feel free to check the location on Google Maps.
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    Mathew Bourne Tchaikovsky's Swan Lake - Olivier Award winning Production (1996)

    Posted By: plouzane
    Mathew Bourne Tchaikovsky's Swan Lake - Olivier Award winning Production (1996)

    Mathew Bourne Tchaikovsky's Swan Lake - Olivier Award winning Production
    AVI | 1.36 GB | Video: XVID 25 fps, 576 x 352, 1253 kbps | Audio: AC3, 438 kbps

    Swan Lake became an unexpected popular hit when radical choreographer Matthew Bourne took Tchaikovsky's traditional ballet by the scruff of the neck and reworked it with a myriad of modern influences and themes to astonishing effect. Seldom have the dark psychological riptides at the heart of so many classical ballets been so brilliantly exposed. The Prince (Scott Ambler) is a wretched and dissolute young man dominated by his mother, the Joan Collins-like Queen (Fiona Ambler). Shades of Tennessee Williams, indeed. Von Rothbart becomes a press secretary, more sinister eminence grise than hissable villain. Most startling of all, the Swan (Adam Cooper) is a muscular, emphatically masculine male.

    Bourne has stressed the universality of his interpretation, which proved such a success for his Adventures in Motion Pictures dance company. And indeed this is never an overtly "gay" Swan Lake, although the electricity of the pas de deux at the height of Act 2 delivers a palpably homoerotic charge. Its universal threads–as Bourne suggests, the need to be held and understood is common to us all–are synthesized in the utterly moving conclusion as the Swan cradles the lifeless Prince and raises him to a better place. Swan Lake becomes a human, rather than simply romantic, tragedy.