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    Marshall Gilkes & WDR Big Band - Köln (2015)

    Posted By: Domestos
    Marshall Gilkes & WDR Big Band - Köln (2015)

    Marshall Gilkes & WDR Big Band - Köln (2015)
    XLD Rip | FLAC (tracks+.cue, log) ~ 387.83 Mb | 01:08:09 | Covers
    Post-Bop, Big Band, Swing | Label: Alternate Side Records - ASR 008

    For four years, American-born trombonist Marshall Gilkes (pronounced "Jilks") was a member of one of Germany's premier jazz ensembles, the WDR Big Band, in Cologne (Koln). One month after leaving the band in 2013, Gilkes was invited back to preside over a farewell performance at the WDR Funkhaus Studio 4, the result of which is this sharp and stylish recording, named after the city in which Gilkes embraced new friends while broadening his musical horizons.

    Gilkes wasn't asked back simply to display his prowess on trombone, even though that in itself is remarkable. The WDR had bigger plans in mind. Besides soloing on three tracks, Gilkes arranged every song on the album and wrote all of them save one, Harold Arlen / Johnny Mercer's sunlit opener, "My Shining Hour." Gilkes solos superbly on that one, as he does on "Edenderry" and the bravura finale, "Downtime." His deft use of expansive dynamics, seductive harmonies and varying time signatures is another hallmark, one that surfaces throughout the balance of the session. Like many of his contemporaries, Gilkes composes with specific images and memories in mind. The emphatic "4711 Special," for example, is a salute to Cologne's signature perfume, which has been produced for more than two centuries, the lyrical "Mary Louise" a bouquet to Gilkes' mother, a classical singer and pianist. The elegant "Edenderry" (which is preceded by a splendid chorale-like introduction, as is "End in Sight") refers to the family's street address in Colorado, the groovy "Plant Bassed" to the fact that bassist John Goldsby, who is showcased, is a vegan, while the reverential "Vesper" is remindful of an evening prayer.

    "End in Sight," a colorful mosaic written while Gilkes was a student at Juilliard, precedes "Downtime," on which Gilkes once again unlimbers his impressive chops. For its part, the WDR's standout soloists include pianist Frank Chastenier ("Vesper," "Mary Louise"), flugel John Marshall ("Vesper"), trombonist Ludwig Nuss and alto Johan Horlen ("4711 Special"), Goldsby and guest trumpeter Michael Rodriguez ("Plant Bassed"), Rodriguez (flugel) on "Mary Louise," alto Karolina Strassmayer and tenor Paul Heller ("End in Sight"). Gilkes and his trombone are back in the States now but not before having fashioned a legacy in and around Koln that won't soon be forgotten, thanks in part to this splendid valedictory. ~ By JACK BOWERS



    Track List:
    01. My Shining Hour (Arlen-Mercer) - 6:55
    02. Vesper (Gilkes) - 7:27
    03. 4711 Special (Gilkes) - 7:57
    04. Edenderry Intro (Gilkes) - 4:14
    05. Edenderry (Gilkes) - 7:21
    06. Plant Bassed (Gilkes) - 7:26
    07. Mary Louise (Gilkes) - 9:51
    08. End in Sight Intro (Gilkes) - 1:19
    09. End in Sight (Gilkes) - 8:40
    10. Downtime (Gilkes) - 6:59

    Marshall Gilkes - arranger, conductor, trombone
    WDR Big Band Personnel:
    Johan Horlen, Karolina Strassmayer - alto saxophone, flute, clarinet
    Olivier Peters - tenor saxophone, clarinet
    Paul Heller - tenor saxophone, clarinet, bass clarinet
    Jens Neufang - baritone saxophone, bass clarinet
    Ludwig Nuss, Shannon Barnett, Andy Hunter - trombone
    Mattis Cederberg - bass trombone
    Wim Both, Rob Bruynen, Andy Haderer, John Marshall, Michael Rodriguez - trumpet, flugelhorn
    Frank Chastenier - piano
    Paul Shigihara - guitar
    John Goldsby - bass
    Hans Dekker - drums

    Recorded in the WDR Funkhaus Studio 4, Cologne on January 21-23, 2014.

    Marshall Gilkes & WDR Big Band - Köln (2015)

    X Lossless Decoder version 20191004 (152.0)

    XLD extraction logfile from 2020-01-03 20:11:43 -0800

    Marshall Gilkes / Köln

    Used drive : PIONEER BD-RW BDR-XD05 (revision 3.10)
    Media type : Pressed CD

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    Gap status : Analyzed, Appended (except HTOA)

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    2 | 06:55:25 | 07:26:70 | 31150 | 64669
    3 | 14:22:20 | 07:57:19 | 64670 | 100463
    4 | 22:19:39 | 04:13:67 | 100464 | 119505
    5 | 26:33:31 | 07:20:64 | 119506 | 152569
    6 | 33:54:20 | 07:25:73 | 152570 | 186017
    7 | 41:20:18 | 09:50:71 | 186018 | 230338
    8 | 51:11:14 | 01:19:37 | 230339 | 236300
    9 | 52:30:51 | 08:40:22 | 236301 | 275322
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    Track 03 : OK (v2, confidence 3/3)
    Track 04 : OK (v2, confidence 3/3)
    Track 05 : OK (v2, confidence 3/3)
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    Track 07 : OK (v2, confidence 3/3)
    Track 08 : OK (v2, confidence 3/3)
    Track 09 : OK (v2, confidence 3/3)
    Track 10 : OK (v2, confidence 3/3)
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