Marcin Świątkiewicz - Cromatica: The Art of Moving Souls - Works for Harpsichord (2017)
Marcin Świątkiewicz - Cromatica: The Art of Moving Souls - Works for Harpsichord (2017)
EAC Rip | FLAC (tracks+log+.cue) - 478 Mb | MP3 CBR 320 kbps - 173 Mb | Digital booklet | 01:12:44
Classical | Label: CPO
EAC Rip | FLAC (tracks+log+.cue) - 478 Mb | MP3 CBR 320 kbps - 173 Mb | Digital booklet | 01:12:44
Classical | Label: CPO
Marcin Swiatkiewicz, one of today’s leading harpsichordists, invites us to join him in the multifaceted and wondrous world of chromaticism on his latest release. He performs repertoire from the seventeenth century on an Italian harpsichord by Detmar Hungerberg with fourteen keys per octave (split upper keys for d sharp and e flat and for g sharp and a flat) and in mean-tone temperament. The repertoire from the eighteenth century is heard on a two-manual copy after Johannes Ruckers by Christian Fuchs. The chromatic style is a special musical phenomenon. Already highly valued by the Greeks during antiquity, it was discovered for the modern world by Humanist scholars of antiquity during the Italian renaissance. Composers and theorists of the sixteenth century infused it with the spirit of the music of their epoch. Chromaticism flourished on the fertile ground of rhetorical polyphony of the seconda prattica at the same time and in the same place that generated the recitative, the opera, and a new homophony. With the repertoire selected for this album Swiatkiewicz intends to illustrate the phenomenon of chromatic music in the greatest possible number of geographical and historical contexts. For example, John Bull’s Chromatic Pavan & Galliard shows itself from this side: daring modulations lead into keys situated in the dark region of the circle of fifths. Toward the end of the galliard even the key of e sharp makes its appearance. It is often used as an argument for an equal temperament or at least not a mean-tone temperament but an enharmonic tuning system in Bull’s music. For their part, the Toccata by Froberger and the Capriccio cromatico by Merula take us to the heart of chromatic aesthetic experiments. The toccata is an outstanding example of the stylus phantasticus, of instrumental music with a rhetorical character drawing on the music drama and the recitative and combining counterpoint of the finest artistry with instrumental virtuosity.Tracklist:
1. Cromatica (02:49)
2. Chromatic Pavan & Galliard, K. 87 "Queen Elizabeth's": Pavan (06:35)
3. Chromatic Pavan & Galliard, K. 87 "Queen Elizabeth's": Galliard (03:04)
4. Toccata No. 2 in D Minor, FbWV 102 (03:55)
5. Capriccio cromatico (03:39)
6. Toccata in A Minor (03:46)
7. Fantasia Chromatica, SwWV 258 (08:29)
8. Harpsichord Suite No. 2 in G Minor: I. Prelude (02:00)
9. Nouvelles suites de pièces de clavecin, Suite in G Major, RCT 6: No. 15, L'enharmonique (07:20)
10. Harpsichord Suite No. 4 in G Minor: I. La Marella (03:28)
11. Recercata, Fuga & Sonata No. 5 in C Major: I. Recercata (01:27)
12. Keyboard Sonata in C Minor, Kk. 58 (03:13)
13. Chromatic Fantasia & Fugue in D Minor, BWV 903 (12:06)
14. Fandango, R. 146 (10:52)
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 31. May 2020, 2:16
Marcin Świątkiewicz / Cromatica - Works for Harpsichord
Used drive : TSSTcorpCDDVDW SH-224DB Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
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2 | 2:49.00 | 6:35.00 | 12675 | 42299
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5 | 16:23.00 | 3:39.00 | 73725 | 90149
6 | 20:02.00 | 3:46.00 | 90150 | 107099
7 | 23:48.00 | 8:29.00 | 107100 | 145274
8 | 32:17.00 | 2:00.00 | 145275 | 154274
9 | 34:17.00 | 7:20.00 | 154275 | 187274
10 | 41:37.00 | 3:28.00 | 187275 | 202874
11 | 45:05.00 | 1:27.25 | 202875 | 209424
12 | 46:32.25 | 3:13.50 | 209425 | 223949
13 | 49:46.00 | 12:06.00 | 223950 | 278399
14 | 61:52.00 | 10:52.00 | 278400 | 327299
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Track 5
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Track 7
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==== Log checksum 1B52BC6F66A91FE9EFDEA3E026A8C0767AF803B88096B387B8EFDECC306B477E ====
EAC extraction logfile from 31. May 2020, 2:16
Marcin Świątkiewicz / Cromatica - Works for Harpsichord
Used drive : TSSTcorpCDDVDW SH-224DB Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:49.00 | 0 | 12674
2 | 2:49.00 | 6:35.00 | 12675 | 42299
3 | 9:24.00 | 3:04.00 | 42300 | 56099
4 | 12:28.00 | 3:55.00 | 56100 | 73724
5 | 16:23.00 | 3:39.00 | 73725 | 90149
6 | 20:02.00 | 3:46.00 | 90150 | 107099
7 | 23:48.00 | 8:29.00 | 107100 | 145274
8 | 32:17.00 | 2:00.00 | 145275 | 154274
9 | 34:17.00 | 7:20.00 | 154275 | 187274
10 | 41:37.00 | 3:28.00 | 187275 | 202874
11 | 45:05.00 | 1:27.25 | 202875 | 209424
12 | 46:32.25 | 3:13.50 | 209425 | 223949
13 | 49:46.00 | 12:06.00 | 223950 | 278399
14 | 61:52.00 | 10:52.00 | 278400 | 327299
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Track 7
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Track 8
Filename E:\__R\croma\08.- Prelude In G.wav
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Filename E:\__R\croma\09.- L'Enharmonique.wav
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End of status report
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[CTDB TOCID: qCwviRZjse7qpTTMT_VwKbZLtEc-] found
Submit result: qCwviRZjse7qpTTMT_VwKbZLtEc- has been confirmed
Track | CTDB Status
1 | (6/6) Accurately ripped
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3 | (6/6) Accurately ripped
4 | (6/6) Accurately ripped
5 | (6/6) Accurately ripped
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12 | (6/6) Accurately ripped
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==== Log checksum 1B52BC6F66A91FE9EFDEA3E026A8C0767AF803B88096B387B8EFDECC306B477E ====
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