Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016)
EAC Rip | FLAC (tracks+.cue, log) | Artwork+Booklet | 362 mb | MP3 CBR 320kbps | RAR | 191 mb
Classical, Baroque | Label: Glossa / GCD 923601
EAC Rip | FLAC (tracks+.cue, log) | Artwork+Booklet | 362 mb | MP3 CBR 320kbps | RAR | 191 mb
Classical, Baroque | Label: Glossa / GCD 923601
This is an attractive programme of comparatively rare vocal repertoire. Airs de cour by Charpentier (including verses from Corneille’s Le Cid) and Lambert are interpersed with instrumental movements from Couperin’s Les Nations. Cyril Auvity is an experienced advocate of the haute-contre repertoire and draws on all that experience to engage fully with the texts of these miniature dramas. His tone in the higher register can verge on the harsh, though this is a rare event.
When it comes to baroque music I have always been something of a Francophile, with the infinite variety of musical styles on offer supplying something new at every turn. This CD presents a selection of Airs de Cour, or courtly songs, mainly by Charpentier — yes, he of the Eurovision fanfare — along with a couple by Lambert and one by Morel. This is a well planned and executed programme, with the airs interspersed with movements from François Couperin’s instrumental masterpiece Les Nations. These courtly airs are seldom recorded so a programme as fine as this should be snapped up as quickly as possible.
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}
![Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}]()
The disc takes its title from three short airs composed by Charpentier and based upon Rodrigue’s first three stanzas in Act I, scene VI of Le Cid. They were published separately at the beginning of 1681 in the Mercure Galant. Catherine Cessac, in her wonderful book on this composer, suggests that these three pieces for haute-contre and continuo were probably written for Charpentier himself to perform (p.322). The music follows the meter of the text well. Cessac goes on to state that it is “appropriate for expressing ‘irresolution and anxiety.’” This aspect of the text is here wonderfully emphasised by Cyril Auvity. His clear haute-contre is more able to exemplify the fragility of the situation than that of Paul Agnew for William Christie on Erato (0630-14774-2). Although Agnew sings the pieces well, he sounds a little too heroic.
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}
![Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}]()
Of the other airs, many of which are little gems, Non, non je ne l’aime plus is probably the best known. Again Christie has recorded this on a separate disc for Erato where he employs a number of soloists (3984-25485-2). Although Christie’s version is only slightly longer than the account found on this new disc, it comes across as laboured in comparison, with Auvity’s version sounding crisper. There are a few other airs which feature on both discs and I must say that the Christie comes off second best in all cases. This is especially the case in Auprès du feu l’on fait l’amour where he uses the bass of Alan Ewing and the baritone of David Le Monnier. They come over as amorous medieval monks rather than as ardent young lovers. I only knew one of the Lambert airs and the Morel was new to me. They are more than make-weights and add valuably to the whole programme.
Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}
![Marc-Antoine Charpentier: Stances du Cid - Airs de Cour (Cyril Auvity, L'Yriade) (2016) {Glossa}]()
This is a desirable disc - one in which Auvity’s distinctive haute-contre amply conveys the emotions of these varied and beautiful airs. L’Yriade are excellent in their accompaniment. They sound lighter and more apt in Le Cid than Christie's forces despite his employing a smaller ensemble. Their playing of Les Nations is nicely tempered to complement the rest of the programme. The sound is beautifully captured and well balanced. As for the accompanying booklet notes they are admirable. They come with full texts and translations, as well as an explanation of haute-contre, or high tenor, and its place in the music of the 'ancien régime'. Glossa should be applauded for this release.
Stuart Sillitoe
Tracklist:
Contents
François COUPERIN (1668-1733)
Gravement (from Les Nations – La Piémontaise) [2:29]
Marc-Antoine CHARPENTIER (1643-1704)
Stances du Cid:-
Percé jusques au fond du cœur [1:45]
Que je sens de rudes combats [1:48]
Père, maîtresse, honneur, amour [1:55]
François COUPERIN
Passacaille (from Les Nations – L’Espagnole) [4:35]
Air, gracieusement (from Les Nations – L’Espagnole) [0:57]
Marc-Antoine CHARPENTIER
Auprès du feu l’on fait l’amour [1:38]
Ruisseau qui nourrit dans ce bois [2:17]
Non, non je ne l’aime plus [4:42]
Jacques MOREL (fl.c.1700-1749)
Tombeau de Mademoiselle… [5:24]
Michel LAMBERT (1610-1696)
Ma bergère [3:19]
Marc-Antoine CHARPENTIER
Sans frayeur [2:29]
François COUPERIN
Gravement (from Les Nations – L’Espagnole) [3:55]
Marc-Antoine CHARPENTIER
Rendez-moi mes plaisirs [2:04]
Amour, vous avez beau redoubler mes alarmes [1:40]
François COUPERIN
Vivement et marqué (from Les Nations – La Piémontaise) [1:08]
Marc-Antoine CHARPENTIER
Ah, qu’ils sont courts les beaux jours [1:04]
François COUPERIN
Air (from Les Nations – La Piémontaise) [1:06]
Marc-Antoine CHARPENTIER
Rentrez trop indiscrets soupirs [3:26]
Retirons-nous, fuyons [2:15]
Michel LAMBERT
Vos mépris chaque jour [3:54]
François COUPERIN
Chaconne (from Les Nations – L’Impériale) [5:30]
Stances du Cid
Cyril Auvity (haute-contre)
L’Yriade (Léonor de Récondo (violin); Charles-Étienne Marchand (violin); Elisa Joglar (cello); Marc Wolff (lute); Isabelle Sauveur (harpsichord))
rec. Franc-Warêt (Église Saint-Rémi), Belgium, May 2015
GLOSSA GCD923601 [59:32]
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 14. May 2016, 10:40
Cyril Auvity - L'Yriade / Stances du Cid
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2 | 2:29.11 | 1:45.40 | 11186 | 19100
3 | 4:14.51 | 1:48.00 | 19101 | 27200
4 | 6:02.51 | 1:55.74 | 27201 | 35899
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11 | 27:34.15 | 3:19.48 | 124065 | 139037
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19 | 44:23.34 | 3:26.13 | 199759 | 215221
20 | 47:49.47 | 2:15.73 | 215222 | 225419
21 | 50:05.45 | 3:54.32 | 225420 | 243001
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Track 20
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==== Log checksum B66A1CA5E9CCC065D075837A3490B6F844D418D55EAB0D3E7C4F7CB94E90F2CE ====
EAC extraction logfile from 14. May 2016, 10:40
Cyril Auvity - L'Yriade / Stances du Cid
Used drive : ATAPI iHBS112 2 Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
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Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
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Gap handling : Appended to previous track
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Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:29.11 | 0 | 11185
2 | 2:29.11 | 1:45.40 | 11186 | 19100
3 | 4:14.51 | 1:48.00 | 19101 | 27200
4 | 6:02.51 | 1:55.74 | 27201 | 35899
5 | 7:58.50 | 4:35.31 | 35900 | 56555
6 | 12:34.06 | 0:57.31 | 56556 | 60861
7 | 13:31.37 | 1:38.08 | 60862 | 68219
8 | 15:09.45 | 2:17.73 | 68220 | 78567
9 | 17:27.43 | 4:42.16 | 78568 | 99733
10 | 22:09.59 | 5:24.31 | 99734 | 124064
11 | 27:34.15 | 3:19.48 | 124065 | 139037
12 | 30:53.63 | 2:29.66 | 139038 | 150278
13 | 33:23.54 | 3:55.56 | 150279 | 167959
14 | 37:19.35 | 2:04.17 | 167960 | 177276
15 | 39:23.52 | 1:40.19 | 177277 | 184795
16 | 41:03.71 | 1:08.71 | 184796 | 189966
17 | 42:12.67 | 1:04.32 | 189967 | 194798
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19 | 44:23.34 | 3:26.13 | 199759 | 215221
20 | 47:49.47 | 2:15.73 | 215222 | 225419
21 | 50:05.45 | 3:54.32 | 225420 | 243001
22 | 54:00.02 | 5:30.26 | 243002 | 267777
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Track 2
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Track 9
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Track 12
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Track quality 100.0 %
Test CRC 2555DE51
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Track not present in AccurateRip database
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Track 17
Filename F:\DL\Cyril Auvity - L'Yriade - Stances du Cid (2016) [FLAC]\17 - Ah, qu'ils sont courts les beaux jours.wav
Peak level 48.0 %
Extraction speed 4.2 X
Track quality 99.8 %
Test CRC 5C7DAAD5
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Track not present in AccurateRip database
Copy OK
Track 18
Filename F:\DL\Cyril Auvity - L'Yriade - Stances du Cid (2016) [FLAC]\18 - Air, extrait des Nations, La Piemontaise.wav
Peak level 29.3 %
Extraction speed 6.3 X
Track quality 100.0 %
Test CRC E67405CB
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Track not present in AccurateRip database
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Track 19
Filename F:\DL\Cyril Auvity - L'Yriade - Stances du Cid (2016) [FLAC]\19 - Rentrez, trop indiscrets soupirs.wav
Peak level 78.4 %
Extraction speed 6.8 X
Track quality 99.9 %
Test CRC C77932BD
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Track not present in AccurateRip database
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Track 20
Filename F:\DL\Cyril Auvity - L'Yriade - Stances du Cid (2016) [FLAC]\20 - Retirons-nous, fuyons.wav
Peak level 40.4 %
Extraction speed 7.9 X
Track quality 100.0 %
Test CRC 57F3C1C5
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Track not present in AccurateRip database
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Track 21
Filename F:\DL\Cyril Auvity - L'Yriade - Stances du Cid (2016) [FLAC]\21 - Vos mepris chaque jour.wav
Peak level 48.8 %
Extraction speed 9.2 X
Track quality 100.0 %
Test CRC 3C2F7855
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Track not present in AccurateRip database
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Track 22
Filename F:\DL\Cyril Auvity - L'Yriade - Stances du Cid (2016) [FLAC]\22 - Chaconne, extrait des Nations, l'Imperiale.wav
Peak level 53.3 %
Extraction speed 8.2 X
Track quality 99.9 %
Test CRC 3699004F
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Track not present in AccurateRip database
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
–– CUETools DB Plugin V2.1.6
[CTDB TOCID: 4NS0pJxCj5LIUjb3ttdLQCZWfG4-] disk not present in database
Submit result: 4NS0pJxCj5LIUjb3ttdLQCZWfG4- has been uploaded
==== Log checksum B66A1CA5E9CCC065D075837A3490B6F844D418D55EAB0D3E7C4F7CB94E90F2CE ====
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