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    Guillaume de Machaut - The Hilliard Ensemble - Motets [ECM New Series 1823] {Germany 2004} (Repost)

    Posted By: luckburz
    Guillaume de Machaut - The Hilliard Ensemble - Motets [ECM New Series 1823] {Germany 2004} (Repost)

    Guillaume de Machaut - The Hilliard Ensemble - Motets
    EAC+LOG+CUE | FLAC: 273 MB | Full Artwork | 5% Recovery Info
    Label/Cat#: ECM # New Series 1823 | Country/Year: Germany 2004
    Genre: Classical | Style: Medieval, Vocal

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    selfrip [X] not my rip []

    Guillaume de Machaut - The Hilliard Ensemble - Motets [ECM New Series 1823] {Germany 2004} (Repost)


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 17. October 2012, 20:40

    Hilliard Ensemble / Machaut: Motets

    Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 667
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : Yes
    Command line compressor : C:\Program Files\FLAC\flac.exe
    Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%


    TOC of the extracted CD

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    15 | 47:11.52 | 2:23.51 | 212377 | 223152
    16 | 49:35.28 | 5:00.22 | 223153 | 245674
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    18 | 58:07.26 | 4:26.32 | 261551 | 281532


    Range status and errors

    Selected range

    Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Hilliard Ensemble - Machaut- Motets.wav

    Peak level 81.2 %
    Extraction speed 1.2 X
    Range quality 100.0 %
    Test CRC CB75689F
    Copy CRC CB75689F
    Copy OK

    No errors occurred


    AccurateRip summary

    Track 1 accurately ripped (confidence 4) [DCFD200C] (AR v1)
    Track 2 accurately ripped (confidence 4) [FCD06E05] (AR v1)
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    Track 15 accurately ripped (confidence 4) [859EBD21] (AR v1)
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    Track 18 accurately ripped (confidence 4) [D00A2065] (AR v1)

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    End of status report

    –– CUETools DB Plugin V2.1.3

    [CTDB TOCID: 3cLOCFbVb2KcGXCuiXDErBdnHcQ-] found, Submit result: 3cLOCFbVb2KcGXCuiXDErBdnHcQ- has been confirmed
    [d6c78b49] (1/1) Accurately ripped


    ==== Log checksum 1CB207766F497CAE765BCCB5B19706B3E91F90335A0FF3CF8451923113904C82 ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2012-11-06 21:53:21

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Hilliard Ensemble / Machaut: Motets
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR14 -7.98 dB -25.51 dB 3:37 01-De souspirant cuer, M2
    DR13 -6.81 dB -23.12 dB 2:41 02-Fine Amour, qui me vint navrer, M3
    DR13 -4.32 dB -21.54 dB 3:58 03-Puis que la douce rousée, M4
    DR12 -7.07 dB -23.75 dB 3:47 04-Qui plus aimme, M5
    DR13 -7.74 dB -24.92 dB 4:22 05-Lasse! je suis en aventure, M7
    DR12 -10.10 dB -24.89 dB 2:39 06-Ha! Fortune, M8
    DR12 -8.46 dB -24.69 dB 3:18 07-O livoris feritas, M9
    DR12 -8.59 dB -23.83 dB 2:26 08-Helas! où sera pris confors, M10
    DR13 -5.43 dB -23.69 dB 3:16 09-Fins cuers dous, M11
    DR14 -5.40 dB -25.15 dB 2:55 10-Eins que ma dame d'onnur, M13
    DR14 -4.62 dB -23.44 dB 3:23 11-Faus Samblant m'a deceü, M14
    DR12 -7.89 dB -24.75 dB 3:51 12-Se j'aim mon loyal ami, M16
    DR13 -8.34 dB -24.31 dB 3:16 13-Bone pastor, M18
    DR15 -1.81 dB -22.06 dB 3:42 14-Diligenter inquiramus, M19
    DR12 -8.44 dB -25.14 dB 2:24 15-Biauté parée de valour, M20
    DR14 -3.22 dB -21.64 dB 5:00 16-Veni creator spiritus, M21
    DR13 -8.01 dB -24.38 dB 3:32 17-Plange, regni respublica, M22
    DR12 -7.13 dB -22.92 dB 4:26 18-Inviolata genitrix, M23
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 18
    Official DR value: DR13

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 612 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Guillaume de Machaut - The Hilliard Ensemble - Motets

    Label: ECM
    Catalog#: New Series 1823
    Format: CD, Album
    Country: Germany
    Released: 2004
    Genre: Classical
    Style: Medieval

    Tracklist:

    1 - De souspirant cuer, M2 3:37
    2 - Fine Amour, qui me vint navrer, M3 2:41
    3 - Puis que la douce rousée, M4 3:58
    4 - Qui plus aimme, M5 3:47
    5 - Lasse! je suis en aventure, M7 4:22
    6 - Ha! Fortune, M8 2:39
    7 - O livoris feritas, M9 3:18
    8 - Helas! où sera pris confors, M10 2:26
    9 - Fins cuers dous, M11 3:16
    10 - Eins que ma dame d'onnur, M13 2:55
    11 - Faus Samblant m'a deceü, M14 3:23
    12 - Se j'aim mon loyal ami, M16 3:51
    13 - Bone pastor, M18 3:16
    14 - Diligenter inquiramus, M19 3:42
    15 - Biauté parée de valour, M20 2:24
    16 - Veni creator spiritus, M21 5:00
    17 - Plange, regni respublica, M22 3:32
    18 - Inviolata genitrix, M23 4:26

    David James - countertenor
    David Gould - countertenor
    Rogers Covey-Crump - tenor
    Steven Harrold - tenor
    Gordon Jones - baritone

    Recorded November 2001
    Propstei St. Gerold
    Tonmeister: Peter Laenger

    New edition of the motets by Nicky Losseff from the Machaut manuscript A, Paris, Bibliotheque Nationale, MS fonds francais 1584

    Guillaume de Machaut - The Hilliard Ensemble - Motets [ECM New Series 1823] {Germany 2004} (Repost)


    review by James Manheim

    The motets of Guillaume de Machaut (1300-1377) are complicated works. Even casual listeners will notice that each of the three lines of music has its own text – one rapid and wordy, one moderate in speed, and one just a few words long. Musically they contain structural intricacies to which scholars devote pleasant lifetimes of research in old French libraries. Yet the interpretation of even music as arcane as this depends on the spirit of the age. Rationalists of earlier decades performed Machaut with rather harsh exactitude, seeking to clarify the subtle repetition schemes of Machaut's motets and polyphonic songs. But the Hilliard Ensemble, of the Self generation, focuses on Machaut as a creative figure with, to quote the liner notes, "a morbidly sensitive inner life." The notes allude to the possible religious symbolism of Machaut's convoluted language of courtly love, but what we get in practice are gorgeous, emotive readings that make these works sound a bit like Gesualdo madrigals. Of course, nobody can coax the impact out of a dissonance like the Hilliard Ensemble. Countertenors David James and David Gould shape Machaut's almost Faulknerian top-voice syntax into affecting emotional statements, and even listeners new to medieval music will become ensnared in the poet's quest for the slightest glance of regard from his unattainable Lady. One complaint: since this music draws interest from the puzzling relationships among a piece's various texts, the booklet should have been designed so that the listener could follow those texts simultaneously. Still, it's been a while since a major disc of Machaut motets was released (this disc contains 18 pieces, a few of them sacred), and if the Hilliard Ensemble doesn't close the book on this music, they nevertheless interpret it beautifully for our times.
    Guillaume de Machaut - The Hilliard Ensemble - Motets [ECM New Series 1823] {Germany 2004} (Repost)
    allmusicguide
    Guillaume de Machaut - The Hilliard Ensemble - Motets [ECM New Series 1823] {Germany 2004} (Repost)

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