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Lucia Swarts - Six Suites for Violoncello Solo, BWV 1007-1012 (2019)

Posted By: delpotro
Lucia Swarts - Six Suites for Violoncello Solo, BWV 1007-1012 (2019)

Lucia Swarts - Six Suites for Violoncello Solo, BWV 1007-1012 (2019)
EAC Rip | FLAC (tracks+log+.cue) - 686 Mb | MP3 CBR 320 kbps - 331 Mb | Artwork included | 02:23:24
Classical | Label: Challenge Classics

Lucia Swarts chooses to explore the highest peaks of cello literature after 35 years of professional work. Swarts performs Bach’s Six Suites for Cello Solo on a Baroque cello, but, uniquely, Suite no.5 is played on a Basse de Violon.

Bach wrote the six suites in different keys, each consisting of six movements. Some of the keys are more comfortable for the performer (G, D and C), while others are difficult in the extreme (E flat major). Bach employed unconventional tuning for the cello strings (in the fifth suite) and even wrote for a special five-stringed instrument in the final suite. It certainly appears that Bach was attempting to cover the entire range of human emotions in the six suites.

The cheerful, youthful first suite in G major is followed by the introvert, dark and melancholy second, in D minor. The third suite in C major is brilliant, extrovert, rich and replete, an embrace. But the fourth in E flat major offers gloomy resistance. The fifth suite in C minor is like an ancient saga - dark and tragic but at the same time majestic - while the final suite in D major resonates with ecstasy, virtuosity and sparkling joie de vivre. Everything is precisely attuned to the characters of the different keys, as they would have been thought of in Bach’s day. Keys that are designed to move the audience’s souls.

The six movements within each individual suite refine the image. The preludes, with which they all begin, sound like spontaneous improvisations, often looking forward to what follows. The dances that follow the preludes - the stately allemandes and spiritual sarabandes, as well as the rousing courantes and gigues - were all, of course, familiar dance forms in Bach’s time, but in the suites, they often transcend everyday reality, plumbing the depths of feeling and providing detail, counter-arguments and contrasts. The full range of human emotions appears to be encompassed within the notes that Bach wrote for a single cello.

Lucia Swarts studied under Anner Bijlsma and Lidewij Scheifes at the Royal Conservatoire in The Hague, where she attained her Performing Musician diploma in 1982. Apart from her appearances as a soloist, she has devoted considerable time and effort to playing music from every period of musical history in a wide range of chamber music settings, using instruments appropriate to the period. As well as the modern cello, she also plays the viola da spalla, baroque cello, basse de violon and cello piccolo. Since 1983, Lucia has been principal cellist in the baroque orchestra of the Netherlands Bach Society and she also plays in the Residentie Bach Ensemble and Tulipa Consort.
Tracklist:
Disc 1 (01:09:11)
1. Suite No. 5 in C Minor, BWV 1011: I. Prélude (06:00)
2. Suite No. 5 in C Minor, BWV 1011: II. Allemande (06:22)
3. Suite No. 5 in C Minor, BWV 1011: III.Courante (02:12)
4. Suite No. 5 in C Minor, BWV 1011: IV. Sarabande (03:17)
5. Suite No. 5 in C Minor, BWV 1011: V. Gavotte & VI. Gavotte (05:33)
6. Suite No. 5 in C Minor, BWV 1011: VII. Gigue (02:13)
7. Suite No. 2 in D Minor, BWV 1008: I. Prélude (03:42)
8. Suite No. 2 in D Minor, BWV 1008: II. Allemande (03:55)
9. Suite No. 2 in D Minor, BWV 1008: III. Courante (02:13)
10. Suite No. 2 in D Minor, BWV 1008: IV. Sarabande (04:05)
11. Suite No. 2 in D Minor, BWV 1008: V. Menuet & VI. Menuet (03:33)
12. Suite No. 2 in D Minor, BWV 1008: VII. Gigue (02:50)
13. Suite No. 3 in C Major, BWV 1009: I. Prélude (03:28)
14. Suite No. 3 in C Major, BWV 1009: II. Allemande (05:01)
15. Suite No. 3 in C Major, BWV 1009: III. Courante (03:30)
16. Suite No. 3 in C Major, BWV 1009: IV. Sarabande (03:58)
17. Suite No. 3 in C Major, BWV 1009: V. Bourrée & VI. Bourrée (03:59)
18. Suite No. 3 in C Major, BWV 1009: VII. Gigue (03:20)

Disc 2 (01:13:55)
1. Suite No. 1 in G Major, BWV 1007: I. Prélude (02:58)
2. Suite No. 1 in G Major, BWV 1007: II. Allemande (04:48)
3. Suite No. 1 in G Major, BWV 1007: III. Courante (02:42)
4. Suite No. 1 in G Major, BWV 1007: IV. Sarabande (02:42)
5. Suite No. 1 in G Major, BWV 1007: V. Menuet & VI. Menuet (03:28)
6. Suite No. 1 in G Major, BWV 1007: VII. Gigue (01:41)
7. Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude (04:31)
8. Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande (04:53)
9. Suite No. 4 in E-Flat Major, BWV 1010: III. Courante (03:43)
10. Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande (03:54)
11. Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrée & VI. Bourrée (05:11)
12. Suite No. 4 in E-Flat Major, BWV 1010: VII. Gigue (02:49)
13. Suite No. 6 in D Major, BWV 1012: I. Prélude (04:55)
14. Suite No. 6 in D Major, BWV 1012: II. Allemande (07:46)
15. Suite No. 6 in D Major, BWV 1012: III. Courante (04:08)
16. Suite No. 6 in D Major, BWV 1012: IV. Sarabande (04:18)
17. Suite No. 6 in D Major, BWV 1012: V. Gavotte & VI. Gavotte (04:51)
18. Suite No. 6 in D Major, BWV 1012: VII. Gigue (04:37)

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 12. June 2019, 12:39

Lucia Swarts / Bach JS - Cello Suites [CD1]

Used drive : HL-DT-STDVDRAM GP57EB40 Adapter: 1 ID: 1

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Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track

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==== Log checksum A2902948214107F38D2879DF32E5DD57A83D7546CB9E47393EE9B221BF453A64 ====

Exact Audio Copy V1.3 from 2. September 2016

EAC extraction logfile from 12. June 2019, 17:32

Lucia Swarts / Bach JS - Cello Suites [CD2]

Used drive : HL-DT-STDVDRAM GP57EB40 Adapter: 1 ID: 1

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
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Gap handling : Appended to previous track

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==== Log checksum 63343F4958C97044383A4F340D25A8641514772A0C69DB63283B5A21A2A4CD2E ====

Thanks to the Original ripper !