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    Kurt Weill - Speak Low: Songs & The Seven Deadly Sins - Anne Sofie von Otter (1994) {Deutsche Grammophon 439 894-2}

    Posted By: ruskaval
    Kurt Weill - Speak Low: Songs & The Seven Deadly Sins - Anne Sofie von Otter (1994) {Deutsche Grammophon 439 894-2}

    Kurt Weill - Speak Low: Songs & The Seven Deadly Sins - Anne Sofie von Otter (1994) {Deutsche Grammophon 439 894-2}
    XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 323 Mb | MP3 @320 -> 186 Mb
    Full Artwork @ 300 dpi (png) -> 41 Mb | 5% repair rar
    © 1994 Deutsche Grammophon | 439 894-2
    Classical / Early 20th Century / Vocalize / Vocal Music / Ballet Chanté

    Kurt Weill's ballet with songs is one of this century's greatest theatrical works. It has all the wit and melodic appeal of The Threepenny Opera and social conscience of Mahagonny, but more warmth and musical sophistication than either. It's also all over with in about 40 minutes. Some critics believe the piece was intended as a sort of love poem to Weill's wife, Lotte Lenya; given the tenderness of much of the music, it's hard to disagree. Lenya herself recorded the piece in the 1950s (a recording recently reissued by Sony) and this very much newer performance is welcome particularly for Anne Sofie von Otter's highly intelligent and musical way with the text. The other songs, from both Weill's Berlin and Broadway periods, make the perfect filler.
    THE SEVEN DEADLY SINS is such a brilliant mini-masterpiece (and, to me, the pinnacle of the Brecht-Weill years) that it is hard to screw up. It is a testament to the staying power of this work (and to the brilliance of Weill's music in general) that it can be performed by the likes of Lotte Lenya, Julia Migenes, Ute Lemper, Judy Kaye, Marianne Faithfull, Teresa Stratas, and – as here – Anne Sofie von Otter, and STILL work… and EACH of these women are totally successful in the piece on their own terms.

    Here, Anne Sofie von Otter gives us an intelligent (and highly musical) rendering of the text, keeping the musical line very much intact. She sings with vibrato at times, and then will turn around and use straight-tones at moments where it is dramatically appropriate to do so. She balances the performance well, shifting gears between cool detachment (which she is often criticized for) and impassioned outbursts (which her critics often fail to notice).

    John Eliot Gardiner surprised me with how easily this music seemed to come to him, especially as he seems to be a man more at home with "Period-Instrument-Mozart" than highly charged 20th century works. However, his reading of "The Rake's Progress" by Stravinsky was totally staggering. For example, his choice beginning the climactic moment of the score ("Envy") as slowly as he does caught me very much off guard at first, and I didn't really care for it at all. However, with each successive listen, I find myself "getting" this choice more and more.

    Finally, the "filler." As to be expected, she is more successful with the European material than she is with the songs from Weill's Broadway years. But this is the case with about 99.9% of all opera singers who try to sing Weill's Broadway scores. You will never hear any singer give "Je ne t'aime pas" a more hauntingly beautiful, passionately intense performance than Anne Sofie von Otter. Truly, the ultimate interpretation of one of my favorite Weill songs. "Nannas Lied," "Der Abschiedsbrief," and the HAPPY END selections. However, "My Ship" and "One Life to Live" seem to fail at catching fire – the former because it is marred by an attempt to sound like a "pop singer," the latter because von Otter sings English better than native speakers (she knows where the ACTUAL emphasis in the phrase "nothing: the thing is to have fun" goes, as opposed to where Ira Gershwin placed it). I also – surprisingly enough – don't care for her performance of "Schickelgruber" – she just seems totally lost to me. (I really think that this song is foreign territory to 'legit' sopranos and mezzos – I don't even care for the Stratas rendition.) Just when I thought I would have to suffer through another bad batch of "opera-crossover," Anne Sofie turned around and surprised me by giving highly successful performances of the numbers from ONE TOUCH OF VENUS (especially on "I'm Stranger Here Myself").

    Highly recommended to all fans of THE SEVEN DEADLY SINS and Kurt Weill enthusiasts.

    classical.net INFO

    Performers
    Anne Sofie von Otter, mezzo-soprano
    Bengt Forsberg, piano
    North German Radio Symphony Orchestra
    John Eliot Gardiner
    , conductor

    Works on This Recording

    1.
    Die sieben Todsünden der Kleinbürger by Kurt Weill
    Performer: Christfried Biebrach (Baritone), Karl-Heinz Lampe (Tenor), Frédéric Martin (Bass),
    James Sims (Tenor), Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1933; Germany
    Date of Recording: 09/1973
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 34 Minutes 12 Secs.
    Language: German
    2.
    Lady in the Dark: My ship by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1940; USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 2 Minutes 42 Secs.
    Language: English
    3.
    Lady in the Dark: One life to live by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1940; USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 3 Minutes 1 Secs.
    Language: English
    4.
    Propaganda Songs (9): Buddy on the Nightshift by Kurt Weill
    Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
    Period: 20th Century
    Written: 1942; USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 2 Minutes 9 Secs.
    Language: English
    5.
    Nanna's Lied by Kurt Weill
    Performer: Bengt Forsberg (Piano), Anne Sofie von Otter (Soprano)
    Period: 20th Century
    Written: 1939; New York, USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 4 Minutes 2 Secs.
    Language: German
    6.
    Happy End: Bilbao Song by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1929; Berlin, Germany
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 4 Minutes 27 Secs.
    Language: English
    7.
    Happy End: Surabaya Johnny by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1929; Germany
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 6 Minutes 1 Secs.
    Language: English
    8.
    Happy End: Das Lied von der harten Nuss by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1929; Berlin, Germany
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 1 Minutes 6 Secs.
    Language: German
    9.
    Je ne t'aime pas by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
    Period: 20th Century
    Written: 1934; France
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 4 Minutes 29 Secs.
    Language: French
    10.
    Propaganda Songs (9): Schickelgruber by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
    Period: 20th Century
    Written: 1942; USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 2 Minutes 51 Secs.
    Language: German
    11.
    Der Abschiedsbrief by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano), Bengt Forsberg (Piano)
    Period: 20th Century
    Written: 1933; Germany
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 3 Minutes 25 Secs.
    Language: German
    12.
    One touch of Venus: Foolish heart by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1943; New York, USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 2 Minutes 28 Secs.
    Language: English
    13.
    One touch of Venus: Speak Low by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1943; New York, USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 3 Minutes 59 Secs.
    Language: English
    14.
    One touch of Venus: I'm a stranger here myself by Kurt Weill
    Performer: Anne Sofie von Otter (Soprano)
    Conductor: John Eliot Gardiner
    Orchestra/Ensemble: North German Radio Symphony Orchestra
    Period: 20th Century
    Written: 1943; New York, USA
    Date of Recording: 09/1993
    Venue: Friedrich-Ebert-Halle, Hamburg
    Length: 3 Minutes 13 Secs.
    Language: German

    X Lossless Decoder version 20170729 (150.3)

    XLD extraction logfile from 2018-04-19 10:11:51 -0500

    Anne Sofie Von Otter / Speak Low - The Seven Deadly Sins & Songs by Kurt Weill

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    Peak : 0.812836
    CRC32 hash (test run) : C6E4FA95
    CRC32 hash : C6E4FA95
    CRC32 hash (skip zero) : 962DC374
    AccurateRip v1 signature : 3822753F
    AccurateRip v2 signature : 75CD83C1
    ->Accurately ripped (v1+v2, confidence 6+11/195)
    Statistics
    Read error : 0
    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    Track 21
    Filename : /Volumes/Data/Rips/21 - One Touch of Venus - Speak Low.flac

    Track gain : 9.37 dB
    Peak : 0.221161
    CRC32 hash (test run) : 72A0579E
    CRC32 hash : 72A0579E
    CRC32 hash (skip zero) : AAF67217
    AccurateRip v1 signature : 213E8454
    AccurateRip v2 signature : E55A2383
    ->Accurately ripped (v1+v2, confidence 6+7/192)
    Statistics
    Read error : 0
    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    Track 22
    Filename : /Volumes/Data/Rips/22 - One Touch of Venus - I'm a Stranger Here Myself.flac

    Track gain : 4.17 dB
    Peak : 0.801910
    CRC32 hash (test run) : FBE7278D
    CRC32 hash : FBE7278D
    CRC32 hash (skip zero) : C51ADB5C
    AccurateRip v1 signature : BDA0D452
    AccurateRip v2 signature : 12DBEBA0
    ->Accurately ripped (v1+v2, confidence 6+8/189)
    Statistics
    Read error : 0
    Jitter error (maybe fixed) : 0
    Retry sector count : 0
    Damaged sector count : 0

    No errors occurred

    End of status report

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    Kurt Weill - Speak Low: Songs & The Seven Deadly Sins - Anne Sofie von Otter (1994) {Deutsche Grammophon 439 894-2}

    Kurt Weill - Speak Low: Songs & The Seven Deadly Sins - Anne Sofie von Otter (1994) {Deutsche Grammophon 439 894-2}



    ===