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    Adam Sporka & Jan Valta - Kingdom Come: Deliverance (Original Soundtrack Essentials) (2018)

    Posted By: delpotro
    Adam Sporka & Jan Valta - Kingdom Come: Deliverance (Original Soundtrack Essentials) (2018)

    Adam Sporka & Jan Valta - Kingdom Come: Deliverance (Original Soundtrack Essentials) (2018)
    EAC Rip | FLAC (tracks+log+.cue) | 00:54:13 | 289 Mb
    Soundtrack | Label: Warhorse Studios

    High-profile games aren’t exactly innovative these days. Because of that, Warhorse Studios’ Kingdom Come: Deliverance comes as a revelation. Originally conceived as a crowd-funded project, Deliverance seeks to reinvent the RPG genre in a number of ways. Its adherence to historical accuracy and overall attention to detail is nothing short of awe-inspiring. Folks looking for something exceptional will find a lot to appreciate here.

    I checked out Kingdom Come: Deliverance for the first time during last year’s PlayStation Experience event. This hands-off demonstration gave me a good understanding of what it had to offer. In particular, I found the team’s recreation of the Middle Ages truly impressive. I love Assassin’s Creed for the way it presents history, so Deliverance was right up my alley. Thankfully, I was fortunate enough to receive a review copy last week and finally played it myself. Despite being somewhat overwhelming, it offers one of the most unique gaming experiences I’ve had in a while.

    Kingdom Come: Deliverance takes place in 1403 in the Kingdom of Bohemia. You play as Henry, who is the son of a blacksmith in the town of Skalitz. Henry’s easy-going life is disrupted when the kingdom’s civil war arrives at his doorstep. After surviving the massacre, Henry joins the service of his Lord, Radzig Kobyla. The nobleman is building a resistance against King Sigismund and his army of foreign mercenaries. Henry has much to learn before he can exact vengeance on those responsible for destroying his world.

    While Kingdom Come: Deliverance is unique, it features tropes familiar to RPG fans. These include a leveling system, dialogue trees, an explorable open world, items to equip, potions to brew, and more. Thanks to the focus on realism, these elements feel fresh. There are a ton of menus to sift through, and many gameplay systems to keep in mind. As players progress, the game’s deep mechanics start to click. This title demands a player’s full attention if they wish to get the most out of it. Rushing through things is not advised. In this case, patience truly is a virtue.

    An early mission perfectly demonstrates the game’s dynamic nature. I had to sneak out of a castle. In order to do that, I needed to disguise myself as a soldier. After finding the armory, I attempted to break into a locker containing armor. A guard discovered me because I made too much noise during my attempted robbery. Lacking money to bribe the guard, I accepted jail time. After my stint in the slammer ended, they threw me out of the castle. I didn’t exactly complete my quest in an eloquent fashion, but I succeeded regardless.

    If I was a better lock-picker, I could have walked out of the castle and ridden a horse to my objective. Instead, I had to walk and risk becoming victim to bandits. Not to mention the fact walking such a great distance took a toll on my stamina and overall energy. After every subsequent decision, I wondered how things would have transpired had I chosen a different path. This is true for titles with branching narratives, but it felt more pronounced here. The game makes you feel the weight of your actions in a meaningful way.

    This isn’t a simulation game, but it’s very close. You’ll need to eat and sleep regularly. When wounded, you must take medicine and bandage wounds. Stamina depletes when running or engaging in combat. If Henry isn’t in tip-top shape, it will adversely affect actions. Combat becomes more difficult, and it’ll be easier to fail during conversations. If you don’t clean Henry up, he’ll look (and smell) like an absolute mess. Micromanaging can be tedious at times. However, given the realistic nature of Deliverance, this aspect felt proper. This isn’t to say I was a big fan of such micromanaging, but it does add to the game’s immersion.

    Like most everything in Kingdom Come: Deliverance, one cannot simply master swordplay and archery. Considerable work must be put in before mastering the art of fighting. Players have to read an opponent’s movements carefully. This way, they’ll know when to strike, block, parry, or dodge. Movement is done with the left analog stick, while selecting a direction to strike is performed with the right analog. Slashing, stabbing, and blocking are done with the shoulder buttons. This is a bit much to understand at first, but it eventually makes sense. Once you get into the swing of things, combat becomes extremely enjoyable (and downright brutal).

    Though combat is important in Deliverance, it isn’t the only means to progress through the story. Using skill points, players can create a character who uses words as his weapon. While some characters cannot be swayed, most can be convinced to go along with whatever you’re proposing. In truth, I found persuading folks to aid me much more satisfying than running them through with a sword. Having a silver tongue also comes in helpful if you aren’t particularly adept at combat.
    Tracklist:
    01. Skalitz 1403
    02. People of the Land
    03. Till Our Heads Turn White
    04. In the Name of the King
    05. Beer and Women
    06. The Talmberg Theme
    07. Skalitz is Dying
    08. St. James
    09. Sigismund's Army at the Gates
    10. Lady Steph and Henry
    11. Losing Father's Sword
    12. Rattay Feasts
    13. Good Luck, Son
    14. Fighting Runt
    15. The River Sasau Theme
    16. From Dusk to Sunrise
    17. Footpad's Arrival
    18. Talmberg Captured
    19. Steph is Safe
    20. Things Worth Living for
    21. Brotherhood of Bravery
    22. Dream About Father
    23. Poverty and Famine
    24. Thru the Fog of Time (Bonus Track)

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 12. February 2018, 13:10

    Unknown Artist / Unknown Title

    Used drive : MATSHITABD-CMB UJ160 Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 103
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : User Defined Encoder
    Selected bitrate : 1024 kBit/s
    Quality : High
    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -6 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "COMMENT=%comment%" -T "BAND=%albuminterpret%" -T "ALBUMARTIST=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%–tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" %hascover%–picture="%coverfile%"%hascover% %source% -o %dest%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 2:21.00 | 0 | 10574
    2 | 2:21.00 | 2:00.06 | 10575 | 19580
    3 | 4:21.06 | 1:08.60 | 19581 | 24740
    4 | 5:29.66 | 0:44.33 | 24741 | 28073
    5 | 6:14.24 | 1:50.19 | 28074 | 36342
    6 | 8:04.43 | 1:05.00 | 36343 | 41217
    7 | 9:09.43 | 4:24.10 | 41218 | 61027
    8 | 13:33.53 | 1:18.00 | 61028 | 66877
    9 | 14:51.53 | 3:21.20 | 66878 | 81972
    10 | 18:12.73 | 1:55.38 | 81973 | 90635
    11 | 20:08.36 | 4:37.37 | 90636 | 111447
    12 | 24:45.73 | 1:32.10 | 111448 | 118357
    13 | 26:18.08 | 2:02.37 | 118358 | 127544
    14 | 28:20.45 | 1:30.22 | 127545 | 134316
    15 | 29:50.67 | 1:51.47 | 134317 | 142688
    16 | 31:42.39 | 2:07.73 | 142689 | 152286
    17 | 33:50.37 | 0:55.06 | 152287 | 156417
    18 | 34:45.43 | 3:00.61 | 156418 | 169978
    19 | 37:46.29 | 2:17.00 | 169979 | 180253
    20 | 40:03.29 | 4:53.00 | 180254 | 202228
    21 | 44:56.29 | 1:12.00 | 202229 | 207628
    22 | 46:08.29 | 2:57.45 | 207629 | 220948
    23 | 49:05.74 | 1:10.67 | 220949 | 226265
    24 | 50:16.66 | 3:57.06 | 226266 | 244046


    Track 1

    Filename C:\EAC rips\124578\Warhorse Studio Orchestra, Jan Valta - Kingdom Come Deliverance OST (2018) [FLAC]\01 - Track01.wav

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    Track quality 100.0 %
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    Track not present in AccurateRip database
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    Track 2

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    Peak level 98.0 %
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    Track 3

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    Track 4

    Filename C:\EAC rips\124578\Warhorse Studio Orchestra, Jan Valta - Kingdom Come Deliverance OST (2018) [FLAC]\04 - Track04.wav

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    Track 5

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    Track 6

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    Track 7

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    Track 8

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    Track 9

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    Track 11

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    Track 12

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    Track 13

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    Track 15

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    Track 16

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    Track 17

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    Track 18

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    Track 19

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    Track 20

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    Track 21

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    Track 22

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    Track 23

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    Track 24

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    None of the tracks are present in the AccurateRip database

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

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    Submit result: DF17Q3S.pC5CDAej3pbQTYFBBCA- has been confirmed
    Track | CTDB Status
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    ==== Log checksum B273533A264F2605739D69696BA6B4066420D48A0161633F82E0B58AB548FFDF ====

    Thanks to the Original ripper sharky77 !