Johnny Cash - American III Solitary Man (Rhino 5101-12794-1) (UK 2006, 180g Vinyl 24-96)
Johnny Cash - American III Solitary Man
Rhino 5101-12794-1 (UK 2006, 180g Vinyl 24-96)
2006 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 834 MB
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Info:
Johnny Cash - American III: Solitary Man
Label: Rhino (UK)
Catalog#: 5101-12794-1
Format: Vinyl, LP, Album, Repress
Country: UK
Released: 2006
Genre: Blues, Folk, World, & Country
Style: Country Blues
Notes: Recorded at The Cash Cabin Studio, Hendersonville, TN and The Akademie Mathematique of Philosophical Sound Research , Los Angeles, CA. Mixed at The Akademie Mathematique of Philosophical Sound Research , Los Angeles, CA. Mastered at Oasis Mastering, Los Angeles, CA.
High-quality 180-gram LP, complete with original artwork plus inner sleeves.
Tracklisting:
A1 I Won't Back Down
Organ - Tom Petty
Vocals - Tom Petty
Written-By - Jeff Lynne , Tom Petty
A2 Solitary Man
Vocals - Tom Petty
Written-By - Neil Diamond
A3 That Lucky Old Sun (Just Rolls Around Heaven All Day)
Written-By - Beasley Smith , Haven Gillespie
A4 One
Written-By - Adam Clayton , David Evans* , Lawrence Mullen* , Paul Hewson
A5 Nobody
Written-By - Egbert Williams
A6 I See A Darkness
Vocals - Will Oldham
Written-By - Will Oldham
A7 The Mercy Seat
Written-By - Mick Harvey , Nick Cave
B1 Would You Lay With Me (In A Field Of Stone)
Written-By - David Alan Coe
B2 Field Of Diamonds
Vocals - June Carter Cash , Sheryl Crow
Written-By - Jack W. Routh, John R. Cash
B3 Before My Time
Written-By - John R. Cash
B4 Country Trash
Written-By - John R. Cash
B5 Mary Of The Wild Moor
Accordion - Sheryl Crow
Written-By - Dennis Turner
B6 I'm Leavin' Now
Vocals - Merle Haggard
Written-By - John R. Cash
B7 Wayfaring Stranger
Accordion - Sheryl Crow
Written-By - John Carter Cash, John R. Cash
Review by Zac Johnson
The Man In Black shows hints of gray on American III: Solitary Man, his first studio album since being diagnosed with Parkinson's disease in 1997. While the inevitability of aging has been the downfall of many of his contemporaries, ending usually in dismissal and often in death, Johnny Cash's dark convictions and powerful presence have gone from rough hardwood to solid stone. The stark beauty of his 1994 release American Recordings and the warm, friendly collaborations on 1996's Unchained combine on this album to create two distinct moods: one of living room jam sessions with invited friends, and another of stark solo (and near-solo) songs highlighting Cash's years and stories.
Like his two previous studio albums, Solitary Man is sparsely produced by Rick Rubin, and continues the themes of love, faith, and loneliness that their previous collaborations have chillingly embraced. Partnering once again with Tom Petty, the two join together on Petty's own "I Won't Back Down" and the Neil Diamond-penned title track. Cash also lays his lonesome hands on U2's "One" and reunites with fellow outlaw Merle Haggard on the stubborn "I'm Leavin' Now," which could serve as the soundtrack for the notorious photo of Cash's sneering middle finger published in Billboard after his Grammy award. These duets and well-known covers show an inviting side of Johnny Cash. But the real highlights of the album are those reminiscent of his American Recordings songs; they feature just the man and his guitar, with nothing else to clutter the story. The creaks and despair of the vaudeville song "Nobody" tell of a man who has become hardened by his solitude, while the Palace hymn "I See a Darkness" soars with the passion of a thousand gospel choirs, even though there are only two men singing.
In the liner notes, Cash writes: "The song is the thing that matters. Before I can record, I have to hear it, sing it, and know that I can make it feel like my own, or it won't work. I worked on these songs until I felt like they were my own." Although at times it is difficult to hear past Tom Petty's growl or Sheryl Crow's young harmonies in the more popular songs he covers, the obscure prison songs and country ballads he has chosen to interpret sound as honest and heartfelt as his own compositions. At age 68, his warm baritone may waver but his passion never does. allmusicguide
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