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    Jóhann Jóhannsson - Orphée (2016)

    Posted By: delpotro
    Jóhann Jóhannsson - Orphée (2016)

    Jóhann Jóhannsson - Orphée (2016)
    EAC Rip | FLAC (tracks+log+.cue) | Artwork included | 00:46:34 | 190 Mb
    Modern Classical, Ambient | Label: Deutsche Grammophon

    Orphée is the tenth and final full-length studio album by Icelandic composer Jóhann Jóhannsson, released under Deutsche Grammophon on September 16, 2016. The music is inspired by Ovid's interpretation of the Orpheus myth.

    Orphée, the latest album by the Icelandic composer and filmmaker Jóhann Jóhannsson is billed as his first studio album in six years since the somber and excellent The Miners’ Hymns**. But during that time Jóhannsson has released eight records—three of which were scores to major films (including Sicario & The Theory of Everything) and the rest music for smaller film projects, one of which Jóhannsson directed himself. But with even The Miners’ Hymns itself serving as a score to a film, the particular criteria for which Jóhannsson deems a record to be a “studio album” as opposed to a “film score” is somewhat unclear. What is clear is that after years of albums on 4AD and small post-classical labels such as Fat Cat’s 130701, in moving to Deutsche Grammophon—the oldest and most significant classical music label left standing—Jóhannsson wants Orphée to be seen as a work of music propped up by nothing but itself and its own deserved grandeur.

    Loosely themed around Ovid's version of the Orpheus myth, Orphée’s grandeur is made clear within seconds. Using only a few repeated parts of piano, violin, and some crackling sound treatments, opener “Flight from the City” takes off. It feels like film music in a way that most of Orphée does not; you could easily imagine it playing over credits, or an opening scene, or in a mid-film montage. But the palette, tone, and structure of Orphée vary greatly and much of it embraces a compositional approach akin to ’90s chamber experimentalists the Rachel’s and others in the post-classical mold on 130701 or Erased Tapes. “A Song for Europa” features more of those crackling sound treatments as well as a recurring spectral vocal sample, while the stately “A Deal With Chaos” or “The Radiant City” would be at home on the Rachel’s Music for Egon Schiele.

    Apart from “Flight from the City,” the most unforgettable tracks on Orphée are where Jóhannsson adds more experimental textures, particularly in the penultimate diptych of “Good Morning, Midnight” and “Good Night, Day.” In a way, these two tracks play out the climax of the Orpheus myth: The former begins with dreamy slow-waltz strings and burbling sound effects that connote the gait of a person heading toward destiny unknown, before giving way to a close-mic'd solo piano piece that sounds like the ruminative thoughts of man by way of Satie-style impressionism. The latter, “Good Night, Day,” begins with repeated string warnings that plays as a realization of chased dreams lost, with a cello melody serving as an elegiac narrative counterpoint. On each, the blend of early 20th-century modalities and experimental recording approaches make them archetypal post-classical tracks.

    Boldest of all is Orphée’s a capella closer “Orphic Hymn,” which features a breathtaking choral vocal performance by Paul Hillier’s Theatre of Voices of text from Ovid’s The Metamorphoses. Sung vocals are rarely found in Jóhannsson’s work, but the angelic arrangement makes you wish that he had found more opportunities to integrate vocals into the rest of the record. “Orphic Hymn” also brings Jóhannsson back full circle to British post-classical elder statesman Michael Nyman. The piece strongly recalls the longing of “Miserere” from The Cook, The Thief, His Wife and Her Lover, a great example of how Nyman’s scores work as independent music woven into a film rather than applied to the surface of scenes.

    It’s exciting to hear the freedom of Jóhannsson’s compositions in autonomous music, and with Orphée he’s reasserted himself as not a just an elegiac film score guy. As good as his cinema work has been, the act of telling someone else’s story puts limits on both an artist’s freedom to work and the impact of how they might be received, and Jóhannsson likely isn’t looking to become known as “the Next Thomas Newman.” The voice he uses on Orphée says otherwise, and provides a clear blast attestation that Jóhannsson is among the brightest lights of any member of the loosely grouped post-classical genre.
    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 21. October 2016, 17:31

    Jóhann Jóhannsson / Orphée

    Used drive : Optiarc DVD RW AD-7201S Adapter: 1 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : No
    Make use of C2 pointers : Yes

    Read offset correction : 48
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

    Used output format : Internal WAV Routines
    Sample format : 44.100 Hz; 16 Bit; Stereo


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 6:31.12 | 0 | 29336
    2 | 6:31.12 | 2:33.43 | 29337 | 40854
    3 | 9:04.55 | 2:20.67 | 40855 | 51421
    4 | 11:25.47 | 2:05.62 | 51422 | 60858
    5 | 13:31.34 | 4:51.08 | 60859 | 82691
    6 | 18:22.42 | 2:27.07 | 82692 | 93723
    7 | 20:49.49 | 1:24.71 | 93724 | 100094
    8 | 22:14.45 | 2:38.70 | 100095 | 112014
    9 | 24:53.40 | 3:31.13 | 112015 | 127852
    10 | 28:24.53 | 2:12.14 | 127853 | 137766
    11 | 30:36.67 | 2:45.64 | 137767 | 150205
    12 | 33:22.56 | 2:28.45 | 150206 | 161350
    13 | 35:51.26 | 3:17.41 | 161351 | 176166
    14 | 39:08.67 | 3:58.00 | 176167 | 194016
    15 | 43:06.67 | 3:27.14 | 194017 | 209555


    Track 1

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\01. Flight From The City.wav

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    Test CRC CF09D859
    Copy CRC CF09D859
    Accurately ripped (confidence 2) [A8FC327B] (AR v2)
    Copy OK

    Track 2

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\02. A Song For Europa.wav

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    Accurately ripped (confidence 2) [4D7050AC] (AR v2)
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    Track 3

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\03. The Drowned World.wav

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    Track 4

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    Accurately ripped (confidence 2) [A704E5BB] (AR v2)
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    Track 5

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    Accurately ripped (confidence 2) [29B655BF] (AR v2)
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    Track 6

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\06. A Sparrow Alighted Upon Our Shoulder.wav

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    Track 7

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    Accurately ripped (confidence 2) [6090A463] (AR v2)
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    Track 8

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\08. By The Roes, And By The Hinds Of The Field.wav

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    Copy CRC 59E7588B
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    Track 9

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\09. The Radiant City.wav

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    Track 10

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    Accurately ripped (confidence 2) [3BF8628D] (AR v2)
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    Track 11

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\11. The Burning Mountain.wav

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    Track 12

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\12. De Luce Et Umbra.wav

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    Accurately ripped (confidence 2) [AAEB36D7] (AR v2)
    Copy OK

    Track 13

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\13. Good Morning, Midnight.wav

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    Test CRC 37519F8C
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    Accurately ripped (confidence 2) [AE2F7EEF] (AR v2)
    Copy OK

    Track 14

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\14. Good Night, Day.wav

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    Accurately ripped (confidence 2) [B84BA035] (AR v2)
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    Track 15

    Filename C:\My Music\Jóhann Jóhannsson (2016) Orphée\15. Orphic Hymn.wav

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    Accurately ripped (confidence 2) [B8730D1A] (AR v2)
    Copy OK


    All tracks accurately ripped

    No errors occurred

    End of status report

    Thanks to the Original ripper mouse !