Johnny Cash - American IV The Man Comes Around (American Rec. 440 063 336-1) (US 2002, 1st Press) (DoLP 24-96)

Johnny Cash - American IV The Man Comes Around
(American Rec. 440 063 336-1) (US 2002, 1st Press) (DoLP 24-96)
2002 | FLAC | NO LOG & CUE | Artwork | 24Bit/96kHz: 1,13 GB

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Info:

Johnny Cash - American IV: The Man Comes Around

http://www.discogs.com/Johnny-Cash-American-IV-The-Man-Comes-Around/release/518507

Label: American Recordings
Catalog#: 440 063 336-1
Format: 2 x Vinyl, LP, Album
Country: US
Released: 2002
Genre: Rock
Style: Country Rock
Credits: Producer - Rick Rubin
Notes: Johnny Cash last studio recording
'Wichita Lineman' and 'Big Iron' was not featured on the CD release. Comes with b&w printed photo/info inner sleeves.

Tracklisting:

A1 The Man Comes Around
A2 Hurt
A3 Give My Love To Rose
A4 Bridge Over Troubled Water
Vocals - Fiona Apple

B1 I Hung My Head
B2 First Time I Ever Saw Your Face
B3 Personal Jesus
Acoustic Guitar - John Frusciante
B4 In My Life

C1 Sam Hall
C2 Danny Boy
C3 Desperado
Vocals - Don Henley
C4 I'm So Lonesome I Could Cry
Vocals - Nick Cave
C5 Streets Of Laredo

D1 Wichita Lineman
D2 Big Iron
D3 Tear Stained Letter
D4 We'll Meet Again


Technical Information:

Factory sealed LP>
AT120E>
Dual CS 505-3>
Kenwood C1>
Gold platted Cable>
Edirol R09HR @ 24/96>
Sandisc Extreme III SDHC Card>
HDD

Wavelab 5
ClickRepair 3/0 (manual mode)


Review by Zac Johnson

Johnny Cash's fourth project with producer Rick Rubin continues on the same path as many of their previous releases: Cash's warm and rumbling baritone over minimal production and gentle duets with some surprising guests. One of the things that sets American IV: The Man Comes Around apart from the others is Cash's song selections. The success he experienced with his previous interpretations of contemporary songwriters (Soundgarden's "Rusty Cage," Nick Cave's "The Mercy Seat") is applied to this album with varying degrees of success. His throaty reading of Nine Inch Nails' "Hurt" easily fits into his "Man in Black" persona, and the spiritual conviction underlying Depeche Mode's "Personal Jesus" is certainly powerful. Unfortunately, the inclusion of "Bridge Over Troubled Water" (featuring a lost-sounding Fiona Apple) and a passionless snooze through the Beatles' "In My Life" should have been so much stronger (given the subject matter of both songs and Cash's prolific life story). One of the reasons his previous covers were so successful is that in the past he had chosen some pretty obscure songs (Bonnie Prince Billy's "I See a Darkness" and Beck's "Rowboat," to name a couple) and reinterpreted them with his unique perspective and unmistakable voice. However, there is really no need to hear his versions of the Irish standard "Danny Boy" or the clunky rendition of Sting's "I Hung My Head," since something about them just doesn't fit — either Cash wasn't entirely comfortable with the song or the performance was never fully realized. Luckily, the new songs Cash wrote for the album are pretty strong, and his cover of the standard "We'll Meet Again" is among the best versions of the song ever recorded. It is a relief to hear that, although Cash's voice is clearly older and not the booming powerhouse it was in the earlier Sun and Columbia days, he's still got some punch left in him, and the wisdom he's gained in his later life seeps through between the grooves, revealing a man who has lived through it all and lived to tell the tale. allmusicguide

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