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    James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal - Gold Sounds (2005) {Brown Brothers Recordings BBR-CD1}

    Posted By: ruskaval
    James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal - Gold Sounds (2005) {Brown Brothers Recordings BBR-CD1}

    James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal - Gold Sounds (2005) {Brown Brothers Recordings BBR-CD1}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 258 Mb | MP3 @320 -> 105 Mb
    Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
    © 2005 Brown Brothers Recordings | BBR-CD1
    Jazz / Post-Bop / Progressive Jazz

    Given the glut of "String Quartet Tribute to So and So," "Electronic Tribute to Some Crappy Band," and "Pickin' on Whomever" "tributes," it's somewhat surprising that no one has tackled Pavement in a tribute album – not until now, at any rate. And even more surprising is that it's not one of those aforementioned knockoffs; it's a heavyweight jazz session with James Carter, Cyrus Chestnut, and Reginald Veal, three of jazz's finest players on their respective instruments (rounded out by the talented Ali Jackson on drums). You may be asking, "what the hell are a bunch of jazzbos doing playing Pavement tunes?" The short answer, "making a great album." Remember, underneath their slacker image and loose, lo-fi aesthetic, Pavement's best tunes were memorable and melodic with interesting (though sometimes ramshackle) arrangements.

    Carter and Company play to those strengths as a unit, and Gold Sounds is an overwhelming success, not just as a tribute but as a jazz album. Chestnut's sparkling Fender Rhodes shines throughout, and Veal really shows his versatility on both electric and acoustic bass. James Carter is hands down one of the greatest reedmen alive: he can play it tender or can summon squalls on his instruments that rival electric guitars. As a group, the entire band is locked into each other and the tunes (just listen to the tradeoffs between tenor, Rhodes, and drums as Veal holds the groove on "Stereo"), which generally don't depart drastically from the original arrangements beyond the instrumentation. "Summer Babe" is one of several highlights, with great electric bass and soulful playing. With judicious overdubs, Carter adds a second tenor and Chestnut comps on Hammond organ while soloing on Rhodes (and check out Carter's percussive comping). "Cut Your Hair" is slowed way down with more great Rhodes/Hammond work and Carter's soulful soprano. Toward the end, they kick it into high gear by upping the tempo for the outro. "Blue Hawaiian" is built on the same smooth bassline, and Chestnut sends his Rhodes through a Leslie speaker to great effect as Carter tears it up on tenor and Jackson dances around the beat. The set closes with a rousing solo piano version of "Trigger Cut." If you're a Pavement fan, you owe it to yourself to check out what these guys do with the songbook. If you're a jazz fan, forget that these tunes come from the world of indie rock; in the hands of Carter and Chestnut, they might as well be undiscovered standards.

    AAJ INFO

    Musicians

    James Carter - tenor saxophone soprano saxophone, contrabass sarrusophone
    Cyrus Chestnut - piano, electric piano, organ
    Reginald Veal - bass, electric bass, vocals
    Ali Jackson - drums, vocals

    Track LIsting

    01 Stereo 06:24
    02 My First Mine 06:30
    03 Cut Your Hair 06:30
    04 Summer Babe 04:36
    05 Blue Hawaiian 04:54
    06 Here 05:52
    07 Platform Blues 05:38
    08 Trigger Cut 03:55

    Exact Audio Copy V1.1 from 23. June 2015

    EAC extraction logfile from 9. December 2017, 14:10

    James Carter / Gold Sounds

    Used drive : MATSHITADVD+-RW SW830 Adapter: 1 ID: 0

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    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

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    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 6:24.16 | 0 | 28815
    2 | 6:24.16 | 6:30.11 | 28816 | 58076
    3 | 12:54.27 | 6:30.40 | 58077 | 87366
    4 | 19:24.67 | 4:36.06 | 87367 | 108072
    5 | 24:00.73 | 4:54.20 | 108073 | 130142
    6 | 28:55.18 | 5:52.22 | 130143 | 156564
    7 | 34:47.40 | 5:38.14 | 156565 | 181928
    8 | 40:25.54 | 3:54.12 | 181929 | 199490


    Track 1

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    Accurately ripped (confidence 9) [63719AF1] (AR v2)
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    Track 2

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    Track 3

    Filename G:\New Rips\James Carter - Gold Sounds (2005) [FLAC]\03 - Cut Your Hair.wav

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    Track 4

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    Track 5

    Filename G:\New Rips\James Carter - Gold Sounds (2005) [FLAC]\05 - Blue Hawaiian.wav

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    Track 6

    Filename G:\New Rips\James Carter - Gold Sounds (2005) [FLAC]\06 - Here.wav

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    Track 7

    Filename G:\New Rips\James Carter - Gold Sounds (2005) [FLAC]\07 - Platform Blues.wav

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    Track 8

    Filename G:\New Rips\James Carter - Gold Sounds (2005) [FLAC]\08 - Trigger Cut.wav

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    All tracks accurately ripped

    No errors occurred

    End of status report

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    Track | CTDB Status
    1 | (8/8) Accurately ripped
    2 | (8/8) Accurately ripped
    3 | (8/8) Accurately ripped
    4 | (8/8) Accurately ripped
    5 | (8/8) Accurately ripped
    6 | (8/8) Accurately ripped
    7 | (8/8) Accurately ripped
    8 | (8/8) Accurately ripped


    ==== Log checksum 523FD43E843A2D3D53FFD700ED7D3474AB441C6AA82B007519D7A38FCA9D2BE3 ====


    James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal - Gold Sounds (2005) {Brown Brothers Recordings BBR-CD1}

    James Carter, Cyrus Chestnut, Ali Jackson, Reginald Veal - Gold Sounds (2005) {Brown Brothers Recordings BBR-CD1}



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