Philippe Jaroussky, Max Emanuel Cencic, William Christie (cond.) - "Duetti" - 2011
Philippe Jaroussky, Max Emanuel Cencic, William Christie (cond.) - "Duetti" - 2011
Classical | EAC | FLAC+CUE+LOG (separate files) | cover+booklet | 1 CD | 370Mb
22/11/2011 | Virgin classics | Filepost + Megaupload
Classical | EAC | FLAC+CUE+LOG (separate files) | cover+booklet | 1 CD | 370Mb
22/11/2011 | Virgin classics | Filepost + Megaupload
Two star countertenors, Philippe Jaroussky and Max Emanuel Cencic, join William Christie and Les Arts Florissants, for a programme of chamber-scale duets and arias by Italian composers of the early 18th century. As Jaroussky says, these are “duets of great beauty, where the two voices entwine in a way that is sometimes very sophisticated, but also very sensual.”01. Pietoso Nume Arcier (Duetto Da Camera) - Max Emanuel Cencic
The contrasting and complementary talents of two star countertenors, Philippe Jaroussky and Max Emanuel Cencic, come to the fore in this programme of chamber-scale duets and arias by Italian composers of the early 18th century: Porpora, Mancini, Bononcini, Marcello, Conti and Alessandro Scarlatti. Two instrumental items by Corelli are also included in this richly filled programme, based on concerts presented by Jaroussky, Cencic and Les Arts Florissants under William Christie’s direction in France and Spain in early 2011.
Both countertenors are virtuosic performers, but Jaroussky is especially famed for the gracefulness of his vocalism, whether in brilliant castrato arias or his Virgin Classics album of belle époque song, Opium, while Cencic favours a more assertive and athletic style, which served him well in his breathtaking recital of Rossini arias for Virgin Classics. (Presto Classical)
02. Rezitativ: Consolati Aldimira - Philippe Jaroussky/Max Emanuel Cencic/Les Arts Flo 01:10
03. Duett: Se L'idolo Che Adoro - Philippe Jaroussky/Max Emanuel Cencic/Les Arts Flo 02:26
04. Quanto Mai Saria Più Bello (Kantate) - William Christie
05. Rezitativ: Irene, Che Ne Dici? - Philippe Jaroussky/Les Arts Florissants 01:07
06. Arie: La Costanza Nell' Amore - Philippe Jaroussky/Les Arts Florissants 04:21
07. Quando Veggo Un'usignolo (Kantate) (Auszug) - Max Emanuel Cencic
08. Chi D'amor Tra Le Catene (Duetto Da Camera) - Max Emanuel Cencic
09. Duett: Bella Sì, Ma Crudel - Philippe Jaroussky/Les Arts Florissants/Max Emanue 03:02
10. Ecco Che il Primo Albore (Kantate) - Max Emanuel Cencic
11. Rezitativ: Ecco Che il Primo Albore - Les Arts Florissants/Max Emanuel Cencic 00:40
12. Arie: La Pecorella Contenta Pasce - Les Arts Florissants/Max Emanuel Cencic 04:39
13. Rezitativ: Pastor Gentil La Siegue - Les Arts Florissants/Max Emanuel Cencic 00:31
14. Arie: Se Andrà Senza il Pastore - Les Arts Florissants/Max Emanuel Cencic 03:01
15. Chiaro E Limpido Fonte (Kantate) - Max Emanuel Cencic
16. Arie: Al Partir Della Fronte Serena - Les Arts Florissants/Philippe Jaroussky 02:25
17. Rezitativ: Voi Pur Leggiere Aurette - Les Arts Florissants/Max Emanuel Cencic 00:40
18. Arie: Un Solo Respiro - Les Arts Florissants/Max Emanuel Cencic 03:32
19. Rezitativ: Mirtillo, A Che SI Cerca - Les Arts Florissants/Max Emanuel Cencic/Philippe J 01:48
20. Duett: Dunque Voi Cristalli Erranti - Les Arts Florissants/Max Emanuel Cencic/Philippe J 05:06
21. Rezitativ: Ma, Che Pianger, Mirtillo? - Les Arts Florissants/Max Emanuel Cencic/Philippe J 02:03
22. Duett: La Nobile Luce - Les Arts Florissants/Max Emanuel Cencic/Philippe J 02:53
23. Tirsi E Fileno (Kantate) (Auszug) - Max Emanuel Cencic
24. Amore E Virtù (Kantate) (Auszug) - Max Emanuel Cencic
Reviews:
“Each singer brings his own individual vocal and expresive qualities to the fore in a solo cantata: Jaroussky is sweetly beguiling in Francesco Mancini's 'Quanto mai saro piu bello'…whereas Cencic's theatrical talent for gutsier declamatory coloratura takes centre stage in Porpora's 'Ecco che il primo albore'. The intuitive duet-singing works charmingly, not least becuase the adaptable Cencic sings intimately and softly in order to match Jaroussky's gentler timbre.”
Gramophone Magazine, January 2012
"A very new recording has arrived on the scene! Based on concerts presented in Spain and France countertenors Philippe Jaroussky and Max Emanuel Cencic have joined with William Christie and the Les Arts Florissants to produce this CD of duets written for countertenors. The result is so satisfying that the recoding will likely be in the running for awards.
As a bit of background for this venture, the booklet note explains `the `duetto da camera' was in part a response to the papal ban on opera in Rome in the early eighteenth century - and as the edict also forbade women from singing in public, the cantatas on this disc were necessarily written for castrati. Most of these works last around ten minutes and combine recitative dialogue with duet (the `duetto da camera') or with arias for each singer in turn (the `chamber duet'). Both are secular forms, typically setting a pastoral `nymphs-and-shepherds' text written by one or more of the scholars, amateur poets or even cardinals who attended `conversazione' (something akin to modern-day summer schools!) in Rome and Naples in order to exchange ideas and foster their appreciation of music and the other arts.'
What follows is some of the most artistic singing of this era's music on CD. Cencic's voice has the darker timbre, with plenty of metallic bite throughout the registers, whilst Jaroussky is sweeter and more ethereal. Each gets a solo cantata (inevitably, in the persona of a shepherd) which plays to these strengths, Jaroussky's by Mancini (all limpid streams and flowery banks) and Cencic's by Porpora (listen to the thrilling bite in his voice in the final section as he sings of the savage beasts who threaten his flock).
The pieces included here are as follows: Bononcini, G B `Pietoso nume arcier', and `Chi d'Amor tra le catene'; Conti `Quando veggo un'usignolo'; Mancini `Quanto mai saria più bello'; Marcello ``Chiaro e limpido fonte', and `Tirsi e Fileno'; Porpora `Ecco che il primo albore'; and Scarlatti `Amore e Virtu: Nel cor del cor mio'.
The two voices blend so well, each countertenor surpassing in his own range, and Christie and his ensemble provide just the right embellishments. The result is a recording of rare beauty by two of the finest countertenors of our time."
Grady Harp, November 2011
Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 30. December 2011, 22:59
Philippe Jaroussky, Max Emanuel Cencic, William Christie (cond.) / Duetti
Used drive : HL-DT-STDVDRAM GH41N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Not detected, thus appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "artist=%artist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "tracknumber=%tracknr%" -T "genre=%genre%" %source%
TOC of the extracted CD
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23 track(s) accurately ripped
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End of status report
EAC extraction logfile from 30. December 2011, 22:59
Philippe Jaroussky, Max Emanuel Cencic, William Christie (cond.) / Duetti
Used drive : HL-DT-STDVDRAM GH41N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : No
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Not detected, thus appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -T "artist=%artist%" -T "title=%title%" -T "album=%albumtitle%" -T "date=%year%" -T "tracknumber=%tracknr%" -T "genre=%genre%" %source%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 4:04.00 | 0 | 18299
2 | 4:04.00 | 1:10.60 | 18300 | 23609
3 | 5:14.60 | 2:26.13 | 23610 | 34572
4 | 7:40.73 | 6:41.46 | 34573 | 64693
5 | 14:22.44 | 1:07.43 | 64694 | 69761
6 | 15:30.12 | 4:21.20 | 69762 | 89356
7 | 19:51.32 | 8:26.00 | 89357 | 127306
8 | 28:17.32 | 3:23.62 | 127307 | 142593
9 | 31:41.19 | 3:02.43 | 142594 | 156286
10 | 34:43.62 | 1:31.22 | 156287 | 163133
11 | 36:15.09 | 0:40.16 | 163134 | 166149
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19 | 52:47.04 | 1:48.44 | 237529 | 245672
20 | 54:35.48 | 5:06.59 | 245673 | 268681
21 | 59:42.32 | 2:03.23 | 268682 | 277929
22 | 61:45.55 | 2:53.56 | 277930 | 290960
23 | 64:39.36 | 7:00.20 | 290961 | 322480
24 | 71:39.56 | 2:40.74 | 322481 | 334554
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Filename C:\Users\Ariane\Desktop\duetti\03 BONONCINI - Se l'idolo che adoro (Duetto).wav
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Track 6
Filename C:\Users\Ariane\Desktop\duetti\06 MANCINI - La costanza nell'amore (Aria).wav
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Track 7
Filename C:\Users\Ariane\Desktop\duetti\07 CONTI - Quando veggo un'usignolo (Aria à 2).wav
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Filename C:\Users\Ariane\Desktop\duetti\08 BONONCINI - Chi d'amor tra la catene (Duetto).wav
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Copy OK
Track 22
Filename C:\Users\Ariane\Desktop\duetti\22 MARCELLO - La nobile luce (Duetto).wav
Peak level 83.4 %
Extraction speed 4.1 X
Track quality 100.0 %
Copy CRC 0D59A123
Accurately ripped (confidence 1) [E7CDFF1E] (AR v2)
Copy OK
Track 23
Filename C:\Users\Ariane\Desktop\duetti\23 MARCELLO - Veggio Fille. Parlo a Clori (Duetto).wav
Peak level 61.7 %
Extraction speed 4.2 X
Track quality 99.9 %
Copy CRC 3D3C2915
Accurately ripped (confidence 1) [DBE7AD49] (AR v2)
Copy OK
Track 24
Filename C:\Users\Ariane\Desktop\duetti\24 SCARLATTI - Nel cor del cor mio (Duetto).wav
Peak level 81.3 %
Extraction speed 4.2 X
Track quality 100.0 %
Copy CRC 3A14C5C8
Accurately ripped (confidence 1) [75054881] (AR v2)
Copy OK
23 track(s) accurately ripped
1 track(s) could not be verified as accurate
Some tracks could not be verified as accurate
No errors occurred
End of status report