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    InAlto, Lambert Colson & Alice Foccroulle - Schütz and his Legacy (2016)

    Posted By: delpotro
    InAlto, Lambert Colson & Alice Foccroulle - Schütz and his Legacy (2016)

    InAlto, Lambert Colson & Alice Foccroulle - Schütz and his Legacy (2016)
    EAC Rip | FLAC (tracks+log+.cue) - 298 Mb | MP3 CBR 320 kbps - 151 Mb | Artwork included | 01:03:26
    Classical, Vocal | Label: Passacaille

    “Him alone did they call the Father of all musicians, to whom the Germans were indebted for enabling them now to bring music to a standard equal to that of the Italians, if not even higher”. So wrote Johann Mattheson in 1740 in praise of Heinrich Schütz (1585-1672), the most revered German musician of his generation. On this CD the ensemble inAlto present works by Schütz himself, but also by some of his students, which show why Schütz was such a good teacher, who handed on his talent to the following generation.


    Just as Heinrich Schütz forged his musical style from a range of sources both in Germany and Italy, so in turn he influenced and inspired various composers, both through the example of his compositions and his teaching, especially during the years he worked in Dresden. This CD demonstrates that effectively, with its presentation of a selection of vocal and instrumental pieces, albeit, somewhat oddly, some of the former are featured in arrangements.

    In those vocal pieces which are performed in accordance with the original scoring, Alice Foccroulle brings fresh-voiced and radiant clarity, particularly in Johann Theile’s ‘Ach, dass ich hören solte’. But she is also responsive to the nuances of the text, such as her expressive iterations of ‘Ach’ in that same work, and throughout Schütz’s song ‘Eyle mich Gott zu erretten’, which has all the variety and drama of a Monteverdian opera. She imparts a yet more beguiling, and appropriate Italianate effusiveness, to Christoph Bernhard’s ‘Aus der Tieffen’ and Vincenzo Albrici’s ‘Omnia quae fecit Deus’.

    Lambert Colson provides often lively direction from the cornet, securing a generally well-blended timbre from the instrumentalists of InAlto. However, it is the sackbuts, which stand out for their prominent contributions in the way that they conjure an array of moods among different pieces. In the arrangement of a song by David Pohle, after the jolly opening by the strings, the sackbut (taking the place of the bass voice) provides dignity, but later whips up all the participants to a flamboyant climax. A highly-pitched sackbut adds an almost comic character to Matthias Weckmann’s battle-inspired Sonata quinta a 4, reminding us of the senseless Thirty Years’ War, which the composers of this era lived through, and whereas the instruments also offer vitality and urgency in the other Weckmann Sonata featured here, they bring a warmer and softer tone to Johann Vierdanck’s Sonata.

    The agility of the other instrumentalists’ performances should not be overlooked, for example the violinists’ stylish interpretation of Johann Schop’s divisions, or elaborations upon Alessandro Striggio’s madrigal ‘Nasce la pena mia’, or the solemn addition of the violas da gamba in the Theile work already mentioned. But the performances are not a tussle for claiming the audience’s attention, as InAlto are consistently focused upon deft and sensitive ensemblework.

    Detailed liner notes give useful information about the generally little-known composers performed here, and how they came into contact with Schütz. That provides the necessary background to an otherwise diverse selection of pieces with otherwise seemingly little connection, but Colson’s enticing interpretations are such as to render that an almost academic concern.
    Curtis Rogers
    Tracklist:
    01. Wol dem der den Herren fürchet, SWV 30
    02. Eyle mich Gott zu erretten, SWV 282
    03. Sonata super 'Vox Domini'
    04. Ach, daß ich hören solte
    05. Sonata quinta à 4
    06. Aus der Tieffen
    07. Sonata a 3 tromboni e cornetto
    08. Nasce la pena mia (Diminutions by Johann Schop)
    09. O süßer Jesu Christ, wer an dich recht gedencket (Arr. Christoph Kittel)
    10. Sonata prima à 4
    11. Omnia quae fecit Deus
    12. Paduana à 6

    Exact Audio Copy V1.3 from 2. September 2016

    EAC extraction logfile from 17. July 2018, 19:46

    In Alto, Lambert Colson, Alice Foccroule / Schutz & His Legacy

    Used drive : ATAPI iHBS112 2 Adapter: 1 ID: 1

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    Gap handling : Appended to previous track

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    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 4:04.45 | 0 | 18344
    2 | 4:04.45 | 3:45.48 | 18345 | 35267
    3 | 7:50.18 | 4:55.72 | 35268 | 57464
    4 | 12:46.15 | 5:55.17 | 57465 | 84106
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    10 | 44:56.05 | 4:50.37 | 202205 | 223991
    11 | 49:46.42 | 8:15.69 | 223992 | 261185
    12 | 58:02.36 | 5:23.70 | 261186 | 285480


    Track 1

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    Track 3

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    Track 4

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    Track 5

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    Track 6

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    Track 7

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    Track 8

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    Track 10

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    Track 11

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    Track 12

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    All tracks accurately ripped

    No errors occurred

    End of status report

    –– CUETools DB Plugin V2.1.6

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    Submit result: tIGa0PsoQfBnZgKD0xGVpjzyLjc- has been confirmed
    Track | CTDB Status
    1 | (12/12) Accurately ripped
    2 | (12/12) Accurately ripped
    3 | (12/12) Accurately ripped
    4 | (12/12) Accurately ripped
    5 | (12/12) Accurately ripped
    6 | (12/12) Accurately ripped
    7 | (12/12) Accurately ripped
    8 | (12/12) Accurately ripped
    9 | (12/12) Accurately ripped
    10 | (12/12) Accurately ripped
    11 | (12/12) Accurately ripped
    12 | (12/12) Accurately ripped


    ==== Log checksum E26050CDA3CABB470BFBDDA286CA2DFB38945A28BD924F19EA8603A7656535BE ====

    Thanks to the Original ripper dtromp !