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    3. Paul Hindemith - Ensemble Villa Musica - Complete Sonatas Vol. 7 (1997, MDG "Gold" # 304 0697-2) [RE-UP]

    Paul Hindemith - Ensemble Villa Musica - Complete Sonatas Vol. 7 (1997, MDG "Gold" # 304 0697-2) [RE-UP]

    Posted By: luckburz
    Date: 23 Sep 2016 17:19:10
    Paul Hindemith - Ensemble Villa Musica - Complete Sonatas Vol. 7 (1997, MDG "Gold" # 304 0697-2) [RE-UP]

    Paul Hindemith - Ensemble Villa Musica - Complete Sonatas Vol. 7
    EAC+LOG+CUE | FLAC: 233 MB | Full Artwork: 106 MB | 5% Recovery Info
    Label/Cat#: MDG "Gold" # 304 0697-2 | Country/Year: Germany 1997
    Genre: Classical | Style: Early 20th Century, Contemporary

    MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

    my rip [X] not my rip []

    Caution: I will only post Vol. 1 & Vol. 7! Not the whole series!

    Paul Hindemith - Ensemble Villa Musica - Complete Sonatas Vol. 7 (1997, MDG "Gold" # 304 0697-2) [RE-UP]


    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 2. July 2013, 15:51

    Ensemble Villa Musica / Hindemith: Complete Sonatas CD 7

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    [CTDB TOCID: hdmHE.vff0sHn5HSVgTljPqB6Hw-] database access error: Der Remotename konnte nicht aufgelöst werden: 'db.cuetools.net'


    ==== Log checksum B543FB72D2D2B5646AECFD4381247E9BD236B1057B3ED4583CAC27D882D68009 ====

    foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
    log date: 2013-07-04 08:55:53

    ––––––––––––––––––––––––––––––––––––––––
    Analyzed: Ensemble Villa Musica / Hindemith: Complete Sonatas Vol. 7
    ––––––––––––––––––––––––––––––––––––––––

    DR Peak RMS Duration Track
    ––––––––––––––––––––––––––––––––––––––––
    DR15 -3.92 dB -23.63 dB 6:54 01-Sonata for Violoncello and Piano (1948) I.- Pastorale
    DR15 -4.68 dB -25.63 dB 6:33 02-Sonata for Violoncello and Piano (1948) II.- Moderately fast
    DR14 -0.09 dB -19.31 dB 8:59 03-Sonata for Violoncello and Piano (1948) III.- Pasacaglia
    DR11 -13.08 dB -28.23 dB 1:58 04-Small Sonata for Violoncello and Piano (1942) I.- Breit
    DR13 -5.81 dB -23.30 dB 1:52 05-Small Sonata for Violoncello and Piano (1942) II.- Lebhaft
    DR14 -12.64 dB -32.71 dB 4:32 06-Small Sonata for Violoncello and Piano (1942) ILangsam
    DR15 -4.33 dB -25.19 dB 5:26 07-A Frog he went a-courting (1941)
    DR12 -10.61 dB -28.65 dB 2:32 08-Sonata for Double-Bass and Piano (1949) I.- Allegretto
    DR12 -9.24 dB -27.81 dB 1:40 09-Sonata for Double-Bass and Piano (1949) II.- Scherzo. Allegro assai
    DR16 -4.17 dB -26.44 dB 8:39 10-Sonata for Double-Bass and Piano (1949) III.- Molto Adagio
    DR15 -0.78 dB -22.52 dB 4:15 11-Sonata for Tuba and Piano I.- Allegro pessante
    DR15 -0.43 dB -22.88 dB 1:42 12-Sonata for Tuba and Piano II.- Allegro assai
    DR15 -1.28 dB -23.38 dB 7:16 13-Sonata for Tuba and Piano III.- Variations
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    DR13 -10.56 dB -29.48 dB 3:03 15-Sonata for Trombone and Piano (1941) II.- Allegretto grazioso
    DR12 -1.72 dB -18.52 dB 1:54 16-Sonata for Trombone and Piano (1941) III.- Allegro pessante
    DR13 -1.09 dB -18.34 dB 2:34 17-Sonata for Trombone and Piano (1941) V.- Allegro moderato maestoso
    ––––––––––––––––––––––––––––––––––––––––

    Number of tracks: 17
    Official DR value: DR14

    Samplerate: 44100 Hz
    Channels: 2
    Bits per sample: 16
    Bitrate: 428 kbps
    Codec: FLAC
    ================================================================================



    CD Info:

    Paul Hindemith - Ensemble Villa Musica - Complete Sonatas Vol. 7

    Label: MDG
    Series: Gold
    Catalog#: 304 0697-2
    Format: CD, Album
    Country: Germany
    Released: 1997
    Genre: Classcial
    Style: Contemporary

    Tracklist:

    1 Sonata for Violoncello and Piano (1948) I.- Pastorale 6:54
    2 Sonata for Violoncello and Piano (1948) II.- Moderately fast 6:33
    3 Sonata for Violoncello and Piano (1948) III.- Pasacaglia 8:59
    4 Small Sonata for Violoncello and Piano (1942) I.- Breit 1:58
    5 Small Sonata for Violoncello and Piano (1942) II.- Lebhaft 1:52
    6 Small Sonata for Violoncello and Piano (1942) ILangsam 4:32
    7 A Frog he went a-courting (1941) 5:26
    8 Sonata for Double-Bass and Piano (1949) I.- Allegretto 2:32
    9 Sonata for Double-Bass and Piano (1949) II.- Scherzo. Allegro assai 1:40
    10 Sonata for Double-Bass and Piano (1949) III.- Molto Adagio 8:39
    11 Sonata for Tuba and Piano I.- Allegro pessante 4:15
    12 Sonata for Tuba and Piano II.- Allegro assai 1:42
    13 Sonata for Tuba and Piano III.- Variations 7:16
    14 Sonata for Trombone and Piano (1941) I.- Allegro moderato maestoso 2:49
    15 Sonata for Trombone and Piano (1941) II.- Allegretto grazioso 3:03
    16 Sonata for Trombone and Piano (1941) III.- Allegro pessante 1:54
    17 Sonata for Trombone and Piano (1941) V.- Allegro moderato maestoso 2:34

    Recording: March 28/29, 1996, December 5, 1996; January, 20, 1997 Fürstliche Reitbahn Arolsen

    Ensemble Villa Musica
    Martin Ostertag, violoncello
    Wolfgang Güttler, double bass
    Branimir Slokar, trombone
    Walter Hilgers, tuba
    Kalle Randalu, piano

    This is the first disc in Dabringhaus und Grimm’s Hindemith sonata series that I have encountered, though I do know several of their issues devoted to his chamber and vocal works. Common to all is the participation of the Ensemble Villa Musica who prove themselves convincing exponents of this music, of which individually and collectively they seem to have an inborn understanding. Their sensitivity to an output all too often in the past delivered in a manner devoid of tonal beauty is most welcome (the Double-Bass Sonata is a good example, beautifully played here), and is matched by admirably natural and clean sound.

    This would make the present release worthy even if the performances were merely adequate, but in fact they are all very good. Cellist Martin Ostertag has the lion’s share of the solo work, occupying roughly half of the disc. He clearly has the measure of the style, and the edge over Berger in structural grasp. Much the same applies to tuba player Walter Hilgers, who strikes me as marginally preferable to either of his rivals; the piano in the BIS recording also sounds rather brittle. In the Trombone Sonata, Slokar and Lindberg lead the way, but the former is better balanced (compare the very opening bars). Through all these works, Kalle Randalu here proves a most nimble-figured accompanist; if not perhaps matching Gould’s mercurial genius, neither is he as wayward.

    If this imaginative mix of tenor/bass sonatas, rather than an all-cello recital, at first seems curious it works well in practice. Those already in possession of the rival accounts listed above may not want to duplicate these works further, though I would rate the present offering most highly; for those coming new to these works, start here.

    – Gramophone [12/1997]



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