The Hilliard Ensemble - In Paradisum, Music of Victoria and Palestrina (Repost)
The Hilliard Ensemble (T.L. de Victoria, G.P. da Palestrina, Graduale Romanum from Toul) - In Paradisum, Music of Victoria and Palestrina
EAC Rip | FLAC + CUE + LOG 280 MB | Complete Scans 9 MB
Label: ECM New Series | Catalog Number: ECM 1653 (457 851-2) | Recorded: 1997-09| Released: 2000
The Hilliard Ensemble
EAC Rip | FLAC + CUE + LOG 280 MB | Complete Scans 9 MB
Label: ECM New Series | Catalog Number: ECM 1653 (457 851-2) | Recorded: 1997-09| Released: 2000
The Hilliard Ensemble
“In Paradisum” combines music from three sources: the Officium Defunctorum of Victoria, polyphony by Palestrina and Gregorian chant from a 17th century manuscript. Placing the work of the Spanish and Italian religious composers in a historically "authentic" context, the Hilliard Ensemble (one of the world’s finest vocal chamber groups) also give us a sense of the overwhelming musical experience that the Catholic Mass was at the time of the Renaissance. The antiphon “In Paradisum deducant te angeli” – may the angels conduct you to Paradise – gives the album its title, this being the sequence which concludes the Latin rite of the Roman Catholic liturgy for the dead, before the funeral procession leaves the church to escort the body to its final resting place.
Composer Ivan Moody, contributing to “In Paradisum” as an essayist, points out that while our awareness of the musical achievement of the great composers of liturgical polyphony has grown in this century, we have also lost our perspective of the fact that they were first and foremost men of the spirit (Palestrina’s social connections and more worldly ambitions notwithstanding) whose greatest works were written for the glory of God. Here, the Hilliard singers restore an appropriate sense of context, their performance reminding us that Palestrina and Victoria would have been closely involved with the plainsong and mass for daily offices; at the same time they are emphasising that the sung Catholic Mass was once also an extraordinary musical event. Nor were its musical forms immutable; this was a period when the traditions were in flux, “performance practise” in chant was changing, influenced by developments in polyphony.
Of the repertoire on the present disc, The Hilliard Ensemble’s Gordon Jones explains: “Of the four pieces by Palestrina included in this programme, three are settings of Responsory texts from either the Office for the Dead or the Burial Service. Two, Heu mihi Domine and Domine quando veneris are both from the Matins for the Dead and are set in two sections. The third, Libera me Domine, is the only one to retain its full responsorial structure. The plainsong Dum veneris acts as a response to the polyphonic verses, which are for three voices, and there is a repeat of the whole opening section at the end. To the Responsory proper Palestrina has added a setting of the Kyrie which would have been sung at this point in the service. The fourth piece, Ad Dominum cum tribularer clamavi, Psalm 119 (120), is set as a motet, in two sections. This psalm would have been sung at Vespers from the Office for the Dead.”
Victoria published two settings of the Requiem and various other texts from the Office of the Dead. “From the first of these, Libera me is the same text as set by Palestrina and in the same responsorial style. It also, like Palestrina’s setting, has the chant as a cantus firmus in the top voice. The responsory, Peccantem me quotidie, is from the Matins of the Dead and the programme begins with a setting of the second lesson from the same service, Taedet animam meam, from Victoria’s later version of the office.”
(Info from ECMrecords.com.)
Performers:
The Hilliard Ensemble
David James, counter-tenor
John Potter, tenor
Rogers Covey-Crump , tenor
Gordon Jones, baritone
Tracklisting:
[1]. Taedet animam meam
[2]. Introitus
[3]. Kyrie
[4]. Domine quando veneris
[5]. Graduale
[6]. Libera me Domine
[7]. Tractus
[8]. Ad Dominum cum tribularer clamavi
[9]. Sequentia
[10]. Offertorium
[11]. Peccantem me quotidie
[12]. Sanctus-Benedictus
[13]. Heu mihi Domine
[14]. Agnus Dei
[15]. Communio
[16]. Libera me Domine
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 13. June 2010, 17:25
The Hilliard Ensemble / In Paradisum - Music of Victoria and Palestrina
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Track 1
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Track 4
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Track 8
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Track 11
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