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Adolph Henselt - Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations (2000)

Posted By: luckburz

Date: 18 Apr 2014 14:46:00

Adolph Henselt - Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations (2000)

Adolph Henselt - Piano Trio, Duo, Variations
Claudius Tanski / Benjamin Schmid / Clemens Hagen / Vincent Levesque
EAC+LOG+CUE | FLAC: 331 MB | Full Artwork: 134 MB | 5% Recovery Info
Label/Cat#: MDG "Gold, Edition IME" # 312 1022-2 | Country/Year: Germany 2000
Genre: Classical | Style: Romantic, Piano

MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]

my rip [X] not my rip []

EAC

Exact Audio Copy V1.0 beta 3 from 29. August 2011

EAC extraction logfile from 2. July 2013, 12:53

Claudius Tanski, Benjamin Schmid, Clemens Hagen, Vincent Lévesque / Henselt: Piano Trio, Duo, Variations

Used drive : PIONEER BD-RW BDR-206 Adapter: 0 ID: 2

Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No

Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000

Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : Yes
Command line compressor : C:\Program Files\FLAC\flac.exe
Additional command line options : -5 -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Genre=%genre%" %source% -o %dest%

TOC of the extracted CD

Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 11:40.22 | 0 | 52521
2 | 11:40.22 | 4:10.25 | 52522 | 71296
3 | 15:50.47 | 3:53.23 | 71297 | 88794
4 | 19:43.70 | 6:30.27 | 88795 | 118071
5 | 26:14.22 | 4:27.30 | 118072 | 138126
6 | 30:41.52 | 2:39.08 | 138127 | 150059
7 | 33:20.60 | 3:04.42 | 150060 | 163901
8 | 36:25.27 | 16:02.68 | 163902 | 236119
9 | 52:28.20 | 12:19.67 | 236120 | 291611

Range status and errors

Selected range

Filename F:\=== VINYL RIPS ===\=== EAC===\X FRESH RIP\Henselt- Tanski, Schmid, Hagen, Lévesque - Piano Trio, Duo, Variations.wav

Peak level 99.7 %
Extraction speed 7.8 X
Range quality 100.0 %
Copy CRC CECD42B6
Copy OK

No errors occurred

AccurateRip summary

Track 1 not present in database
Track 2 not present in database
Track 3 not present in database
Track 4 not present in database
Track 5 not present in database
Track 6 not present in database
Track 7 not present in database
Track 8 not present in database
Track 9 not present in database

None of the tracks are present in the AccurateRip database

End of status report

–– CUETools DB Plugin V2.1.3

[CTDB TOCID: q3NjZ5sGCh1LAoN92l_MFzBqWUc-] disk not present in database, Submit result: q3NjZ5sGCh1LAoN92l_MFzBqWUc- has been uploaded

==== Log checksum 89C06F4B392AE745E1270A55DD530151BE92AA97684E8BD205917F3CFF344755 ====

Dynamic

foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-07-04 08:58:18

––––––––––––––––––––––––––––––––––––––––
Analyzed: Claudius Tanski, Benjamin Schmid, Clemens Hagen, Vincent Lévesque / Henselt: Piano Trio, Duo, Variations
––––––––––––––––––––––––––––––––––––––––

DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.10 dB -18.54 dB 11:40 01-Trio a-moll op. 24 - I - Allegro ma non troppo
DR13 -2.73 dB -22.52 dB 4:10 02-Trio a-moll op. 24 - II - Andante con moto
DR13 -3.44 dB -20.07 dB 3:53 03-Trio a-moll op. 24 - III - Scherzo
DR12 -0.96 dB -19.87 dB 6:30 04-Trio a-moll op. 24 - IV - Finale Allegro
DR14 -9.43 dB -29.34 dB 4:27 05-Berceuse Ges-dur Op.13 Nr.1
DR11 -6.67 dB -23.31 dB 2:39 06-Nocturne Op.6 Nr.1 - 'Douleur Cherie'
DR12 -10.49 dB -26.16 dB 3:05 07-Nocturne Op.6 Nr.2 - 'La Fontaine'
DR12 -0.02 dB -15.54 dB 16:03 08-Duo h-moll op. 14 für Klavier & Horn - Adagietto, Allegro non troppo
DR13 -1.34 dB -20.50 dB 12:20 09-Variations de Concert Op.1 sur le motif de l'Opera l'Elise d'Amore de Donizet…
––––––––––––––––––––––––––––––––––––––––

Number of tracks: 9
Official DR value: DR13

Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 493 kbps
Codec: FLAC
================================================================================

CD Info:

Adolph Henselt - Piano Trio, Duo, Variations

Claudius Tanski / Benjamin Schmid / Clemens Hagen / Vincent Levesque

Label: MDG
Co.Prod.: Institut für deutsche Musikkultur im östlichen Europe
Catalog#: 312 1022-2
Format: CD, Album
Country: Germany
Released: 2000
Genre: Classical
Style: Romantic

Tracklist:

1 Trio a-moll op. 24 - I - Allegro ma non troppo 11:40
2 Trio a-moll op. 24 - II - Andante con moto 4:10
3 Trio a-moll op. 24 - III - Scherzo 3:53
4 Trio a-moll op. 24 - IV - Finale Allegro 6:30
5 Berceuse Ges-dur Op.13 Nr.1 4:27
6 Nocturne Op.6 Nr.1 - 'Douleur Cherie' 2:39
7 Nocturne Op.6 Nr.2 - 'La Fontaine' 3:05
8 Duo h-moll op. 14 für Klavier & Horn - Adagietto, Allegro non troppo 16:03
9 Variations de Concert Op.1 sur le motif de l'Opera l'Elise d'Amore de Donizet… 12:20

Claudius Tanski, piano
Benjamin Schmid, violin (Track 1-4)
Clemens Hagen, violoncello (Track 1-4)
Vincent Lévesque, horn (Track 8)

Adolf von Henselt’s music is not well known today outside piano circles. His Piano Trio Op. 24, dedicated to Franz Liszt, is one of the few chamber works he created, and it bears more signs of the performer’s career he left behind than of the influential pedagogue he became. If Henselt’s writing is a little over-the-top in places, the playing on this recording is even more so. The ensemble is occasionally on the heavy side, and MDG’s sound is so direct and open that the performers’ stresses are exaggerated even further. This is evident, for instance, in the closing bars of the first movement exposition and in much of the following development section. What is supposed to be Romantic passion simply becomes overbearing. Overall, there are more passages like this, with plenty of clamoring in the piano part, than there are calmer moments.

Pianist Claudius Tanski’s innate feel for the atmospheric requirements of Henselt’s solo piano music is evident from the opening bars of the Berceuse, an excellent example of the salon music of the period. He produces a very delicate tone that stands out in sharp relief from his more gregarious sound in the Trio, with a tasteful rubato that perfectly straddles the fine line between losing the line and moving on. Vincent Lévesque’s horn in the Op. 14 Duo is too bright, and his sound tends to thin out on long forte notes in the upper register. Melodically, this work is not one of Henselt’s more interesting, and the horn’s tendency to bleat at the crux of certain phrases is distracting.

Tanski’s talent makes the Variations de Concert an enjoyable closer. In this, the aria “Io son ricco e tu sei bella” from Donizetti’s Elisire d’Amore is given the usual 19th century virtuoso treatment by Henselt, but Tanski never gives in to flash. He evokes a broad range of emotions, always managing to keep things from becoming kitsch. By himself, Tanski is worthy of a warm recommendation, but as a whole, this package must remain one for the curious or for interested specialists. classicstoday

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