Joseph Haydn - Concentus Musicus Wien / Harnoncourt - The Paris Symphonies (2005)
Joseph Haydn - The Paris Symphonies Nos. 82-87
Concentus Musicus Wien / Nikolaus Harnoncourt
EAC+LOG+CUE | 3xWV: 853 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # 82876606022 | Country/Year: Germany 2005
Genre: Classical | Style: Vienesse School
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
selfrip [] not my rip [X]
Joseph Haydn - Concentus Musicus Wien / Harnoncourt - The Paris Symphonies (2005)
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 25. November 2011, 20:14
Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 12:06.22 | 0 | 54471
2 | 12:06.22 | 7:45.53 | 54472 | 89399
3 | 19:52.00 | 4:52.71 | 89400 | 111370
4 | 24:44.71 | 8:11.18 | 111371 | 148213
5 | 32:56.14 | 10:44.47 | 148214 | 196560
6 | 43:40.61 | 11:00.68 | 196561 | 246128
7 | 54:41.54 | 3:53.47 | 246129 | 263650
8 | 58:35.26 | 5:41.44 | 263651 | 289269
Range status and errors
Selected range
Filename Z:\NetLab\Joseph Haydn - The Paris Symphonies Nos. 82-87 (Concentus Musicus Wien, Harnoncourt Nikolaus) (2005) {3CDs DHM}\CD1\F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1).wav
Peak level 98.8 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC 7D49D4C2
Copy CRC 7D49D4C2
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [286BCDEC] (AR v2)
Track 2 accurately ripped (confidence 4) [9FC10F54] (AR v2)
Track 3 accurately ripped (confidence 4) [2DCC936E] (AR v2)
Track 4 accurately ripped (confidence 4) [17243335] (AR v2)
Track 5 accurately ripped (confidence 4) [68E2EB47] (AR v2)
Track 6 accurately ripped (confidence 4) [839343DD] (AR v2)
Track 7 accurately ripped (confidence 4) [956E13CC] (AR v2)
Track 8 accurately ripped (confidence 4) [6C267359] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum BF7C9577292CB15EDFCF7D4EE858368BA000D6AD5DFF1C5EC7C244998BC1DBC7 ====
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 25. November 2011, 23:30
Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 12:44.71 | 0 | 57370
2 | 12:44.71 | 6:32.15 | 57371 | 86785
3 | 19:17.11 | 3:50.18 | 86786 | 104053
4 | 23:07.29 | 9:23.25 | 104054 | 146303
5 | 32:30.54 | 12:47.31 | 146304 | 203859
6 | 45:18.10 | 6:46.68 | 203860 | 234377
7 | 52:05.03 | 4:31.66 | 234378 | 254768
8 | 56:36.69 | 3:11.27 | 254769 | 269120
Range status and errors
Selected range
Filename Z:\NetLab\Joseph Haydn - The Paris Symphonies Nos. 82-87 (Concentus Musicus Wien, Harnoncourt Nikolaus) (2005) {3CDs DHM}\CD2\F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2).wav
Peak level 98.8 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC 6F13D367
Copy CRC 6F13D367
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [53CD2742] (AR v2)
Track 2 accurately ripped (confidence 4) [C6B47D93] (AR v2)
Track 3 accurately ripped (confidence 4) [C76E962F] (AR v2)
Track 4 accurately ripped (confidence 4) [013B2FF3] (AR v2)
Track 5 accurately ripped (confidence 4) [921306B8] (AR v2)
Track 6 accurately ripped (confidence 3) [03859E40] (AR v2)
Track 7 accurately ripped (confidence 4) [6D928FAE] (AR v2)
Track 8 accurately ripped (confidence 4) [578C93A4] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 224FE8700143D2DB0DBD383E593939D1BAA23C6AF67661043A7DCF6E4AAE6D19 ====
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 27. November 2011, 11:22
Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 12:35.31 | 0 | 56655
2 | 12:35.31 | 6:46.71 | 56656 | 87176
3 | 19:22.27 | 5:39.56 | 87177 | 112657
4 | 25:02.08 | 6:35.63 | 112658 | 142345
5 | 31:37.71 | 11:16.52 | 142346 | 193097
6 | 42:54.48 | 7:18.01 | 193098 | 225948
7 | 50:12.49 | 4:55.50 | 225949 | 248123
8 | 55:08.24 | 6:30.38 | 248124 | 277411
Range status and errors
Selected range
Filename Z:\NetLab\Joseph Haydn - The Paris Symphonies Nos. 82-87 (Concentus Musicus Wien, Harnoncourt Nikolaus) (2005) {3CDs DHM}\CD3\F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3).wav
Peak level 98.8 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC B7024EB5
Copy CRC B7024EB5
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [3F54DE6D] (AR v2)
Track 2 accurately ripped (confidence 4) [4C46C1AC] (AR v2)
Track 3 accurately ripped (confidence 4) [6D30DC33] (AR v2)
Track 4 accurately ripped (confidence 4) [DB6A6FC2] (AR v2)
Track 5 accurately ripped (confidence 4) [A1461EAD] (AR v2)
Track 6 accurately ripped (confidence 4) [929948FF] (AR v2)
Track 7 accurately ripped (confidence 4) [0F4FA397] (AR v2)
Track 8 accurately ripped (confidence 4) [269AC206] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 8D572F5B62A9BB43842EBF0A03D3F2F15A52A2DA7F8293348B7E4AA48F189BDA ====
EAC extraction logfile from 25. November 2011, 20:14
Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 12:06.22 | 0 | 54471
2 | 12:06.22 | 7:45.53 | 54472 | 89399
3 | 19:52.00 | 4:52.71 | 89400 | 111370
4 | 24:44.71 | 8:11.18 | 111371 | 148213
5 | 32:56.14 | 10:44.47 | 148214 | 196560
6 | 43:40.61 | 11:00.68 | 196561 | 246128
7 | 54:41.54 | 3:53.47 | 246129 | 263650
8 | 58:35.26 | 5:41.44 | 263651 | 289269
Range status and errors
Selected range
Filename Z:\NetLab\Joseph Haydn - The Paris Symphonies Nos. 82-87 (Concentus Musicus Wien, Harnoncourt Nikolaus) (2005) {3CDs DHM}\CD1\F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1).wav
Peak level 98.8 %
Extraction speed 2.1 X
Range quality 100.0 %
Test CRC 7D49D4C2
Copy CRC 7D49D4C2
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [286BCDEC] (AR v2)
Track 2 accurately ripped (confidence 4) [9FC10F54] (AR v2)
Track 3 accurately ripped (confidence 4) [2DCC936E] (AR v2)
Track 4 accurately ripped (confidence 4) [17243335] (AR v2)
Track 5 accurately ripped (confidence 4) [68E2EB47] (AR v2)
Track 6 accurately ripped (confidence 4) [839343DD] (AR v2)
Track 7 accurately ripped (confidence 4) [956E13CC] (AR v2)
Track 8 accurately ripped (confidence 4) [6C267359] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum BF7C9577292CB15EDFCF7D4EE858368BA000D6AD5DFF1C5EC7C244998BC1DBC7 ====
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 25. November 2011, 23:30
Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 12:44.71 | 0 | 57370
2 | 12:44.71 | 6:32.15 | 57371 | 86785
3 | 19:17.11 | 3:50.18 | 86786 | 104053
4 | 23:07.29 | 9:23.25 | 104054 | 146303
5 | 32:30.54 | 12:47.31 | 146304 | 203859
6 | 45:18.10 | 6:46.68 | 203860 | 234377
7 | 52:05.03 | 4:31.66 | 234378 | 254768
8 | 56:36.69 | 3:11.27 | 254769 | 269120
Range status and errors
Selected range
Filename Z:\NetLab\Joseph Haydn - The Paris Symphonies Nos. 82-87 (Concentus Musicus Wien, Harnoncourt Nikolaus) (2005) {3CDs DHM}\CD2\F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2).wav
Peak level 98.8 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC 6F13D367
Copy CRC 6F13D367
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [53CD2742] (AR v2)
Track 2 accurately ripped (confidence 4) [C6B47D93] (AR v2)
Track 3 accurately ripped (confidence 4) [C76E962F] (AR v2)
Track 4 accurately ripped (confidence 4) [013B2FF3] (AR v2)
Track 5 accurately ripped (confidence 4) [921306B8] (AR v2)
Track 6 accurately ripped (confidence 3) [03859E40] (AR v2)
Track 7 accurately ripped (confidence 4) [6D928FAE] (AR v2)
Track 8 accurately ripped (confidence 4) [578C93A4] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 224FE8700143D2DB0DBD383E593939D1BAA23C6AF67661043A7DCF6E4AAE6D19 ====
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 27. November 2011, 11:22
Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3)
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 12:35.31 | 0 | 56655
2 | 12:35.31 | 6:46.71 | 56656 | 87176
3 | 19:22.27 | 5:39.56 | 87177 | 112657
4 | 25:02.08 | 6:35.63 | 112658 | 142345
5 | 31:37.71 | 11:16.52 | 142346 | 193097
6 | 42:54.48 | 7:18.01 | 193098 | 225948
7 | 50:12.49 | 4:55.50 | 225949 | 248123
8 | 55:08.24 | 6:30.38 | 248124 | 277411
Range status and errors
Selected range
Filename Z:\NetLab\Joseph Haydn - The Paris Symphonies Nos. 82-87 (Concentus Musicus Wien, Harnoncourt Nikolaus) (2005) {3CDs DHM}\CD3\F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3).wav
Peak level 98.8 %
Extraction speed 2.0 X
Range quality 99.9 %
Test CRC B7024EB5
Copy CRC B7024EB5
Copy OK
No errors occurred
AccurateRip summary
Track 1 accurately ripped (confidence 4) [3F54DE6D] (AR v2)
Track 2 accurately ripped (confidence 4) [4C46C1AC] (AR v2)
Track 3 accurately ripped (confidence 4) [6D30DC33] (AR v2)
Track 4 accurately ripped (confidence 4) [DB6A6FC2] (AR v2)
Track 5 accurately ripped (confidence 4) [A1461EAD] (AR v2)
Track 6 accurately ripped (confidence 4) [929948FF] (AR v2)
Track 7 accurately ripped (confidence 4) [0F4FA397] (AR v2)
Track 8 accurately ripped (confidence 4) [269AC206] (AR v2)
All tracks accurately ripped
End of status report
==== Log checksum 8D572F5B62A9BB43842EBF0A03D3F2F15A52A2DA7F8293348B7E4AA48F189BDA ====
auCDtect: CD records authenticity detector, version 0.8.2
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Concentus Musicus Wien, Harnoncourt Nikolaus - F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1).wav]
Detected average hi-boundary frequency: 2.025601e+004 Hz
Detected average lo-boundary frequency: 1.268941e+004 Hz
Detected average hi-cut frequency: 2.160856e+004 Hz
Detected average lo-cut frequency: 1.391431e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 9.321113e-001
First order smothness: 2.734561e-001
Second order smothness: 8.160347e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Concentus Musicus Wien, Harnoncourt Nikolaus - F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2).wav]
Detected average hi-boundary frequency: 2.059736e+004 Hz
Detected average lo-boundary frequency: 1.323705e+004 Hz
Detected average hi-cut frequency: 2.163200e+004 Hz
Detected average lo-cut frequency: 1.639387e+004 Hz
Maximum probablis boundary frequency: 2.175700e+004 Hz
Coefficient of nonlinearity of a phase: 1.020493e+000
First order smothness: 2.727696e-001
Second order smothness: 8.725833e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Concentus Musicus Wien, Harnoncourt Nikolaus - F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3).wav]
Detected average hi-boundary frequency: 2.047427e+004 Hz
Detected average lo-boundary frequency: 1.412011e+004 Hz
Detected average hi-cut frequency: 2.150870e+004 Hz
Detected average lo-cut frequency: 1.478953e+004 Hz
Maximum probablis boundary frequency: 2.119700e+004 Hz
Coefficient of nonlinearity of a phase: 4.462952e-001
First order smothness: 3.096045e-001
Second order smothness: 8.065537e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
Copyright © 2004 Oleg Berngardt. All rights reserved.
Copyright © 2004 Alexander Djourik. All rights reserved.
Detect mode (0..40 with 0 = most accurate): 8 (default)
––––––––––––––––––––––––––––––
[Concentus Musicus Wien, Harnoncourt Nikolaus - F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1).wav]
Detected average hi-boundary frequency: 2.025601e+004 Hz
Detected average lo-boundary frequency: 1.268941e+004 Hz
Detected average hi-cut frequency: 2.160856e+004 Hz
Detected average lo-cut frequency: 1.391431e+004 Hz
Maximum probablis boundary frequency: 2.189100e+004 Hz
Coefficient of nonlinearity of a phase: 9.321113e-001
First order smothness: 2.734561e-001
Second order smothness: 8.160347e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Concentus Musicus Wien, Harnoncourt Nikolaus - F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2).wav]
Detected average hi-boundary frequency: 2.059736e+004 Hz
Detected average lo-boundary frequency: 1.323705e+004 Hz
Detected average hi-cut frequency: 2.163200e+004 Hz
Detected average lo-cut frequency: 1.639387e+004 Hz
Maximum probablis boundary frequency: 2.175700e+004 Hz
Coefficient of nonlinearity of a phase: 1.020493e+000
First order smothness: 2.727696e-001
Second order smothness: 8.725833e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
––––––––––––––––––––––––––––––
[Concentus Musicus Wien, Harnoncourt Nikolaus - F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3).wav]
Detected average hi-boundary frequency: 2.047427e+004 Hz
Detected average lo-boundary frequency: 1.412011e+004 Hz
Detected average hi-cut frequency: 2.150870e+004 Hz
Detected average lo-cut frequency: 1.478953e+004 Hz
Maximum probablis boundary frequency: 2.119700e+004 Hz
Coefficient of nonlinearity of a phase: 4.462952e-001
First order smothness: 3.096045e-001
Second order smothness: 8.065537e-001
––––––––––––––––––––––––––––––
This track looks like CDDA with probability 100%.
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-04-23 19:47:51
––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.10 dB -17.12 dB 12:06 01-Paris Symphony No.82 in C major Hob. I:82 'L'Ours' (1786) - I. Vivace assai
DR13 -2.51 dB -22.71 dB 7:46 02-II. Allegretto
DR14 -0.10 dB -18.74 dB 4:53 03-III. Menuet-Trio
DR14 -0.10 dB -17.81 dB 8:11 04-IV. Finale (Vivace)
DR13 -0.10 dB -16.48 dB 10:45 05-Paris Symphony No.83 in G minor Hob. I:83 'La Poule' (1785) - I. Allegro spir…
DR15 -0.10 dB -22.16 dB 11:01 06-II. Andante
DR14 -1.80 dB -20.44 dB 3:54 07-III. Menuetto (Allegretto)-Trio
DR13 -0.10 dB -16.26 dB 5:42 08-IV. Finale (Vivace)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: WavPack
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.26 dB -18.69 dB 12:45 01-Paris Symphony No.84 in E-flat major Hob. I:84 (1786) - I. Largo-Allegro
DR13 -2.46 dB -21.32 dB 6:32 02-II. Andante
DR14 -2.92 dB -20.47 dB 3:50 03-III. Menuet (Allegretto)-Trio
DR13 -0.10 dB -18.66 dB 9:23 04-IV. Finale (Vivace)
DR13 -0.10 dB -17.68 dB 12:47 05-Paris Symphony No.85 in B-flat major Hob. I:85 'La Reine' (1785) - I. Adagio-…
DR16 -1.14 dB -24.37 dB 6:47 06-II. Romance (Allegretto)
DR14 -0.26 dB -19.95 dB 4:32 07-III. Menuet (Allegretto)-Trio
DR13 -0.10 dB -17.88 dB 3:11 08-IV. Finale (Presto)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 647 kbps
Codec: WavPack
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -0.10 dB -18.35 dB 12:35 01-Paris Symphony No.86 in D major Hob. I:86 (1786) - I. Adagio - Allegro spiritoso
DR15 -4.44 dB -25.13 dB 6:47 02-II. Capriccio Largo
DR15 -0.10 dB -20.66 dB 5:40 03-III. Menuetto (Allegretto)-Trio
DR13 -0.10 dB -16.60 dB 6:36 04-IV. Finale (Allegro con spirito)
DR14 -0.10 dB -18.42 dB 11:17 05-Paris Symphony No.87 in A major Hob. I:87 (1785) - I. Vivace
DR16 -1.66 dB -25.20 dB 7:18 06-II. Adagio
DR14 -1.56 dB -20.98 dB 4:56 07-III. Menuet-Trio
DR13 -0.10 dB -17.84 dB 6:31 08-IV. Finale (Vivace)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 615 kbps
Codec: WavPack
================================================================================
log date: 2013-04-23 19:47:51
––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD1)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR13 -0.10 dB -17.12 dB 12:06 01-Paris Symphony No.82 in C major Hob. I:82 'L'Ours' (1786) - I. Vivace assai
DR13 -2.51 dB -22.71 dB 7:46 02-II. Allegretto
DR14 -0.10 dB -18.74 dB 4:53 03-III. Menuet-Trio
DR14 -0.10 dB -17.81 dB 8:11 04-IV. Finale (Vivace)
DR13 -0.10 dB -16.48 dB 10:45 05-Paris Symphony No.83 in G minor Hob. I:83 'La Poule' (1785) - I. Allegro spir…
DR15 -0.10 dB -22.16 dB 11:01 06-II. Andante
DR14 -1.80 dB -20.44 dB 3:54 07-III. Menuetto (Allegretto)-Trio
DR13 -0.10 dB -16.26 dB 5:42 08-IV. Finale (Vivace)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 663 kbps
Codec: WavPack
================================================================================
––––––––––––––––––––––––––––––––––––––––
Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD2)
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR14 -1.26 dB -18.69 dB 12:45 01-Paris Symphony No.84 in E-flat major Hob. I:84 (1786) - I. Largo-Allegro
DR13 -2.46 dB -21.32 dB 6:32 02-II. Andante
DR14 -2.92 dB -20.47 dB 3:50 03-III. Menuet (Allegretto)-Trio
DR13 -0.10 dB -18.66 dB 9:23 04-IV. Finale (Vivace)
DR13 -0.10 dB -17.68 dB 12:47 05-Paris Symphony No.85 in B-flat major Hob. I:85 'La Reine' (1785) - I. Adagio-…
DR16 -1.14 dB -24.37 dB 6:47 06-II. Romance (Allegretto)
DR14 -0.26 dB -19.95 dB 4:32 07-III. Menuet (Allegretto)-Trio
DR13 -0.10 dB -17.88 dB 3:11 08-IV. Finale (Presto)
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Number of tracks: 8
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 647 kbps
Codec: WavPack
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Analyzed: Concentus Musicus Wien, Harnoncourt Nikolaus / F.J. Haydn - The Paris Symphonies Nos. 82-87 (CD3)
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DR Peak RMS Duration Track
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DR14 -0.10 dB -18.35 dB 12:35 01-Paris Symphony No.86 in D major Hob. I:86 (1786) - I. Adagio - Allegro spiritoso
DR15 -4.44 dB -25.13 dB 6:47 02-II. Capriccio Largo
DR15 -0.10 dB -20.66 dB 5:40 03-III. Menuetto (Allegretto)-Trio
DR13 -0.10 dB -16.60 dB 6:36 04-IV. Finale (Allegro con spirito)
DR14 -0.10 dB -18.42 dB 11:17 05-Paris Symphony No.87 in A major Hob. I:87 (1785) - I. Vivace
DR16 -1.66 dB -25.20 dB 7:18 06-II. Adagio
DR14 -1.56 dB -20.98 dB 4:56 07-III. Menuet-Trio
DR13 -0.10 dB -17.84 dB 6:31 08-IV. Finale (Vivace)
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 8
Official DR value: DR14
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 615 kbps
Codec: WavPack
================================================================================
CD Info:
Joseph Haydn - The Paris Symphonies Nos. 82-87
Concentus Musicus Wien / Nikolaus Harnoncourt
Label: Deutsche Harmonia Mundi
Catalog#: 82876606022
Format: 3xCD, Album
Country: Germany
Released: 2005
Genre: Classical
Style: First Viennese School
Tracklist:
1 Paris Symphony No.82 in C major Hob. I:82 'L'Ours' (1786) - I. Vivace assai 12:06
2 II. Allegretto 7:46
3 III. Menuet-Trio 4:53
4 IV. Finale (Vivace) 8:11
5 Paris Symphony No.83 in G minor Hob. I:83 'La Poule' (1785) - I. Allegro spir… 10:45
6 II. Andante 11:01
7 III. Menuetto (Allegretto)-Trio 3:54
8 IV. Finale (Vivace) 5:42
1 Paris Symphony No.84 in E-flat major Hob. I:84 (1786) - I. Largo-Allegro 12:45
2 II. Andante 6:32
3 III. Menuet (Allegretto)-Trio 3:50
4 IV. Finale (Vivace) 9:23
5 Paris Symphony No.85 in B-flat major Hob. I:85 'La Reine' (1785) - I. Adagio-… 12:47
6 II. Romance (Allegretto) 6:47
7 III. Menuet (Allegretto)-Trio 4:32
8 IV. Finale (Presto) 3:11
1 Paris Symphony No.86 in D major Hob. I:86 (1786) - I. Adagio - Allegro spiritoso 12:35
2 II. Capriccio Largo 6:47
3 III. Menuetto (Allegretto)-Trio 5:40
4 IV. Finale (Allegro con spirito) 6:36
5 Paris Symphony No.87 in A major Hob. I:87 (1785) - I. Vivace 11:17
6 II. Adagio 7:18
7 III. Menuet-Trio 4:56
8 IV. Finale (Vivace) 6:31
Joseph Haydn - Concentus Musicus Wien / Harnoncourt - The Paris Symphonies (2005)
Disc reviews by David Hurwitz "CLASSICSTODAY"
I'm in Haydn heaven. This is the most remarkable set of "Paris" Symphonies since Bernstein's, and without question the new reference by which all others will be judged. I say this fully cognizant of the excellence of some of the competition, from the surprisingly robust Karajan (DG) to the thrillingly exciting Thomas Fey (Hanssler, which contains 4 out of 6 of the symphonies). But none of those previous sets comes as close as this one to realizing perhaps the most singular quality of the music: it's inexhaustible variety and range of emotional expression, both between the various works as well as within them. Recorded back in 2001 and 2002 in glorious, state-of-the-art sonics that give the music the dynamic range and "bigness" of scale that it requires, we can only be thankful that RCA and dhm picked up Harnoncourt's contract when Warner dropped him. The thought of this set not seeing the light of day is too horrible to contemplate.
Few moments in listening to new interpretations of well-loved classics (for me anyway) are more rewarding than hearing something totally different and personal, only to realize that what the conductor has done is simply realize the composer's clear intentions by playing what sits in plain view on the printed page. Let me share with you three examples. In the first movement of Symphony No. 85 ("La Reine"), every performance since the dawn of time that observes the exposition repeat returns to the beginning of the allegro. Harnoncourt goes all the way back to the beginning of the symphony, including the introduction. This so shocked me that I hastened to my score (Landon edition, and so a good scholarly text), and sure enough, there is no repeat sign bracketing the beginning of the allegro. Moreover, in the other two symphonies with introductions (Nos. 84 and 86), you will find those repeat signs in the expected place. So Harnoncourt probably is the first conductor in history, on disc at least, to play what Haydn actually wrote.
Does this matter? Maybe not all that much, but including the introduction emphasizes the movement's hommage to the baroque French overture, and it's entirely in keeping with Haydn's love of formal variety and freedom from routine. It sounds "right". Another example: listen to the forcefulness with which Harnoncourt attacks the sforzandos in the development section of Symphony No. 83's ("La Poule") finale. Once again it's exactly what Haydn wrote, and the effect is electrifying. But Harnoncourt's eye for detail and ear for sonority are not limited exclusively to loud special effects. He can be subtle too, as when he lets us hear the long-held viola note supporting the whimsical second subject in the finale of the Symphony No. 86–a striking jet of color. Anywhere you might care to mention, from the vigorous dotted rhythms that open Symphony No. 85, to the ideal tempos that Harnoncourt finds in the variation slow movements in Symphonies Nos. 82, 84, and 85, to the delicious vignettes that he makes out of the trios in all six (thankfully lively) minuets–try No. 84–you can hear the notes leap off the page with all the freshness of a premiere performance, but with none of the uncertainty.
Harnoncourt honors all suggested repeats, including the second halves of the outer movements–and this also matters, because Haydn writes his endings with the expectation that the repeats will be observed, adding an additional element of surprise and drama. They are anything but perfunctory. In fact, the timing of the second-half repeat is different in every single finale: one and a half 2/4 bars in Symphony No. 82; three quarters of a 12/8 bar in No. 83; one eighth-note in a 2/4 bar in No. 84; half a 2/4 bar in No. 85; three quarters of a 4/4 bar in No. 86; one and a quarter 2/2 bars (plus fermata) in No. 87. Observing the repeats, and understanding what they mean, not only gives the music more substance by allowing listeners to follow the argument in greater detail the second time around, but it further emphasizes Haydn's individuality in each work, making us care about his imaginative approach to form. The result is more than three hours of music–on three discs priced as two–that never feels overlong. Just the opposite.
Finally, the playing of the Concentus Musicus Wien is extraordinary. The woodwinds are particularly gorgeous, whether in the lovely writing for the whole section in select slow movements–try Symphony No. 87, and the variation with pizzicato accompaniment in No. 84–or in solos such as the witty oboe that represents the hen in No. 83 and launches the allegro of No. 85. Harnoncourt even makes something special out of the string articulation in the repeated notes running through the first movement of No. 87 (and he's the first conductor since Bernstein to give the bass lines at the beginning of that symphony their full measure of weight and character). The trumpets and drums in Symphonies Nos. 82 and 86 play vigorously and always cut through the texture with clarity and festive brilliance, while the "dancing bear" finale of No. 82 is both exciting and rustic, the bagpipe imitations milked for all that they're worth, but never at the expense of the music's onrushing energy. You'll love the horns: rich-toned, but with plenty of bite where necessary.
I could go on, but instead let me urge you to buy this set as soon as possible and hear it for yourself. You'll be dazzled, even awed. It sets a new standard in Haydn performance–and trust me, you won't be able to stop listening. [4/28/2005]
Joseph Haydn - Concentus Musicus Wien / Harnoncourt - The Paris Symphonies (2005)
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Joseph Haydn - Concentus Musicus Wien / Harnoncourt - The Paris Symphonies (2005)
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