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Franz Joseph Haydn - Arie per un'amante

Posted By: Kushami

Date: 21 Feb 2011 13:16:58

The title of this album comes from the fact that Haydn wrote most of these insertion arias (arias written to show off the special talents of a singer in a particular production, and substituted for the arias by the opera's composer) for his lover, Italian soprano Luigia Polzelli. Thank goodness these delightful arias have survived, although the operas into which they were originally inserted, by composers like Pasquale Anfossi, Alessandro Guglielmi, and Francesco Bianchi, are forgotten. Haydn's inventiveness and benevolence overflow in this charming music. If there is any criticism of this assortment of arias, it's that they are all relentlessly cheerful and sprightly, and all in major keys, even those with texts like, "Unhappy and unfortunate I am." While not all these arias reveal Haydn at his most dramatically astute, they find him at his most genial. One of the arias, La moglie quando è buona, is in fact laugh-out-loud funny. Spanish soprano Núria Rial and Austrian mezzo-soprano Margot Oitzinger divide the arias. Their voices are well matched: exceptionally pure, supple, and focused, with an unmannered, effortless sounding delivery and immaculate technique. In only one aria, Infelice sventurata, in an unmercifully low passage, does Rial show any strain. Michi Gaigg leads L'Orfeo Barockorchester in a sparkling, beautifully blended accompaniment. The sound is warm and spacious, but always clear and clean.

EAC LOG

Exact Audio Copy V1.0 beta 1 from 15. November 2010

EAC extraction logfile from 18. February 2011, 11:42

Franz Joseph Haydn / Arie per un'Amante

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Null samples used in CRC calculations : Yes
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Range status and errors

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Extraction speed 0.5 X
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Test CRC 8E396D79
Copy CRC 8E396D79
Copy OK

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==== Log checksum 43590C3ED78CB8A3A44405AD088059AFFA1FF2157ADA9EE961C5D373A90F77D5 ====

Nuria Rial (soprano)
Margot Oitzinger (mezzo-soprano)
L'Orfeo Barockorchester
Michi Gaigg

Tracklist

Symphonie G-dur Hob. I,81 - I. Vivace
Dica pure chi vuol dire Hob. 24b,8 (Soprano)
Quando la rosa Hob. 24b,3 (Soprano)
Signor voi sapete Hob. 24b,7 (Soprano)
Il meglio mio carattere Hob. 24b,17 (Mezzo)
La moglie quando è buona Hob. 24b,18 (Mezzo)
Vada adagio, signorina Hob. 24b,12 (Soprano)
Sono Alcina, e sono ancora Hob. 24b,9 (Soprano)
La mia pace, oh Dio Hob. 24b,19 (Soprano)
Infelice sventurata Hob. 24b,15 (Soprano)
Via siate bonino Hob. 24b,23 (Mezzo)
Chi vive amante, so che delira Hob. 24b,13 (Soprano)
D'una sposa mescinella Hob. 24b,2 (Soprano)
Son pietosa, son bonina Hob. 32,1b (Mezzo)

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