Handel - Academy of Ancient Music - Concerti Grossi, Op. 3, Sonata a 5 (2007)
G.F. Handel - Concerti grossi, Op. 3, Sonata a 5
Academy Of Ancient Music / Richard Egarr
EAC+LOG+CUE | WV: 336 MB | Full Artwork | 5% Recovery Info
Label/Cat#: Harmonia Mundi # HMU 907415 | Country/Year: Europe 2007
Genre: Classical | Style: Baroque
MD5 [X] CUE [X] LOG [X] INFO TEXT [X] ARTWORK [X]
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Handel - Academy of Ancient Music - Concerti Grossi, Op. 3, Sonata a 5 (2007)
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 23. September 2011, 22:24
Academy of Ancient Music, dir. Richard Egarr / Handel - Concerti grossi, Op. 3, Sonata a 5
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 2:49.55 | 32 | 12761
2 | 2:50.12 | 4:07.35 | 12762 | 31321
3 | 6:57.47 | 1:28.10 | 31322 | 37931
4 | 8:25.57 | 1:55.00 | 37932 | 46556
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24 | 59:08.32 | 3:42.15 | 266132 | 282796
25 | 62:50.47 | 1:27.40 | 282797 | 289361
26 | 64:18.12 | 3:46.50 | 289362 | 306361
Range status and errors
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Peak level 94.2 %
Extraction speed 1.8 X
Range quality 100.0 %
Test CRC 53306DE8
Copy CRC 53306DE8
Copy OK
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==== Log checksum FB641895464C714B32271F51548454598733D93A1D673421F99D58A8ACAC880D ====
EAC extraction logfile from 23. September 2011, 22:24
Academy of Ancient Music, dir. Richard Egarr / Handel - Concerti grossi, Op. 3, Sonata a 5
Used drive : PLEXTOR DVDR PX-755A Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 30
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Used output format : Internal WAV Routines
Sample format : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.32 | 2:49.55 | 32 | 12761
2 | 2:50.12 | 4:07.35 | 12762 | 31321
3 | 6:57.47 | 1:28.10 | 31322 | 37931
4 | 8:25.57 | 1:55.00 | 37932 | 46556
5 | 10:20.57 | 2:23.50 | 46557 | 57331
6 | 12:44.32 | 2:14.43 | 57332 | 67424
7 | 14:59.00 | 1:22.32 | 67425 | 73606
8 | 16:21.32 | 3:27.58 | 73607 | 89189
9 | 19:49.15 | 3:23.57 | 89190 | 104471
10 | 23:12.72 | 1:02.15 | 104472 | 109136
11 | 24:15.12 | 3:45.53 | 109137 | 126064
12 | 28:00.65 | 6:33.72 | 126065 | 155611
13 | 34:34.62 | 2:04.70 | 155612 | 164981
14 | 36:39.57 | 1:38.15 | 164982 | 172346
15 | 38:17.72 | 2:44.35 | 172347 | 184681
16 | 41:02.32 | 1:41.63 | 184682 | 192319
17 | 42:44.20 | 2:16.37 | 192320 | 202556
18 | 45:00.57 | 1:25.25 | 202557 | 208956
19 | 46:26.07 | 1:35.33 | 208957 | 216114
20 | 48:01.40 | 2:44.17 | 216115 | 228431
21 | 50:45.57 | 2:53.48 | 228432 | 241454
22 | 53:39.30 | 2:00.65 | 241455 | 250519
23 | 55:40.20 | 3:28.12 | 250520 | 266131
24 | 59:08.32 | 3:42.15 | 266132 | 282796
25 | 62:50.47 | 1:27.40 | 282797 | 289361
26 | 64:18.12 | 3:46.50 | 289362 | 306361
Range status and errors
Selected range
Filename Z:\NetLab\Handel - Concerti grossi, Op. 3, Sonata a 5 (Academy of Ancient Music) (2007)\Handel - Concerti grossi, Op. 3, Sonata a 5.wav
Peak level 94.2 %
Extraction speed 1.8 X
Range quality 100.0 %
Test CRC 53306DE8
Copy CRC 53306DE8
Copy OK
No errors occurred
AccurateRip summary
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Track 2 accurately ripped (confidence 5) [7F45B726] (AR v2)
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==== Log checksum FB641895464C714B32271F51548454598733D93A1D673421F99D58A8ACAC880D ====
foobar2000 1.1.14a / Dynamic Range Meter 1.1.1
log date: 2013-05-02 18:14:35
––––––––––––––––––––––––––––––––––––––––
Analyzed: Academy of Ancient Music, dir. Richard Egarr / Handel - Concerti grossi, Op. 3, Sonata a 5
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.55 dB -18.99 dB 2:50 01-Concerto No. 1 in B-flat major; I.
DR11 -2.92 dB -19.98 dB 4:07 02-II.
DR13 -0.51 dB -19.14 dB 1:28 03-III.
DR12 -2.31 dB -18.43 dB 1:55 04-Concerto No. 2 in B-flat major; I. Vivace
DR11 -5.55 dB -21.80 dB 2:24 05-II. Largo
DR12 -1.56 dB -17.71 dB 2:15 06-III. Allegro
DR12 -4.38 dB -20.11 dB 1:22 07-IV.
DR12 -4.30 dB -19.55 dB 3:28 08-V.
DR14 -1.26 dB -20.46 dB 3:24 09-Concerto No. 3 in G major; I. Largo, e staccato - Allegro
DR11 -7.64 dB -22.30 dB 1:02 10-II. Adagio
DR12 -3.12 dB -17.97 dB 3:46 11-III. Allegro
DR12 -3.33 dB -18.44 dB 6:34 12-Concerto No. 4 in F major; I.
DR11 -5.61 dB -20.84 dB 2:05 13-II. Andante
DR11 -3.08 dB -18.74 dB 1:38 14-III. Allegro
DR12 -5.65 dB -20.87 dB 2:44 15-IV. Allegro
DR12 -2.88 dB -18.80 dB 1:42 16-Concerto No. 5 in D minor; I.
DR12 -0.91 dB -19.09 dB 2:16 17-II. Fuga. Allegro
DR11 -5.11 dB -20.40 dB 1:25 18-III. Adagio
DR12 -2.71 dB -19.26 dB 1:35 19-IV. Allegro, ma non troppo
DR13 -2.84 dB -18.82 dB 2:44 20-V. Allegro
DR12 -1.72 dB -18.63 dB 2:54 21-Concerto No. 6 in D major; I.
DR8 -13.10 dB -25.68 dB 2:01 22-Improvisation
DR12 -3.54 dB -20.44 dB 3:28 23-II. Allegro
DR12 -4.71 dB -20.40 dB 3:42 24-Sonata a 5 (HWV 288); I. Andante
DR13 -4.22 dB -23.49 dB 1:28 25-II. Adagio
DR13 -3.63 dB -20.57 dB 3:47 26-III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 691 kbps
Codec: WavPack
================================================================================
log date: 2013-05-02 18:14:35
––––––––––––––––––––––––––––––––––––––––
Analyzed: Academy of Ancient Music, dir. Richard Egarr / Handel - Concerti grossi, Op. 3, Sonata a 5
––––––––––––––––––––––––––––––––––––––––
DR Peak RMS Duration Track
––––––––––––––––––––––––––––––––––––––––
DR12 -2.55 dB -18.99 dB 2:50 01-Concerto No. 1 in B-flat major; I.
DR11 -2.92 dB -19.98 dB 4:07 02-II.
DR13 -0.51 dB -19.14 dB 1:28 03-III.
DR12 -2.31 dB -18.43 dB 1:55 04-Concerto No. 2 in B-flat major; I. Vivace
DR11 -5.55 dB -21.80 dB 2:24 05-II. Largo
DR12 -1.56 dB -17.71 dB 2:15 06-III. Allegro
DR12 -4.38 dB -20.11 dB 1:22 07-IV.
DR12 -4.30 dB -19.55 dB 3:28 08-V.
DR14 -1.26 dB -20.46 dB 3:24 09-Concerto No. 3 in G major; I. Largo, e staccato - Allegro
DR11 -7.64 dB -22.30 dB 1:02 10-II. Adagio
DR12 -3.12 dB -17.97 dB 3:46 11-III. Allegro
DR12 -3.33 dB -18.44 dB 6:34 12-Concerto No. 4 in F major; I.
DR11 -5.61 dB -20.84 dB 2:05 13-II. Andante
DR11 -3.08 dB -18.74 dB 1:38 14-III. Allegro
DR12 -5.65 dB -20.87 dB 2:44 15-IV. Allegro
DR12 -2.88 dB -18.80 dB 1:42 16-Concerto No. 5 in D minor; I.
DR12 -0.91 dB -19.09 dB 2:16 17-II. Fuga. Allegro
DR11 -5.11 dB -20.40 dB 1:25 18-III. Adagio
DR12 -2.71 dB -19.26 dB 1:35 19-IV. Allegro, ma non troppo
DR13 -2.84 dB -18.82 dB 2:44 20-V. Allegro
DR12 -1.72 dB -18.63 dB 2:54 21-Concerto No. 6 in D major; I.
DR8 -13.10 dB -25.68 dB 2:01 22-Improvisation
DR12 -3.54 dB -20.44 dB 3:28 23-II. Allegro
DR12 -4.71 dB -20.40 dB 3:42 24-Sonata a 5 (HWV 288); I. Andante
DR13 -4.22 dB -23.49 dB 1:28 25-II. Adagio
DR13 -3.63 dB -20.57 dB 3:47 26-III. Allegro
––––––––––––––––––––––––––––––––––––––––
Number of tracks: 26
Official DR value: DR12
Samplerate: 44100 Hz
Channels: 2
Bits per sample: 16
Bitrate: 691 kbps
Codec: WavPack
================================================================================
CD Info:
G.F. Handel - Concerti grossi, Op. 3, Sonata a 5
Academy Of Ancient Music, Richard Egarr
Label: Harmonia Mundi
Catalog#: HMU 907415
Format: CD, Album
Country: Europe
Released: 2007
Genre: Classical
Style: Baroque
Tracklist:
1 Concerto No. 1 in B-flat major; I. 2:50
2 II. 4:07
3 III. 1:28
4 Concerto No. 2 in B-flat major; I. Vivace 1:55
5 II. Largo 2:24
6 III. Allegro 2:15
7 IV. 1:22
8 V. 3:28
9 Concerto No. 3 in G major; I. Largo, e staccato - Allegro 3:24
10 II. Adagio 1:02
11 III. Allegro 3:46
12 Concerto No. 4 in F major; I. 6:34
13 II. Andante 2:05
14 III. Allegro 1:38
15 IV. Allegro 2:44
16 Concerto No. 5 in D minor; I. 1:42
17 II. Fuga. Allegro 2:16
18 III. Adagio 1:25
19 IV. Allegro, ma non troppo 1:35
20 V. Allegro 2:44
21 Concerto No. 6 in D major; I. 2:54
22 Improvisation 2:01
23 II. Allegro 3:28
24 Sonata a 5 (HWV 288); I. Andante 3:42
25 II. Adagio 1:28
26 III. Allegro 3:47
Handel - Academy of Ancient Music - Concerti Grossi, Op. 3, Sonata a 5 (2007)
David Hurwitz (ClassicsToday.com)
As Richard Egarr points out in his very intelligent notes to this terrific release (in what promises to be a new Handel cycle with the AAM), the Op. 3 Concerti grossi tend to get dismissed as compared with their larger Op. 6 brethren. But that doesn't mean that Handel didn't lavish great care on their composition (or assembly), and the fact that they consist mostly of arrangements or borrowings, as we all know, means nothing where Handel is concerned as a measure of quality. One of the nicest things about these performances is that Egarr makes no effort to homogenize what remains a wildly varied selection of movement types and formal structures. Just the opposite: he presents this music as a riot of color and individualized character.
Here are some of the highlights: Egarr offers the solo flute version of the Third Concerto rather than the more standard alternative for oboe, an excellent choice that both sets off this particular work and provides a welcome contrasting timbre if you are listening continuously. The French Overture opening of Concerto No. 4 really captures that wonderful sense of ceremony that Handel managed better than just about anyone else. Egarr also offers a delightful organ improvisation as the central movement of the Sixth Concerto (surely something belongs between the two that Handel actually wrote), and throughout the set he varies the continuo extremely effectively, nowhere more so than in the strikingly sensual Largo of the Second Concerto. The lively Sonata a 5, from Handel's early days in Italy, makes a fine bonus, and the whole production is superbly engineered and presented with Harmonia Mundi's usual care for every detail of production. It doesn't get any better.
Handel - Academy of Ancient Music - Concerti Grossi, Op. 3, Sonata a 5 (2007)
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Handel - Academy of Ancient Music - Concerti Grossi, Op. 3, Sonata a 5 (2007)
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