Graupner - "The Art of Imitation": Trio Sonatas
Graupner - "The Art of Imitation": Trio Sonatas
Classical, Baroque | 1 CD | EAC | FLAC, CUE, LOG | Scans | 324 MB | TT: 65:24 | Rapidshare
Antichi Strumenti | Recording: 2002, Istituto Musica Antica, Mondovi | Released: 2004 | Label: stradivarius STR 33632
Christoph Graupner was one of the most prolific composers in Germany of his time. He wrote a large number of instrumental and vocal works, which until the last five years or so have been almost completely neglected.Tracklist:
Born in Kirchberg in Saxony he received his first music lessons from local musicians, and then went to Leipzig in 1696 as an alumnus of the Thomasschule. The time in Leipzig turned out to be crucial for his development as a musician and composer. Here he became acquainted with Telemann, who was the leader of the local Collegium Musicum. […]
Together with his friend Johann David Heinichen he studied with the then Thomaskantor Johann Kuhnau, who thoroughly instructed them in counterpoint. In his autobiography Graupner writes that "both I and Heinichen had much profit from his teachings, both for harpsichord and composition. […]"
The study of counterpoint had a lasting influence on Graupner. Just like Heinichen he developed a special interest in the canon. In 1730 he started to write 5625 canons on the same subject. And in 1736 he copied Kuhnau's treatise Von dem doppelten Contrapunct, which was circulating only in manuscript. This is most remarkable, as at that time the aesthetic of the Enlightenment quickly won ground. Its main theorist was Johann Mattheson, who, in 1723 in his journal Critica Musica, specifically wrote that the foundation of music is not the canon but melody and that the ability to write a melody owes little or nothing to the artifice of the canon.
The ensemble Antichi Strumenti has devoted a whole disc to Graupner's fascination for the canon and for the principle of imitation in general. It has selected 6 canons and also recorded all of Graupner's sonatas for 2 violins and b.c. These were presumably composed as late as the first part of the 1740's. Imitation and counterpoint are dominating in the sonatas in minor keys and in the slow movements of the sonatas in major keys. Also recorded is a canon sonata, one of four Graupner wrote in 1737. Here the canon sometimes turns from a 2-part into a 3- or even 4-part structure. As a contrast two canon sonatas by Graupner's contemporaries Fasch and Molter have been recorded, which are rather more conventional. - Johan van Veen (musica-dei-donum.net, 2005)
Christoph Graupner
01-03 Trio à 2 Violini e Cembalo c-moll
04 Kanon zu 4 Stimmen
Johann Friedrich Fasch
05-08 Sonata: Canon à 2 Violini e Cembalo d-moll
09 Kanon zu 3 Stimmen
Christoph Graupner
10-13 Trio à 2 Violini e Cembalo E-Dur
14 Kanon zu 2 Stimmen
Christoph Graupner
15-18 Canon all'unisono a 2 Violini, Violoncello e Cembalo F-Dur
19 Kanon zu 2 Stimmen
Christoph Graupner
20-23 Trio à 2 Violini e Cembalo g-moll
24 Kanon zu 3 Stimmen
Johann Melchior Molter
25-27 Canon. Sonata à 3 / 2 Violini e Cembalo A-dur
28 Kanon zu 4 Stimmen
Christoph Graupner
29-32 Trio à 2 Violini e Cembalo D-Dur
Performers:
Antichi Strumenti
(Gerd Uwe Klein, violin
Laura Tofetti, violin
Tobias Bonz, cello,
Andrea Marchiol, harpsichord)
Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
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Various / Die Kunst der Imitation (2002 Antichi Strumenti)
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EAC extraction logfile from 31. October 2009, 21:15
Various / Die Kunst der Imitation (2002 Antichi Strumenti)
Used drive : HL-DT-STDVDRAM GSA-T50N Adapter: 0 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 667
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\FLAC\FLAC.EXE
Additional command line options : -6 -V -T "ARTIST=%a" -T "TITLE=%t" -T "ALBUM=%g" -T "DATE=%y" -T "TRACKNUMBER=%n" -T "GENRE=%m" -T "COMMENT=%e" %s -o %d
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
––––––––––––––––––––––––––––-
1 | 0:00.00 | 2:08.04 | 0 | 9603
2 | 2:08.04 | 2:56.71 | 9604 | 22874
3 | 5:05.00 | 2:07.04 | 22875 | 32403
4 | 7:12.04 | 1:13.05 | 32404 | 37883
5 | 8:25.09 | 2:48.30 | 37884 | 50513
6 | 11:13.39 | 2:21.00 | 50514 | 61088
7 | 13:34.39 | 1:46.29 | 61089 | 69067
8 | 15:20.68 | 1:47.17 | 69068 | 77109
9 | 17:08.10 | 0:34.36 | 77110 | 79695
10 | 17:42.46 | 2:52.45 | 79696 | 92640
11 | 20:35.16 | 3:31.24 | 92641 | 108489
12 | 24:06.40 | 2:11.64 | 108490 | 118378
13 | 26:18.29 | 2:41.36 | 118379 | 130489
14 | 28:59.65 | 1:01.16 | 130490 | 135080
15 | 30:01.06 | 5:30.66 | 135081 | 159896
16 | 35:31.72 | 2:04.48 | 159897 | 169244
17 | 37:36.45 | 4:09.70 | 169245 | 187989
18 | 41:46.40 | 1:03.47 | 187990 | 192761
19 | 42:50.12 | 0:56.74 | 192762 | 197035
20 | 43:47.11 | 1:05.35 | 197036 | 201945
21 | 44:52.46 | 1:38.11 | 201946 | 209306
22 | 46:30.57 | 1:37.17 | 209307 | 216598
23 | 48:07.74 | 1:54.42 | 216599 | 225190
24 | 50:02.41 | 0:33.20 | 225191 | 227685
25 | 50:35.61 | 1:29.53 | 227686 | 234413
26 | 52:05.39 | 1:25.55 | 234414 | 240843
27 | 53:31.19 | 1:17.05 | 240844 | 246623
28 | 54:48.24 | 1:15.18 | 246624 | 252266
29 | 56:03.42 | 1:56.47 | 252267 | 261013
30 | 58:00.14 | 3:28.41 | 261014 | 276654
31 | 61:28.55 | 2:04.50 | 276655 | 286004
32 | 63:33.30 | 1:48.56 | 286005 | 294160
Range status and errors
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Filename C:\Graupner - Die Kunst der Imitation.wav
Peak level 59.8 %
Range quality 100.0 %
Test CRC F7298B80
Copy CRC F7298B80
Copy OK
No errors occurred
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