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    Gideon Lewensohn - Odradek (2002) {ECM New Series 1781}

    Posted By: ruskaval
    Gideon Lewensohn - Odradek (2002) {ECM New Series 1781}

    Gideon Lewensohn - Odradek (2002) {ECM New Series 1781}
    EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 274 Mb | MP3 @320 -> 177 Mb
    Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
    © 2002 ECM Records | ECM New Series 1781
    Classical / Contemporary Classical / Chamber Music

    The ECM New Series debut of Israeli composer Gideon Lewensohn, 'Odradek' is comprised entirely of premiere recordings. Lewensohn is increasingly recognised as one of the freshest voices in contemporary music and the title piece from this album, the 'Odradek Quartet' won First Prize in the International Competition of the Italian Academy of Arts and Letters. Lewensohn's music defies easy categorisation. It is by turns, playful, serious, ironic, caustic, beautiful. The composer defines his own role as that of a commentator on culture - sometimes from a specifically Jewish perspective - and the range of musical-historical references in the work is vast. In his compositions, Lewnsohn pays tribute to Kurtág, Kancheli, Lutoslawski, Shostakovich, Bartók, Mahler, Rochberg, the Hilliard Ensemble, ragtime composer Scott Joplin and many others.

    Israeli composer Gideon Lewensohn splashes onto ECM New Series with Odradek, a program of intriguing, sometimes perplexing, but always gripping music. The Piano Quintet is exemplary of Lewensohn’s odic approach, paying homage to his own brother Micah, as well as to György Kurtág, the Hilliard Ensemble, George Rochberg, and Dmitri Shostakovich. And while more than a smidgeon of each movement’s namesake is palpable, even more so is the freshness of a unique voice in contemporary music. These are not the seemingly perfect circles of ripples in a pond, but rather the jagged and frothy edges of an immeasurable shoreline. The first movement is a cycle in reverse. Violins pull like hands from a gooey mass clutching the prize they so desperately sought, only to realize that its virtues have all but been destroyed in the process of discovery. The second movement skitters like glass, shifting through high harmonics and mysterious refractions. In the third movement the cello at last groans from the underworld. With the circling birds of high violins now gone, it is free to peek its head above the surface and divine its own shadow. The fifth movement is the most violent, its controlled chaos spiraling ever downward into magma. These honorary fragments continue in the title quartet with further nods to Giya Kancheli, Witold Lutosławski, and Gustav Mahler, among others. Other descriptors are more subjective, charting moments of paranoia, drunkenness, and distortions of time. Still others bear whimsical subtitles like “Sarabandoned” and “Epiloque.” Each is a drip through a semantic IV in which the sublime and the violent are equal medicine. Bookending the Quartet are two iterations of the Postlude for piano. With every protracted fall into joy, moments of dynamic increase seem more like extensions of a default quietude rather than ruptures of it.

    To be sure, Odradek is an uneasy place to be, but one that offers up its own fascinations with contemplation. The music responds just as well to abandonment as it does to undivided attention and maps its footsteps on the bodies of each high-caliber performer. Instruments are re-clothed and compressed into seeds before being scattered across a barren field that only now flourishes to make up for lost time. We are the reapers here, our scythes raking together every husk of this brilliant crop.
    Gideon Lewensohn - Odradek (2002) {ECM New Series 1781}


    Personnel:
    Auryn Quartet

    Matthias Lingenfelder violin
    Jens Oppermann violin
    Stewart Eaton viola
    Andreas Arndt cello

    Alexander Lonquich piano
    Gideon Lewensohn piano

    Recorded February 2001 at Radio DRS, Zürich
    Engineer: Stephan Schellmann
    Produced by Manfred Eicher


    tracklist:
    01 - Piano Quintet - Homage to Gyorgy Kurtag
    02 - Piano Quintet - Homage to Micah Lewensohn
    03 - Piano Quintet - Homage to the Hilliards
    04 - Piano Quintet - Homage to George Rochberg
    05 - Piano Quintet - Scherzofinale or a message from Dimitry
    06 - Postlude for Piano
    07 - Odradek Quartet - Prologue Kancheli and Lutoslawksi, a casual meeting
    08 - Odradek Quartet - oN the verge Of paRAnoia
    09 - Odradek Quartet - Joseph Tal a spark of childhood memory
    10 - Odradek Quartet - Tal was born around the time Mahler died
    11 - Odradek Quartet - Alla marcia Kurt is 100
    12 - Odradek Quartet - Echo di walzer with an alcoholic ste
    13 - Odradek Quartet - reTALango
    14 - Odradek Quartet - und noch zuruckhaltend
    15 - Odradek Quartet - Monelle says it is somewhat Bartokian indeed
    16 - Odradek Quartet - Sarabandoned
    17 - Odradek Quartet - reTAL
    18 - Odradek Quartet - reSarabandoned
    19 - Odradek Quartet - Mahler and Kafka in Terezin a preview
    20 - Odradek Quartet - ScotTALissimo
    21 - Odradek Quartet - Time To Tune
    22 - Odradek Quartet - ich grolle doch
    23 - Odradek Quartet - Epilogue
    24 - Postlude for piano

    Exact Audio Copy V1.0 beta 3 from 29. August 2011

    EAC extraction logfile from 26. August 2015, 12:19

    Gideon Lewensohn / Odradek

    Used drive : TSSTcorpCDDVDW SH-224BB Adapter: 0 ID: 0

    Read mode : Secure
    Utilize accurate stream : Yes
    Defeat audio cache : Yes
    Make use of C2 pointers : No

    Read offset correction : 6
    Overread into Lead-In and Lead-Out : No
    Fill up missing offset samples with silence : Yes
    Delete leading and trailing silent blocks : No
    Null samples used in CRC calculations : Yes
    Used interface : Native Win32 interface for Win NT & 2000
    Gap handling : Appended to previous track

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    Add ID3 tag : No
    Command line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
    Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%


    TOC of the extracted CD

    Track | Start | Length | Start sector | End sector
    ––––––––––––––––––––––––––––-
    1 | 0:00.00 | 8:43.17 | 0 | 39241
    2 | 8:43.17 | 2:23.55 | 39242 | 50021
    3 | 11:06.72 | 2:27.15 | 50022 | 61061
    4 | 13:34.12 | 5:05.58 | 61062 | 83994
    5 | 18:39.70 | 5:55.05 | 83995 | 110624
    6 | 24:35.00 | 10:10.00 | 110625 | 156374
    7 | 34:45.00 | 1:48.50 | 156375 | 164524
    8 | 36:33.50 | 1:43.05 | 164525 | 172254
    9 | 38:16.55 | 1:18.40 | 172255 | 178144
    10 | 39:35.20 | 1:29.37 | 178145 | 184856
    11 | 41:04.57 | 1:57.00 | 184857 | 193631
    12 | 43:01.57 | 1:03.05 | 193632 | 198361
    13 | 44:04.62 | 1:56.20 | 198362 | 207081
    14 | 46:01.07 | 2:53.45 | 207082 | 220101
    15 | 48:54.52 | 2:23.48 | 220102 | 230874
    16 | 51:18.25 | 1:19.37 | 230875 | 236836
    17 | 52:37.62 | 0:37.30 | 236837 | 239641
    18 | 53:15.17 | 2:16.73 | 239642 | 249914
    19 | 55:32.15 | 3:48.35 | 249915 | 267049
    20 | 59:20.50 | 0:20.25 | 267050 | 268574
    21 | 59:41.00 | 1:33.25 | 268575 | 275574
    22 | 61:14.25 | 5:07.25 | 275575 | 298624
    23 | 66:21.50 | 2:22.60 | 298625 | 309334
    24 | 68:44.35 | 7:26.57 | 309335 | 342841


    Track 1

    Filename C:\AneL\01 - Piano Quintet - Homage to Gyorgy Kurtag.wav

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    Track 2

    Filename C:\AneL\02 - Piano Quintet - Homage to Micah Lewensohn.wav

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    Track 3

    Filename C:\AneL\03 - Piano Quintet - Homage to the Hilliards.wav

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    Track 4

    Filename C:\AneL\04 - Piano Quintet - Homage to George Rochberg.wav

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    Track 5

    Filename C:\AneL\05 - Piano Quintet - Scherzofinale or a message from Dimitry.wav

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    Track 6

    Filename C:\AneL\06 - Postlude for Piano.wav

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    Track 7

    Filename C:\AneL\07 - Odradek Quartet - Prologue Kancheli and Lutoslawksi, a casual meeting.wav

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    Track 8

    Filename C:\AneL\08 - Odradek Quartet - oN the verge Of paRAnoia.wav

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    Track 9

    Filename C:\AneL\09 - Odradek Quartet - Joseph Tal a spark of childhood memory.wav

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    Track 10

    Filename C:\AneL\10 - Odradek Quartet - Tal was born around the time Mahler died.wav

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    Track 11

    Filename C:\AneL\11 - Odradek Quartet - Alla marcia Kurt is 100.wav

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    Track 12

    Filename C:\AneL\12 - Odradek Quartet - Echo di walzer with an alcoholic ste.wav

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    Track 13

    Filename C:\AneL\13 - Odradek Quartet - reTALango.wav

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    Track 14

    Filename C:\AneL\14 - Odradek Quartet - und noch zuruckhaltend.wav

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    Track 15

    Filename C:\AneL\15 - Odradek Quartet - Monelle says it is somewhat Bartokian indeed.wav

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    Track 16

    Filename C:\AneL\16 - Odradek Quartet - Sarabandoned.wav

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    Track 17

    Filename C:\AneL\17 - Odradek Quartet - reTAL.wav

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    Track 18

    Filename C:\AneL\18 - Odradek Quartet - reSarabandoned.wav

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    Track 19

    Filename C:\AneL\19 - Odradek Quartet - Mahler and Kafka in Terezin a preview.wav

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    Track 20

    Filename C:\AneL\20 - Odradek Quartet - ScotTALissimo.wav

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    Track 21

    Filename C:\AneL\21 - Odradek Quartet - Time To Tune.wav

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    Track 22

    Filename C:\AneL\22 - Odradek Quartet - ich grolle doch.wav

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    Track 23

    Filename C:\AneL\23 - Odradek Quartet - Epilogue.wav

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    Track 24

    Filename C:\AneL\24 - Postlude for piano.wav

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    All tracks accurately ripped

    No errors occurred

    End of status report

    ==== Log checksum 28FC3F8FCA0399F112127D5B2D9E25844F7AA4BAFAC9E268EFF945A9B6D8EC9B ====


    Gideon Lewensohn - Odradek (2002) {ECM New Series 1781}

    Gideon Lewensohn - Odradek (2002) {ECM New Series 1781}


    All thanks goes to the original releaser!


    ===